Blu-ray Movie Reviews

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David Vaughn  |  Oct 14, 2011  | 
Deep in the heart of the African savanna, a rivalry between two lion prides takes place while a cheetah family tries to stick together. Mara is an endearing lion cub who strives to grow up with her mother's strength, spirit, and wisdom, but an accident threatens to make her an orphan. Then there's Sita, a fearless cheetah and single mother of five newborns who must try and keep her cubs alive until they can fend for themselves. Finally, there's Fang, the leader of the pride who must defend his family from a rival lion clan that is looking to take over his land.

This is the first Disneynature production I've had a chance to see, and while the narrative is geared toward younger audiences, I still enjoyed it. The young cheetah and lion cubs are adorable, and I kept wondering how the filmmakers were able to get such close-up images. The story can turn a tad dark at times, but Disney provides a great vehicle to introduce kids to the African savanna.

Thomas J. Norton  |  Mar 11, 2016  | 
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Aladdin was released theatrically in 1992, during a renaissance in Disney’s hand-drawn animation that also gave us Beauty and the Beast and The Lion King. But its release on DVD didn’t happen until 2004, and this is its first time on Blu-ray. It’s been too long a wait.

You know the story. Street rat Aladdin finds a magic lamp, he rubs it, and a genie appears to grant his new master three wishes. It’s a tale of redemption, growth, love, treachery, and—oh, forget all that. Its Boy meets Genie, Boy loses Genie, Boy gets Genie.

Corey Gunnestad  |  Oct 01, 2014  | 
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To commemorate the 10th anniversary of its release, Oliver Stone returns once again to his much maligned and misunderstood epic. This is officially the fourth cut of the film, but before you grouse, hear me out. The progression follows thus: The original Theatrical Cut was Stone’s epic vision pared down to a marketable length to appease the studio executives; the Director’s Cut was the result of Stone yielding to pressure to appease the masses and their aversion to the film’s blatant homo-eroticism; and the Revisited Final Cut was a tenacious filmmaker getting the chance to finally realize his passion-project in the version that he originally intended audiences to see. What’s curious, though, about this new Ultimate Cut is that it differs only slightly from the Revisited Final Cut and runs just eight minutes shorter.
David Vaughn  |  May 25, 2010  | 
Alice (Mia Wasikowska), now 19 years old, returns to the mysterious world she first entered as a child and embarks on a journey to discover her true destiny. Along the way, she meets the Mad Hatter (Johnny Depp), the evil Red Queen (Helena Bonham Carter), the White Queen (Anne Hathaway), and many others who help her complete her quest.

I'm a huge fan of director Tim Burton and was eager to see his take on the classic tale. The theatrical reviews were mixed, but the box-office take ($332 million) makes it Disney's fourth-highest-grossing film of all time. Despite the bizarre second act, it's very entertaining, and the amazing sets and costumes certainly helped draw me in. While not perfect, the 1080p encode boasts some amazingly detailed scenes, and the DTS-HD MA 5.1 soundtrack is just as impressive with a plethora of discrete effects.

David Vaughn  |  Jan 31, 2011  | 
While dozing off, young Alice dreams about falling down a rabbit hole that is populated by a peculiar series of misadventures. The always sensible Alice whirls through a world of contradictions, imagination, and surprises where she encounters amazing creatures including a pocket watch-toting White Rabbit, the imperious Queen of Hearts and her army of playing cards, and a Cheshire Cat with a lingering smile.

Walt Disney was one of the most influential movie makers of the 20th Century and had considered adapting Lewis Carroll's famous story in 1933, but shelved the idea after Paramount released its version. He later had artist David Hall create some concept art for the project, but WWII intervened and his animated version didn't hit the screen until 1951. On a recent visit to the Walt Disney Museum in San Francisco, I discovered that Walt wasn't too keen on the results of the film and complained that it had no "heart." I tend to agree with him and as a kid this was one of my least favorite Disney productions.

David Vaughn  |  Oct 27, 2010  | 
On its return trip to Earth, the Nostromo intercepts a distress call from a distant planet. The crew is awakened from cryo-sleep by the ship's computer and goes to the planet to investigate. It turns out the signal wasn't a call for help; it was a warning to stay clear. When one of the crew is attacked by an Alien lifeform, the other crew members have no idea what they've unleashed upon themselves by letting the man back on the ship.

In the excellent sequel Aliens, we catch up with Ripley (Sigourney Weaver) after her harrowing escape in the first movie. Fifty-seven years have past when she's found floating in space in cryo-sleep and no one from "the company" believes her horrific tale of survival until all contact is lost with the colonists from planet LV-426, which is introduced in the first movie. Soon she finds herself headed back to the dreaded planet with a team of Marines to investigate.

Thomas J. Norton  |  Apr 11, 2004  | 

<I><B>Alien: Director's Cut</B></I>
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<I>Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, Yaphet Kotto. Directed by Ridley Scott. Aspect ratio: 2.35:1 (anamorphic). 5.1 Dolby Digital, DTS (English), Mono (Spanish). 116 minutes. 1979.</I>
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Picture ***1/2
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Sound **1/2
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Film ****

Shane Buettner  |  Feb 03, 2007  | 

OK, <I>AVP's</I> concept, such as it is, of pitting two of cinema's most known monsters against each other in mortal combat (not <I>Mortal Kombat</I>) began back in the day as a graphic novel. A graphic novel is a comic book of allegedly higher aesthetic and narrative value not necessarily aimed at little kids. However, even a comic book would be embarrassed at the setup here in which these two cinematic make-up and effects legends duke it out. Any teenager who reads Fangoria magazine could have dreamed this one up. And hell, who cares what he excuses are, we just want to see the Aliens and Predators run amok, which they do.

Chris Chiarella  |  Dec 08, 2017  | 
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Remember how excited we were when we heard that George Lucas—the man who started it all—was going back to directing Star Wars movies? And a lot of us went to see Episode I and said, “Oh.” And then, a few years older and wiser, we sat through Episode II and said, “Oh. Well.”

Ridley Scott is putting us through much the same ringer with the Alien franchise he began, famously returning for 2012’s technically accomplished but overly complicated Prometheus (also newly available on 4K). And now he’s back again with Alien: Covenant, which might just be the nadir for the series.

Roger Kanno  |  Sep 06, 2019  | 
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Expectations for the release of Alita: Battle Angel, the long-awaited film adaptation of the Japanese cyberpunk manga series, Battle Angel Alita, ran extremely high, no doubt due to the high-profile names involved in its production. Co-written and co-produced by James Cameron and directed by Robert Rodriguez, it stars Rosa Salazar as cyborg-warrior Alita, with supporting performances by past Academy Award recipients Jennifer Connelly, Mahershala Ali, and Christoph Waltz.
Brandon A. DuHamel  |  Jul 24, 2023  | 
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After several Hollywood adaptations for both the big and small screens, Edward Berger is now the first German director to adapt his countryman Erich Maria Remarque’s anti-war novel All Quiet on the Western Front. Here, Paul Bäumer (Felix Kammerer) is a young German man who finds himself caught up in the patriotic fervor of World War I Germany and, along with his friends, enlists in the military to fight. Upon arriving at the Western Front against France, Paul and his friends are confronted with the reality of trench warfare, which is vastly different from the glory they imagined.

David Vaughn  |  Oct 14, 2016  | 
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With Erudite’s leader overthrown, Four’s mother is now in control of Chicago, and instead of getting on with their lives, it’s payback time for those who oppressed the people under the previous leadership. Tris wants no part of this, and she and Four lead a team of rebels on a daring escape beyond the wall where they face an even larger threat. Tris is then befriended by the mysterious leader, but Four’s spidey sense tells him to be on guard—and for good reason.
Chris Chiarella  |  Aug 04, 2017  | 
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The year is 1942, and Max (Brad Pitt) is a Canadian working with British Intelligence deep undercover in French Morocco, teamed for the first time with Marianne (Marion Cotillard), a cunning operative for the French Resistance. Together they face incredible danger and the sad realities of the life they’ve chosen, only to fall in love. Back in England, they find themselves married with a child while the war still rages, but Marianne is suddenly the target of suspicion: Could this woman who has so dutifully risked her life in service to the Allies possibly be a spy for the Germans? With his entire family at stake, Max sets out to uncover the truth, a perilous journey with some unexpected, unwelcome twists.
Mike Mettler  |  Oct 15, 2021  | 
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As someone nicknamed "Almost Famous" by the road crew of a band I've been embedded with on scores of their North American tours over the past two decades, I can attest firsthand to the accuracy of every backstage moment seen on unadulterated display in director/screenwriter Cameron Crowe's film of the same name. Indeed, Almost Famous is Crowe's love-letter depiction of his early/ mid-1970s zeitgeist years spent as a geeky teenage scribe desperately trying to act cool while seeking to chronicle the true essence of rock & roll and life on the road.
David Vaughn  |  Jan 30, 2011  | 
William (Patrick Fugit) is a 15-year-old music fan who gets a dream assignment to travel with an up-and-coming band and write a cover story for Rolling Stone magazine. His mother (Frances McDormand) isn't thrilled with the gig, but the young man hits the road with the band and learns there's more to write about than just music.

Writer/director Cameron Crowe burst on the scene in 1982 by penning Fast Times at Ridgemont High, which went on to become a hit with the teen audience. He wasn't a one hit wonder by writing/directing Say Anything, Jerry Maguire, and then the film based on his own youth, Almost Famous. While I can't particularly relate to the era (I'm more of an 80s guy), there were certain aspects of the film that gave me a chuckle. For example, my daughter is almost 15 and I couldn't imagine her going on the road with a band, so I certainly empathized with his mother's reaction.

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