Sometimes it makes me nervous to lift an iPod-compatible compact audio system out of the box. There are plenty of them out there and I want to review only the exceptional ones. From time to time I pull off the wrapping and know I'm looking at a loser before the iPod even touches the docking connector. Flimsy construction usually leads to flimsy sound. On the other hand, some systems also make a fine first impression. The
Tannoy i30 is a case in point. It was packed better than most of the surround receivers I reviewed, in charcoal-colored non-disintegrating foam. At a solid eight pounds, it felt good in my hands.
Lost amid the year-end fuss was a long-expected development that will have profound effects for viewers on the west coast, in the midwest, and in the southeastern United States. The Federal Communications Commission quietly approved a merger between AT&T (as the combined company will be known) and Bell South. How will this affect nascent telco TV service? Just look at the Wiki map: Three companies now control the bulk of the traditional telecom business (not counting cable or VOIP, of course). See those two gigantic swatches in blue? That is AT&T's newly expanded territory. While Verizon's geographic territory is far smaller than that of Qwest, it includes many more subscribers. That leaves AT&T and Verizon as the most influential players. And they don't plan to compete in video services outside their defined territories. They will compete only with cable and satellite outfits within their territories. Despite rumors that the two Democratic commissioners would vote nay, the FCC vote was unanimous, 4-0, with one absention due to conflict of interest. That the surprise compromise will guarantee net neutrality is being cited as a victory for media watchdogs. Unfortunately, the promise comes with a two-year time limit, and does not apply to video-over-IP services.
I adopted a new reference receiver recently. You've already read all about the product itself, the Denon AVR-X7200W. But it's one thing for a reviewer to evaluate a product positively. It's another thing to give it the coveted reference-receiver berth on my rack. This is a big event, so perhaps I should say a few words about it.
What did the 2009 Consumer Electronics Show tell us about the future of CES and our industry in general? That was the question on everyone's lips. When asked "how are you," I cheerfully answered: "employed." This never failed to bring a smile. CES 2009 was hardly a failure. While it did not draw the 147,000 people of 2008, it still mustered 110,000, according to a press release from the Consumer Electronics Association. That is not too shabby by any standard. On the magazine's audio beat, I found fewer audio exhibits in the South Hall, but more at the Venetian, so seeing stuff and blogging about it kept me busy.
It has been seven years since I last wrote a blog shamelessly promoting my book Practical Home Theater: A Guide to Video and Audio Systems. In fact, I've never told the whole story of why I wrote the book, why I update it every year, and why it's lasted so long—the latest edition, dated 2018, is the 17th. Addicted as I am to numbers divisible by five, I might have waited for the 20th edition. But this blog is long overdue. Think of it as a delayed reaction to the 15th.
Has concertgoing become a lost art? Observing behavior at concerts, I can't help wondering if some of my fellow audience members have lost the ability to listen in the moment. And the music suffers for it.
I love Leo Kottke's virtuoso guitar playing. Still, I hesitated to buy his album Sixty Six Steps, with bassist Mike Gordon, when Amazon specifically warned: "This Sony CD includes SunnComm MediaMax Version 5 content protection software that may expose security vulnerability when played on PCs." I don't love anyone quite enough to put a MediaMax-tainted CD into my PC. And when I rip a new CD for use in my iPod, I prefer a nice clean MP3 to the WMA-DRM format dictated by MediaMax. The iPod doesn't accept WMA files with DRM.
I recently spent a few weeks exhaustively reviewing five headphone DAC-amps. They included the Schiit Fulla ($79), AudioQuest DragonFly v1.2 ($149), Oppo HA-2 ($299), Celsus Companion One ($595), and Sony PHA-3 ($1,000). Of course anyone who buys one of these products will find that the listening experience depends heavily on the headphones used with it, and there's no predicting which headphones an individual buyer may use, so I chose a varied selection: the Oppo PM-2 ($699), Sennheiser HD600 ($400), and Sony MDR-V6 ($110). Then I had to choose the demo music. That was fun—anyone who says a job like mine isn't fun should find another job—but it took some care and forethought. Just as associated gear affects perception of an audio product, so too does the music.
Unique is not a word to throw around lightly. To be unique, a product has to be like nothing else out there. Even by the strictest standard, however, the Boomtube from Think Outside can wrap itself in the mantle of uniqueness. This little emperor is well clothed.
In every review I write of a surround receiver or speaker system, I tap out a graf on associated equipment used to audition the product. You can always find it between the product description and the listening notes. Whenever I read an audio review, I feel cast adrift if the reviewer doesn't disclose what's in his reference system. After all, the receiver I use to review a set of speakers, or the speakers I use to review a receiver, may exert a significant effect on the product's performance and how I perceive it. So does the room, for that matter, and maybe I'll tackle that subject someday. I use asymmetrical long-wall placement in a room with six sides where no two sides are the same length. That should make for an interesting blog. In the meantime, here's a more detailed description of what's in my rack, moving from top to bottom.
As recently noted in the News Dept., Verizon is pushing its FiOS TV, net, and phone service into all five boroughs of New York City over the next six years. Of course this is a major challenge to the local cable companies, Time Warner and Cablevision. Taking a pro-active stance, Time Warner has already been running TV ads for months deriding Verizon's fiber-optic technology. Here's the scenario: A guy about to tuck into his morning cereal answers the doorbell to find a callow youth offering Verizon fiber, complete with animated effects. Waving his bowl of bran--full of fiber, get it?--the happy cable customer snarkily responds that Time Warner has been using fiber optics for years. What the ad doesn't mention is that Verizon takes fiber all the way up to the house or building served, only then reverting to coax, twinlead, etc. for various services. For my own part, I'm both a reasonably happy Time Warner customer and an embittered former Verizon customer. My dialtone went away, never came back, and the company's fully automated customer service wouldn't put a human on the phone to talk with me about it, though I do regularly get mailings begging me to come back. But what technophile wouldn't be seduced by Verizon's vision of a fiber-optic future? The company is make a huge investment in FiOS. In a country decidedly behind in broadband technology compared to other nations, the Verizon program is just what we need.
TiVo's struggle for survival continues to generate headlines. Two weeks ago I reported that the company may reduced rebated hardware prices to nothing, concentrating on software for survival. This week's big announcement, as Darryl reports, is that TiVo is axing its $299 lifetime service plan in favor of shorter-term plans for one to three years. Darryl's also got the details on the new TiVo Mobile plan which will allow remote scheduling of DVR recordings from the Verizon Wireless network. And there's more: In June TiVo Kidzone will make the DVR more family-friendly by permitting parents to ix-nay programs either individually or under built-in advice from groups like the Parents Television Council. The company is targeting doctors with what it describes as "physician-oriented programs." Finally, the future may be brightening for TiVo—last year's fourth-quarter loss was 24 cents per share, down from 42 cents the previous year.
TiVo may soon lower its hardware pricing to every consumer's favorite number: zero. The news came when CEO Tom Rogers addressed a Reuters technology summit on Monday. The free hardware would begin as a test. In exchange, service plans may extend longer and cost more. Why this, why now? TiVo is a publicly traded company under constant pressure from Wall Street. Once its main competition was RePlayTV but now it's up against proprietary offerings from cable and satellite companies as well as mainstream manufacturers. An especially hard blow was DirecTV's announcement last year that it would de-emphasize TiVo in favor of its own product. Smooth-talking Rogers is determined to defend and increase his subscriber base of four million: "We feel that the notion that TiVo has hit some kind of distribution wall and is no longer a growth animal is not the case." Coincidentally, he is the former CEO of Primedia, publisher of Home Theater.
Or "tattles," as The New York Times put it. In an effort to mend fences with frazzled advertisers, TiVo's new research division will sell data on its 4.4 million users and their ad-viewing habits or lack thereof. Ad skipping is a hot issue—ABC's ad-sales chief is actually trying to convince cable operators to "disable the fast-forward" on their DVRs! Half of TiVo use is time shifting and 70 percent of that group has a finger on the fast-forward button. But TiVo hopes data on specific commercials will help advertisers design better ones. The researchers will sample 20,000 TiVo users per night, reporting back what was watched and when. More specific details on viewer demographics won't be revealed due to TiVo's privacy policy though the company told the Times that may change by year-end. With the feds demanding logs from the major search engines, TiVo's data mining may be the least of our problems.