If you read the post below, it is obvious that I was in Germany, though I neglected to mention why. Every year, the IFA show takes place in Berlin. It is a truly gigantic trade show that encompasses a few dozen buildings. CES, every year in Vegas, probably has more booths. But the average size of each booth at IFA is much larger. Some of them are entire buildings.
I guess I should welcome you all to my blog. Does anyone actually read these things? I guess I’ll find out. Being the Video Editor, I’ll take this space to babble on about all things video. Certainly hardware will take up a big chunk of blog space, but I’ll also talk about HD program material, video games, and anything else you can put up on a big screen. I’ll try to make this space as informative and fun to read as possible, but seeing as I have a hard enough time being interesting once a month in the magazine, doing it once a week should be. . . well, we shall see.
While the flood last week wasn’t nearly as bad as the one in October, we decided to do what we should have done that time: The carpets in our testing lab were ripped out, and the floor painted a lovely shade of gray. So the lab looks a whole lot better, and there isn’t the worry about mold and such. The downside, all the computers, test equipment, phone lines, Ethernet lines, and the myriad of other cables that connected gear to gear and gear to stuff, all still need to be run and plugged back in. The bottom picture is our temporary storage (as in, the listening room). Despite the mess, that was only half the amount of stuff in the lab. Spring cleaning indeed.
It's no secret that, if you have a new projection display (front or rear), you'll eventually need to replace its light source. Take one look at them, and you'll see that these aren't your ordinary 100-watt bulbs—that, and the fact that these light sources cost hundreds of dollars each.
Buy a tripod. That is my sagelike advice after three (admittedly terrible) student films and just enough film school to ruin movies for me forever. Once you have a tripod, things become much easier.
I consider myself a fairly intelligent person. I would say I am fairly knowledgeable in the workings of consumer electronics gear and computers. I took several film and video classes in college, and even interned at a video production house. I would consider myself qualified to work a video camera, and a computer. Then why in all things holy CAN'T I GET THIS THING TO WORK?
It's 61 miles from our Studio to the Huntington Beach Hyatt where Mitsubishi was holding their line show. It's all highway driving, which in most parts of the country would constitute a drive time of about an hour. Thanks to the fickle nature of L.A. traffic, it took 2.5. A colleague who lives near our studio left 10 min later than I did, and it took him 3 hours. Gotta love it.
It seems like nearly every high-end audio company is trying to get out of the house and into the car these days. While at first this appears strange, it makes a lot of sense. The home audio market has been stagnant for years, and every bit of exposure can only help. The car also has several aspects that make it somewhat easier to design for than the home. For one, you know where your listeners are going to be, and you know with a lot of certainty what and where the reflective and absorptive surfaces are. The downsides, of course, are road noise, and less than perfect speaker placement. There are many ways a company can approach these problems, and done well, they can sound vastly better than the stock system, and often better than any aftermarket system as well.
This is the first of a three part series where I get to write about two of my favorite things that I never get to write about: audio and cars. As more and more audio companies get out of the house, we’ll see more and more of this cross-pollination.
I've gotten a number of really good questions on my last blog post about 1080i and 1080p. Instead of burying the answers at the end of the comments in the last blog, I figured I'd post them here and answer them. I edited them down for space and stuff (sorry).
In the August issue I initiated a “bold challenge” for you to prove to me that you had more music files than I did. Well I was quite impressed with the number of and the numbers in the responses. And I thought I liked music. Here’s the highlights, in ascending order.
There is a lot of misinformation, lies, and myths out there regarding the new HD on a disc formats. Both HD DVD and Blu-ray have their strengths and weaknesses. I’m getting enough emails on the topic that I figured I’d do a post full of truthiness about these new formats.