Turntables remain the source device of choice for many audiophiles who prize analog sound, but friction in the bearings makes it difficult to keep the platter spinning at a constant rate, which is critical for high-quality playback. One solution to this problem is suspending the platter on a cushion of air, an approach championed by <A href="http://www.bergmannaudio.com">Bergmann Audio</A> of Denmark in its new Sindre airbearing turntable, which debuts at CES next month.
Just because a product isn't the company's most expensive doesn't mean it can't perform exceedingly well. Take, for example, the Maestro Utopia, which occupies the middle of Focal's Utopia III lineup.
Stunning or strange? One of these words is likely to come to mind when you first lay eyes on the 101 X-treme speaker system, the flagship of MBL’s Reference Line. And what a system it is, handmade to order in Germany and comprising a pair of approximately 6-foot-tall towers, each of which supports two utterly unconventional driver arrays in an open frame, and two subwoofer towers, each comprised of six 12-inch woofers, a crossover, and an amplifier broken into three ported birch and aluminum boxes that can be stacked or laid side by side as needed. (No lows left behind.)
Perhaps best known for founding and heading Sonus Faber from 1983 to 2005, Franco Serblin now has a new venturethe Ktêma speaker, named for the Greek expression, Ktêma eis aei, "a possession forever."
Note to readers: See Clarification at the end of this article for an update.
Weeks before Onkyo and Pioneer announced the first Dolby Atmos-equipped AV receivers, we received a press release touting the “first ever immersive sound receiver”—the Auro-3D Auriga from Belgium-based Auro Technlogies. Intrigued by its high-end looks—and $16,700 price—we reached out to CEO and Auro-3D inventor Wilfried Van Baelen to learn more about the product and the Auro 3D surround-sound format at its core. Auro 11.1, which adds height and overhead channels to an existing 5.1 surround-sound setup, debuted in theaters in 2011 and today supports almost 500 screens worldwide, according to the company. Recent movies mixed in Auro 11.1 include Oculus, The Amazing Spider-Man 2, How to Train Your Dragon 2, and a number of foreign films.
Glass isn't the first thing I would think of as an ideal material for speaker cabinets, but French manufacturer <A href="http://www.waterfallaudio.com">Waterfall Audio</A> disagrees. Its new flagship Niagara is a thing of crystalline beauty that boasts impressive specs.
The materials used to make speaker diaphragms are well established—polypropylene, paper, Kevlar, aluminum, titanium, beryllium, silk, and even diamond, to name a few. So I was surprised to find a speaker system with diaphragms made of glass. Developed over nearly four years by a Japanese glass company called <A href="http://www.harioglass.com">Hario</A> (Japanese for "king of glass"), the Harion system is certainly intriguing, though the English-language website linked here has nothing about it, and the company did not supply much info, even after repeated requests.
In my never-ending quest for the ultimate in performance, design, and/or price, I came across the GA Star from a British company heretofore unknown to me—<A href="http://www.goldacoustics.com">Gold Acoustics</A>. This unique speaker is unlike any other I've seen, and while it certainly looks shiny, I can't help wondering if it delivers the sonic goods.
One of the biggest audio sensations at CES wasn't a megabucks speakerit was the Triton Two tower from GoldenEar Technology. The company was recently started by Sandy Gross and Don Givogue, who had been partners at Definitive Technology (Gross also co-founded Polk), to raise the bar on speaker performance and value. They seem to have hit a home run with the Triton Two, which is available in a stereo pair or as part of the TritonCinema multichannel system for a price that will surprise you.
Normally, I profile extreme products in this blog. But when I saw these photos of Goldmund's new showroom in Seoul, South Korea, I had to share them with you.
I have seen the future of television, and it is Google TV. On Wednesday, I attended a demo of the much-ballyhooed service as well as a new suite of products from Logitech that brings it to consumers in a simple yet sophisticated way, and I was highly impressed
Living with a pair of La Sphère speakers from French maker <A href="http://www.cabasse.com/en/">Cabasse</A> might be a bit creepy—they look like giant eyeballs staring at you—but if you can get past that, you're in for a sonic treat. As Michael Fremer concluded in his <A href="http://www.stereophile.com/audaciousaudio/608cab/">Stereophile review</A>, "...La Sphère sets new standards, both measurable and audible, for accuracy in the reproduction of music."
Scandinavian design is often highly unusual. Case in pointthe Helsinki 1.5 speaker from Finnish Gradient, which made the cover of the August 2010 issue of Stereophile.
Scott Wilkinson | Nov 15, 2009 | First Published: Nov 16, 2009 |
<A href="http://www.bowers-wilkins.com">B&W</A> makes some of the best-sounding speakers in the world, so when the company set its sights on the iPod market, something special was sure to surface. First introduced in 2007, the Zeppelin melds exquisite design and sound quality into a stunning, single-piece iPod dock/audio system that seems to define the state of the art in this burgeoning field.
In this blog, I've written about speakers with glass enclosures, such as several models from Perfect8, and even speakers with glass diaphragms, such as the Hario Harion. But I've never before seen glass speakers like those from Greensound Technology, in which a single, freestanding sheet of glass serves as the (almost) full-range diaphragm.