Headphone Reviews

When I reviewed the Astro A40 MLG edition headset and wireless mixamp late last year, my complaints were minor. Since then, they've become my go-to cans; I even use them for transcribing interviews. It's overkill, I know. I've used them exclusively for the past eight months because I haven't heard another gaming headset that sounds anywhere near as good. That is until I spent quality time with Astro's new model, the A50.

In the unlikely event I ever again decide to pick a fight, it’ll be with someone who looks weaker than me. Obviously, Audio-Technica has a lot more guts than I do.

When I’m asked to pick my favorite headphones for S&V’s Editor’s Choice awards, it’s always easy. I just make a list of the ones I kept using after the review was done—the ones I listened to even when I didn’t have to. After our test of affordable audiophile headphones last year, the headphone I kept on using afterward was the AudioTechnica ATH-AD900. It’s a big, comfortable, spacious-sounding, tonally neutral open-back headphone. Just the thing for streaming Internet radio for hours while I’m writing, or to use for an all-night-long Netflix binge.

That’s why I was so happy to find a successor to the ATH-AD900 at the January CES show. The ATH-AD900X has the same list price, pretty much the same specs, and similar looks.

Has there ever been a headphone brand so controversial as Beats? It's undeniably popular; just walk around any downtown or airport in any industrialized country and you're almost sure to see a set. Yet audio enthusiasts-including the ones at Sound & Vision-often deride Beats' sound quality.

When I attend trade shows, I’m always reluctant to ask for a review sample of a new product. ’Cause who knows if I’ll see something cooler around the corner? But when I saw the Custom One Pro at the recent Rocky Mountain Audio Fest in Denver, I asked Beyerdynamic’s Pete Carini to send me a sample ASAP. After a quick listen to the Custom One Pro, I knew there was no way I’d find a more interesting headphone that weekend.

To reviewers, accusations of bias are just part of the gig. Commenting readers have insisted we’re biased against certain brands, biased against in-ear monitors, biased against headphones with lots of bass, biased against headphones with flat bass, even biased against headphones from non-California companies.

This is an article I never thought I’d write. I sold hi-fi (well, Circuit City’s version of “hi-fi”) within sight of The Mountain. I developed early an audiophile’s distain for the four-letter marketing juggernaut. When I began reviewing audio, I couldn’t imagine a situation where I’d review a Bose product. Certainly not something like the market-leading QuietComfort 15 noise-canceling headphone,  Not without heavy doses of irony, snark, and derision.

And yet, it is my fiduciary duty to give credit where credit is due.

So behold — not only my first review of a Bose product, but a positive one at that.