As Brent Butterworth reminded everyone earlier in the week, subwoofer specialists Velodyne impressed us quite a bit last year with their first headphone effort, the in-ear vPulse.
We haven't made any secret of our general disdain for headphones endorsed by hip-hop artists. Not that we have anything against hip-hop artists, nor is there any good reason why hip-hop 'phones should sound bad. It's just that many of them do.
In last year's celebrity headphone test, we didn't dig the Soul by Ludacris SL300WB at all, and had a mixed reaction to the Beats Pro and Skullcandy Roc Nation Aviator. But our not-unpleasant experience with the Sync by 50 SMS-WS got us thinking that maybe someone in the hip-hop world was starting to understand that while crazy, bass-heavy tonal balances may be initially impressive, they're not something most of us want to live with on a day-to-day basis.
Next up in the battle of the rapperphones is the $275 WeSC Chambers by RZA.
We haven’t made any secret of our general disdain for headphones endorsed by hip-hop artists. Not that we have anything against hip-hop artists, nor is there any good reason why hip-hop ’phones should sound bad. It’s just that many of them do.
In last year’s celebrity headphone test, we didn’t dig the Soul by Ludacris SL300WB at all, and had a mixed reaction to the Beats Pro and Skullcandy Roc Nation Aviator. But our not-unpleasant experience with the Sync by 50 SMS-WS got us thinking that maybe someone in the hip-hop world was starting to understand that while crazy, bass-heavy tonal balances may be initially impressive, they’re not something most of us want to live with on a day-to-day basis.
Next up in the battle of the rapperphones is the $275 WeSC Chambers by RZA.
The companies that have most benefitted from the headphone boom are the ones who are great at marketing but don't know much about audio engineering. (Yet.) Two of the hottest brands in the biz are Beats and Skullcandy, companies that didn't even exist when the iPod debuted.
From mixing boards to Blu-ray players to soundbars to saxophones, Yamaha makes just about everything audio. Which is why it’s surprising that in the one field that practically every audio company has piled into—headphones—Yamaha hasn’t done much in the last few years. The Pro 500 represents a re-entry of sorts, a flashy blue bombshell designed to attract both audiophiles and fashion-oriented “listeners.”
Scottish headphone manufacturer RHA hasn't had much of a stateside presence, but this week marks their arrival in Apple stores, with the MA450i in-ear ($49.95) and SA950i on-ear ($59.95) set to appeal to budget-minded consumers looking to accessorize their iDevices. And appeal they may.
AT A GLANCE Plus
Lightweight yet rugged design
Smooth overall sound balance
Two-year warranty
Minus
Isolation from external noise could be better
THE VERDICT
Audiophiles on a budget need look no further than Sennheiser’s HD 569 headphones.
My long-running fascination with Sennheiser headphones dates back to the first ones that I bought in 1972: the HD 414 with canary yellow ear pads. I can’t remember how or why they vanished from my collection decades back, so I recently bought an ancient pair of HD 414s on eBay, and the sound was even better than I remembered. I still have the company’s HD 580, which I bought in 1994—another model I keep coming back to. Listening to the company’s relatively new HD 569, I have the feeling they’ll still be cherished by their owners decades from now. They’re that good.
AT A GLANCE Plus
Musically coherent sound
Comfortable velour earpads
Moving parts don’t creak
Minus
Not especially rugged
Limited low bass
No carry case
THE VERDICT
The affordable Sennheiser HD 598 is styled differently from its famous and more costly sibling, the HD 600, but is just as beautifully voiced and just as insanely comfortable.
The motley crew that lives in my headphone drawer was getting long in the tooth when I decided to add a widely acknowledged classic to the collection. The new acquisition was the Sennheiser HD 600, now more than 20 years and umpteen generations old, and he’s become my go-to guy when I want to spend an evening kicking back with headphones that guarantee total physical and listening comfort. Lately I’ve had a chance to try the HD 600’s little brother, the HD 598. At $250, it lists for $150 less than the HD 600, though as of mid-November it was widely available at major online e-tailers (Amazon, Best Buy, B&H) for $150 to $175.
AT A GLANCE Plus
Rebooting a classic, making it better
Hand-crafted in Germany
Smoother sound than the original HD 800
Minus
Not as transparent as the very best planar headphones
THE VERDICT
The Sennheiser HD 800 S refines the original, hugely influential headphone, and makes it better than ever.
The hoopla surrounding the introduction of Sennheiser’s original HD 800 headphone in 2009 was monumental because it was such a radical upgrade over the HD 650, the previous Sennheiser flagship. So, we’re due for another flagship, but the HD 800 S is more like a reboot. What about a new flagship? As you’ll read below, it’s coming, too!
WHEN I FIRST SAW the Sennheiser HD598’s beige-and-brown color scheme, woodgrain accents, and air-cushioned headband, images of all sorts of 1970s products fl ooded through my head: Kustom guitar amps with “tuck and roll” covering, lacquered driftwood furniture, waterbeds, Roger Dean posters.
AT A GLANCE Plus
Best-in-class sound
Minus
Bass sounds more full than accurate
THE VERDICT
One of the best-sounding in-ear headphones to come along in a long time. The IE 800 is a game changer.
I’ve heard most of the world’s best in-ear headphones, and frankly, those custom-molded models fitted to my ear canal from the likes of JH Audio, Ultimate Ears, and Westone regularly trump the universal-fit models. So before I popped on the Sennheiser IE 800, a universal-fit earphone, I wondered if the sound would justify its $1,000 MSRP. I shouldn’t have worried; the IE 800 is a game changer.
AT A GLANCE Plus
New lossless wireless audio technology
Two-year warranty
Lightweight design
Minus
Wireless ’phones can’t play loud
THE VERDICT
The Sennheiser RS 185 raises the bar on audiophile-grade wireless headphone sound quality.
I’ve auditioned a number of wireless Sennheiser models over the years and was always satisfied with the sound. Sennheiser claims their latest ’phones are better than ever, and the RS 185 is the best sounding of the twelve wireless models the company currently offers. No other brand has as broad a range of wireless headphones, starting with the $99 Sennheiser RS 120.
AT A GLANCE Plus
Four balanced armature drivers
Customizable frequency response
User-replaceable cables
Minus
Not as good at isolating outside noise as custom in-ears
THE VERDICT
The SE846 combines state-of-the-art engineering with great musicality.
You guys know Shure; it’s best known as a microphone manufacturer, but millions of vinyl lovers have had long-term affairs with Shure’s phono cartridges. The company jumped into the earphone market in 1997 and focused on pro users—musicians and sound engineers—but audiophiles quickly got the word. Microphones, cartridges, and earphones have one thing in common: They’re all “transducers.” Microphones convert sound into electrical signals; cartridges convert groove wiggles into electrical signals; earphones convert electrical signals back into sound. The all-new SE846 reference-grade earphone was in development for four years.
AT A GLANCE Plus
Real carbon-fiber ear cups
Really hushes external noise
Really, really comfortable
Minus
Lacks mike and phone controls
Doesn't fold for compact storage
THE VERDICT
Shure's rich-sounding, full-size headphone flatters a wide range of music genres.
First impressions count for a lot. This is especially true for headphones, because, unlike other types of audio gear, you wear headphones. When you first try a pair on, do they feel good, or do they hurt? How do they feel in your hands? From the get-go, I knew Shure's engineers struck just the right balance of rugged build quality and elegant design with the new SRH1540 over-the-ear headphone. I could have written this review after just a few minutes into my first encounter, but I just kept listening to the SRH1540 and loved it more and more. It looks, feels, and sounds right.
After hearing the enthusiastic sales pitch from SOL Republic, one of the latest of many new entrants into the headphone biz, I was disappointed when I heard the company's first model, the Tracks $99 on-ear. While the Tracks is beautifully made and incredibly comfortable for an on-ear model, its extremely bass-heavy balance made me feel like I was locked in the trunk of a Honda Civic with two 12-inch woofers and the complete works of Deadmau5 cranked way up.
When I received the company's first in-ear monitor (IEM), the $99 Amps HD, I wondered if the company would be able to achieve the blend of design and sound quality it originally promised - or if it'd be another well-crafted but sonically intolerable product.