Ultra HD Blu-ray Movie Reviews

Ranked as the fourth greatest love story of all time by the American Film Institute, Roman Holiday — director William Wyler’s 1953 fairy tale — memorably captures the bustling streets and iconic sites of Rome. The story is set against the backdrop of post-war Europe, expressing the exhilaration of not only embracing long-awaited peace but joyously breaking free as young Princess Ann retreats from her royal obligations and finds adventure. This movie put Audrey Hepburn on the map, and I thoroughly enjoy the story’s unapologetically schmaltzy romance blended with light humor.

Set in third century A.D. China, Shadow tells the story of the uneasy truce held by the Pei and Yang kingdoms. Years earlier, the Pei kingdom lost possession of the city of Jing following a duel between Pei army commander Zi Yu and the formidable warrior Yang Kang. As the kingdom's debauched monarch aims to maintain power by acquiescing to Yang Kang, Zi Yu plots to retake the lost city, an objective carried out with the help of a lookalike his family has been grooming since childhood. Directed by Zhang Yimou (House of Flying Daggers), a filmmaker known for his elegant visuals and bold use of color, Shadow's palette is mostly restricted to black-and-white and skin tones.

Marvel has undeniably defined the modern comic book movie universe. As a consequence, much of Shazam!, the latest effort from rival DC, feels clichéd, and not just by superhero standards. Good young protagonists facing adversity, otherworldly forces granting extraordinary abilities, bullies who ultimately get theirs— it's all here. Shazam! even borders on outright theft with an end credit sequence straight out of Spider-Man: Homecoming.

In a city of human-like animals (think Zootopia), Buster Moon, an ambitious koala theater owner, has fallen on hard times. He hasn’t had a hit in ages, when he suddenly has an inspiration: We’ll pack ’em in with a singing contest! When his loopy lizard assistant mislabels the announcement flyers to offer a $100,000 prize, hundreds of hopefuls show up for the auditions.

Generation after generation has fallen in love with Walt Disney’s iconic animated masterpiece, Snow White and the Seven Dwarfs. Its story of love and friendship follows the beautiful and kindhearted princess Snow White, who charms every creature in the kingdom except one, her jealous stepmother the queen, who has it in for her after the Magic Mirror proclaims that Snow White is the fairest one of all. Forced to flee into the forest, Snow White meets and wins the hearts of seven diminutive miners and ultimately triumphs over the wicked queen.

Pixar O.G. and now Chief Creative Officer Pete Docter touched our hearts with Up, then plumbed the intricacies of the human mind in Inside Out. It would follow, then, that his next movie would be Soul.

Together, these are arguably the most grown-up entries in the Pixar canon, not for any sort of overly mature content, but rather for their sophisticated themes and storytelling. And Soul might be the most adult-skewing: It's the longest of the three, exploring The Great Hereafter and even "The Great Before," namely where souls originate prior to their arrival on Earth. This concept requires quite a bit of exposition, and it's executed masterfully by Docter, co-writer/co-director Kemp Powers, and co-writer Mike Jones, through bold visuals and pithy gags.

Only a few moments into Across the Spider-Verse’s two-hour-and-20-minute runtime, we can begin to understand why this sequel to 2018’s Oscar-winning Into the Spider-Verse took almost five years to arrive. Dramatically bold and visually (and sonically) fearless, the movie is exhausting in the best possible sense, inviting the audience along on a mind-boggling adventure and daring us to keep up.