Price: $5,295 (with anamorphic lens kit: $9,595) At A Glance: Superb detail and shadow detail • Excellent anamorphic performance • Oversaturated greens and reds
Anamorphic 4 Less
You may not have heard of French projector maker DreamVision, but I sure have. Whenever I’ve seen its projectors at trade shows, I’ve always been impressed by their stylish cabinets, high performance, and high prices.
When most people hear the name Marantz, they probably think of high-quality audio components—after all, the company has been in that business for 60 years. But videophiles know that Marantz is also a highly respected name in front projectors, such as the flagship VP-11S2. Like all the company's models, this one is based on DLP technology with 1920x1080 resolution. How does it stack up against its progenitors? Let's find out...
Price: $3,295 At A Glance: Impressive resolution • Good blacks and shadow detail • Oversaturated color • Excellent value
Sanyo has long been a big player in the business projector market. However, while it has a serious presence in home projectors in many markets, it has remained relatively low key for U.S. consumers. This is especially true when you compare it with manufacturers who are more aggressive at beating their own drums. But the PLV-Z3000 proves that the company knows its way around home theater projector design.
Description
The Sanyo lacks the Ferrari-like curves that many of its competitors sport. Still, its relatively plain, boxy shape is functional and well executed. All mechanical operations (horizontal and vertical lens shift, focus, and zoom) are manual. This isn’t necessarily a bad thing, since these are usually set-and-forget operations. The zoom lens has a throw-distance range of 9.8 to 20 feet for a 100-inch (diagonal) 16:9 screen.
Price: $4,500 At A Glance: Excellent black level and shadow detail • • Bright, crisp image • Oversaturated color
We’re no strangers to JVC projectors around the Home Theater campfire. We’ve reviewed several of their models over the past few years. I’ve been using a DLA-RS1 as a reference since 2007. It isn’t perfect—no projector is—but it does a lot right, and I’m not the only one who says so. At $6,000 when it first came out, it was one of the players that redefined value in the home projector game.
We’re now two generations of JVC projectors beyond that, and things keep getting better. For 2009, JVC offers the DLA-HD350 and the DLA-HD750, plus two exact equivalents from its pro division. We reviewed the $7,500 DLA-HD750 in our April 2009 issue and it’s a current Top Pick.
Price: $8,000 At A Glance: Superb contrast and black levels • Excellent color • Unique adjustments
It should be obvious that the cost of a great home theater projector keeps coming down. At $8,000, Sony’s new VPL-VW70 includes many features that distinguished its earlier, more expensive designs, improves on them in some important respects (particularly black levels), and brings a few new wrinkles of its own to the party.
Description
The large, relatively heavy Sony is easily the looker of this group. If you replaced its lens with a laser cannon and added a bridge bubble on top, its curvy, sci-fi-inspired shape wouldn’t be out of place swooping overhead at the beginning of Galaxy Quest II: The Wrath of Melmac.
Price: $7,500 At A Glance: State-of-the-art blacks and contrast • Infinitely tweakable and natural colors • Softer than previous JVC projectors
What You Do for an Encore
JVC’s recent generation of D-ILA projectors have been standard-setters in blacks and contrast. They have exceeded the performance of most dynamic-iris designs while eliminating the artifacts involved with that approach. These projectors were good enough that several HT regulars outfitted their own theaters with these rigs, including yours truly. This explains why I had to pull rank on the lot of these guys and review this new model myself. Usually, the catch with this kind of success is figuring out how to follow it up. Apparently, JVC had no such trouble.
Price: $3,995 At A Glance: Outstanding video processing, including full-time anamorphic lens support • Razor-sharp images • Color accuracy needs work
Mitsubishi Delivers a Diamond
The HC7000 is Mitsubishi’s flagship video projector and one of only two Diamond Series projectors. This three-chip design uses the latest C2 Fine inorganic LCD panels. It has a native resolution of 1,920 by 1,080 and features a proprietary polarizing filter designed to squeeze a bit more contrast and better uniformity out of the panels. At $3,995, the HC7000 is the most expensive projector in our roundup, and it has some great features. It includes a dynamic iris, Silicon Optix HQV video processing, and a great warranty program for the projector and lamp. It also has full anamorphic lens support, including the ability to permanently mount the lens to the projector. Combined with the great build quality and performance, these features made the Mitsubishi my favorite projector of the group.
Price: $3,499 At A Glance: Incredible array of features • Great calibration flexibility • Contrast performance could be improved
The Features You Want, the Price You Need
Panasonic’s PT-AE3000U really ups the ante when it comes to features at this price point. Panasonic has consistently pushed the envelope on the budget side, and this LCD projector easily represents the company’s best effort to date. It offers solid performance and the most expansive feature set you could hope to find at or near this price point.
Price: $3,500 At A Glance: Price-leading contrast performance • Smooth, film-like images • Limited features
Sony Brings SXRD to the Masses
Sony turned the high-end projector world on its ear with the introduction of the VPL-VW100 SXRD projector. The VPL-VW100 offered resolution and performance far beyond other projectors at or near its price point. Sony has continued to push that envelope with more and more SXRD offerings at lower price points. The latest is the VPL-HW10, which is the lowest-priced SXRD projector yet at $3,500. It brings the high resolution and high contrast of SXRD to the budget market.
Price: $15,000 (short throw), $18,000 (long throw) At A Glance: Exceptional shadow detail • Razor-sharp picture • Excellent optics • A few tweaks would be welcome
DLP’s Crowning Achievement
The Marantz VP-11S1 was one of the first 1080p projectors I had the opportunity to review. It served as my reference projector for quite a while and is still one of the best 1080p projectors I’ve seen. Since the VP-11S1’s release, Marantz has brought two more 1080p offerings to the table, the VP-15S1, which offers stunning performance at a more affordable price point, and now, the flagship VP-11S2.
Price: $7,999 Highlights: Excellent HD video processing • Impressive calibration options and color management • Middling dynamic-iris implementation • Inconvenient onscreen menus for calibration.
BenQ’s New Flagship Arrives
I had the chance to review and live with BenQ’s spectacular 1080p DLP projector, the W10000. I became a big fan of that design. It was sharp, provided excellent contrast, and the design was quiet and simple to use. I still consider it to be one of the most underrated 1080p values on the market today. I was excited when I saw that BenQ was quietly showing its follow-up, the W20000, at the 2007 CEDIA Expo. BenQ said it would include some significant improvements, such as a new menu system, a dynamic iris, and a video processor from Silicon Optix. The W20000 has now arrived.
Samsung has an unusual history with high-definition video projectors. Its most recent 720p DLP model, designed in consultation with video expert Joe Kane, was superb, even standard-setting in many important respects. But dealers were rare, and worse, the projectors arrived on the market just as comparably priced 1080p models were becoming available. They ultimately sold out to lucky buyers at bargain prices.
As with many projector manufacturers, Epson's product line is heavily oriented toward business applications. In that respect, the company is consistently at or near the top in worldwide sales. But Epson also occupies a significant and growing share of the home-theater market.
Planar is a relatively new name in the home theater market, but it is by no means a new company. The Oregon-based manufacturer has been around for over 20 years and has deep roots in the imaging industry, with a long history of flat panels and commercial displays. Last May, Planar made a big investment in the home theater industry in acquiring Runco International, one of the leaders in high-end home theater displays.
Although Planar has a significant presence in the video-display business, it's relatively new to the home-theater market. The company first popped up a couple of years ago at a major trade show with some intriguing prototypes. Since then, it has expanded its home-theater resume by acquiring Runco and Vidikron, and all three brands maintain their separate identities under the Planar umbrella.