A generation ago, Sony ruled the consumer electronics world, establishing new market segments with every innovation and instantly owning whatever existing ones it chose to enter. Today, although it’s still a consumer electronics force to be reckoned with, Sony has to step into the cage and compete like everybody else.
A check of Onkyo's Web site shows no fewer than 17 different A/V receivers on offer, an almost General Motors-like profusion of models. (I'm pretty certain, however, the U.S. government won't be stepping in on Onkyo's behalf should the consumer elec- tronics industry go south.) To be fair, a half-dozen or so are last year?s models, but still. C'mon, guys, 17???
There's a trend afoot in A/V-land to make even Flagship receivers simpler (at least on the outside), easier to use, and physically more compact and less intimidating. Now Yamaha has boarded this bus, not just with a single model but with an entire new family of AVRs it's calling Aventage (rhymes with fromage). Cheesy names aside, the news here is that, for once, "new and improved" really is: new form factor, new user interface, new network-ability, new remote control, and lots of new (or at least evolved) audio and video technology.
Denon has been making A/V receivers for about as long as there have been A/V receivers, and it's rarely produced a bad one. The brand usually gleans more attention for its über-dollar high-end models than for the kind of high-value, midprice models that win the credit-card swipes of most buyers. But this new AVR- 991, with its suggested price under $1,000 and its rich feature set, may change that perception in a hurry.
Difficult though this may be to believe, not everyone in 2011 America can afford to earmark $1,500 for an A/V receiver — or even $500. Still more shockingly, not every person who can would even choose to. Well, then, how about $400? Onkyo apparently sees this figure as being a bit more like it.
The speaker world is anything but conservative. Think of the different types you can buy: good ol' cones 'n' domes, electrostatics, planar magnetics, ribbons, horns, pulsating spheres, and more, mounted in all sorts of enclosures or in no enclosures at all.
The world of custom home theater is less daring. Installers want speaker systems that sound great, play loud as hell for hours on end, place reasonable demands on amplifiers, and install easily. This is why you rarely see anything but cone 'n' dome speakers used in custom home theaters.
Of the companies catering to the custom market, BG Radia is one of the few that does things differently.
Once, all you needed to enter the receiver business was audio-engineering chops, competence in packaging efficiency, and a sharp pencil over the bottom line. That was then — before the digital audio/video revolution and the birth of the A/V receiver as we know it. Today, you need at least as much smartsin the computer, DSP, and software/firmware fieldsas you do in plain ol’ audio, a fact that has thinned,and continues to thin, the herd of receiver makers noticeably.
For many years, the mantra in hi-fi design was "bigger is better." Your system didn't measure up unless you had a lofty stack of electronics and your speakers were tall enough to be called towers. Today, the reverse is true. It's a post-iPod world, where smaller is cooler. The iPod also advanced the notion that electronics don't have to be complicated; convenience is the new norm.