Audio Performance Video Performance Features Ergonomics Value
Price: $1,399 At A Glance: Fabulous video processing • Outstanding audio performance • Nine channels of amplification
When one looks to upgrade an AVR, one must take much into consideration: features, number of inputs and outputs, multizone capability, channels of amplification, power rating, and, of course, cost. The sub-$1,000 market is loaded with AVRs that offer a terrific value but lack many of the bells and whistles that are found once you cross the $1,000 barrier, such as multizone, nine channels of amplification, and more HDMI inputs than the average person will ever need.
Audio Performance Video Performance Features Ergonomics Value
Price: $999 At A Glance: High-quality amplification • Logic 7, Dolby Volume listening modes • Distinctive gray and black look
The home theater system’s beating heart is the audio/video receiver. It supports a heroic workload: routing video and audio signals from source components to display and speakers, gussying up the video, decoding audio formats, massaging audio signals with listening modes, cabalistically correcting room acoustics—and last but not least, performing the heavy lifting necessary to drive loudspeakers. The final item on that list is among the AVR’s most significant attributes. But in the race to jam in as many features as possible, amplification is in danger of becoming an afterthought. In Harman Kardon’s AVR 3650, the top model in its new receiver line, the manufacturer took the road less often traveled and acts more like a high-end boutique manufacturer than a mass marketer. It went the extra mile to make this AVR sound great and rigorously stripped it of back-panel clutter. The result offers comfort to the music lover who cares about the fundamentals of performance.
Audio Performance Video Performance Features Ergonomics Value
Price: $900 At A Glance: Clean, smooth amplification • Direct USB input and app for iDevices • Bluetooth, DLNA media access
Some manufacturers of audio/video receivers offer two different lines. There’s a value-oriented line for the hardheaded consumer who wants as many features per dollar as possible. And then there’s a higher-end line for the consumer who also wants a full feature set but is willing to pay more for better build quality and higher performance. Yamaha goes a step further, dividing its 13 receivers into three lines.
Audio Performance Video Performance Features Ergonomics Value
Price: $900 At A Glance: Elite build quality • AirPlay, control app, iDevice USB • Great sound for under $1,000
Do you prefer wine sold in a box or in a bottle? Boxed wine does have its advantages: It’s available in a greater variety of package sizes, it’s easier to carry to a picnic, and the lighter packaging reduces manufacturing cost, shipping cost, and carbon emissions. Yet most oenophiles prefer bottled wine for quality and selection. One is more practical, the other more aspirational. In theory, boxed wine can be as good as bottled wine—and here, as the knowledgeable oenophile is aware, our metaphor is in danger of breaking down over warring factors such as oxidation and shelf life. But in reality, the best wine producers and their most discerning and passionate customers prefer the bottle.
Price: $349 At A Glance: 3D compatibility • Audyssey MultEQ auto calibration • On-screen display via HDMI • iPod/iPhone/iPad connectivity • no component video I/O
Of all the sub-$400 AVRs I've reviewed, the Denon AVR-1612 is my favorite so far. It offers just the right balance of features for my needs, and its audio performance is robust and powerful. It offers the bare minimum of operational and setup features I believe are necessary to assure a satisfying user experience. Moreover, it's audio performance is quite good considering the price.
Audio Performance Video Performance Features Ergonomics Value
Price: $1,600 At A Glance: Future-proof modular construction • Great ergonomics • Trades features for performance
Oh, it’s coming, all right. Are you ready for it? That’s right, Smell-O-Vision! I’m not talking about old-school scratch-n-sniff cards, but the real, electrified olfactory emitters specified in the HDMI 1.5 standard. OK, I’m clearly exaggerating the contents of the next HDMI version, but even if that travesty comes to pass, NAD’s Modular Design Construction topology means the T 757 can be upgraded by your dealer, instead of a forklift.
Price: $330 At A Glance: 3D-compatible • On-screen display, analog only • Compatible with iPod/iPhone and iPad using supplied USB cable • Bluetooth compatible; requires adapter
This entry-level A/V receiver is a small investment that gets you into the new 3D landscape. It's powerful enough for a small to moderate-sized room, it provides essential surround codecs for the latest movie soundtracks, and it offers quick setup with Pioneer's exclusive auto-calibration system. While it does offer an onscreen display, giving it some points beyond even lower-priced AVRs, it doesn't output the OSD via HDMI. Bluetooth compatibility and a USB port provides some additional functionality and accommodation for wireless headphones and portable media devices.
Audio Performance Video Performance Features Ergonomics Value
Price: $600 At A Glance: A/V receiver with Blu-ray player • Trove of network A/V content • Supplied iPod/iPhone dock
Whenever I want to watch a movie, I plunge a fiberoptic cable into the back of my neck. Apart from a persistent dribble of blood from my neck jack, the results are enviable. In my mind, I experience a full 360-degree 3D image—there’s not even a frame—accompanied by surround sound with height and depth channels that extend from heaven to hell. Music is just as easy. I just access the 100-zettabyte solid-state drive built into my brain. My doctors tell me that with one more firmware update, I can have lossless audio with a bit depth of 831 and a sampling rate of 90,245 kilohertz. Almost as good as vinyl.
Price: $250 At A Glance: 5.1-channel, 3D compatible • iPod/iPhone & Bluetooth compatible with optional adapters • Compressed Music Enhancer restores frequency response of MP3s
The Yamaha RX-V371 offers some excellent features for an entry-level A/V receiver. To keep the cost down, however, there are significant compromises, such as the lack of an onscreen display and auto calibration for an easier and faster setup. Also, spring-loaded speaker terminals for the center and surround channels prevent the use of higher-end cables. Once it is set up, the unit's sonic performance is good—in fact, surprisingly good for an AVR at this price point.
Audio Performance Video Performance Features Ergonomics Value
Price: $2,100 At A Glance: Nine Class D amps that sound good • Most fun you can have with a remote smartphone app • Home networking champ, including Apple AirPlay
I’m usually suspicious of celebrity endorsements of audio gear (think Dr. Dre’s association with the Beats headphones bearing his name). But the Air Studios logo on the front panel of this attractive-looking, innovative flagship Pioneer Elite A/V receiver represents more than a casual association.
Price: $229 At A Glance: Low cost • 3D passthrough • Supports all current audio codecs • No onscreen display, networking, auto calibration, video upconversion • Spring-loaded speaker terminals
The audio and video performance of the Sony STR-DH520 is more than acceptable, especially given it's price and ability to pass 3D content, decode all current audio codecs, and deliver a full seven channels of amplification. However, setup and operation are limited by the features it lacks. If you can live with only five channels, there are other choices that offer similar performance, 3D compatibility, an on-screen display, and auto calibration. Step into the $400 price range and you will find increased value compared with the STR-DH520.
Price: $500 At A Glance: iPhone/iPod dock and USB cable included • iDevice remote control app • Mixing studio listening modes
There are two hard-wired options for integrating content from an iPod or iPhone into a receiver-based home theater system. The A/V receiver might have a Made for iPod–compatible USB jack, allowing you to plug the device right into the front or back panel. Or the iPod can fit into an accessory dock. But wouldn’t it be great to have both options?
Audio Performance Video Performance Features Ergonomics Value
Price: $650 At A Glance: AirPlay and direct iDevice link • Expansive Audyssey suite • Browser control, network audio features
In A/V receivers, there are two prevailing philosophies when it comes to certain must-have features—room correction and dynamic volume modes being good examples. Some manufacturers prefer to develop their own in-house versions. This gives them the ultimate control over what they sell to consumers, sometimes offering greater versatility or an unusual spin. Others are content to license features from other companies. The advantage of resisting the “not invented here” philosophy is that technology licensors such as Audyssey devote all of their attention to making their stuff work and are constantly improving it.
Price: $1,100 At A Glance: Unique construction • YPAO auto setup and room correction • Bluetooth compatible with optional adapter
It must have been a dream. Suddenly, I found myself living in a world where young people were rediscovering vinyl, jazzing
up their iPods with audiophile earbuds, and even experimenting with tube amps. LP sections in record stores came back from the dead, steadily enlarging and proliferating. The once ridiculously overpriced CD suddenly became a bargain in wallet-box anthologies and affordable reissues. High-performance, high-value speakers became available over the Internet. I never wanted to wake up—until I realized I hadn’t really been asleep in the first place. All of this stuff is actually happening. We’re living in a new golden age of audiophilia, vibrant with lovingly excavated ideas and manic energy. An increasing number of people care about good sound again.
Price: $799 At A Glance: A/V receiver with integrated Blu-ray player • Energy-efficient digital amplifier • Good build quality • No video inputs
My review sample of the Harman Kardon BDS 5 Blu-ray receiver arrived shortly after the death of Dr. Sidney Harman. Let’s take a moment to celebrate the life of one of the audio industry’s founding fathers. Harman and partner Bernard Kardon pioneered the A/V receiver category in 1954 with the Festival D1000, the first audio product to combine the functions of a mono power amp, preamp, and radio tuner. The stereo version, the Festival TA230, arrived shortly afterward. By the time Harman retired in 2008, A/V receivers were wearing his name. Harman International eventually became an audio empire, not only continuing the Harman Kardon brand, but also encompassing JBL, Infinity, Lexicon, Revel, Mark Levinson, and others. Harman was a renaissance man: an activist, philanthropist, professor, and public servant, the quintessential tough businessman with a heart of gold.