Bookshelf Speaker Reviews

Sort By: Post DateTitle Publish Date
Daniel Kumin  |  Oct 16, 2012  | 

Like so many British (and, for that matter, American) ür-audio brands, KEF — originally Kent Engineering & Foundry — had its roots in the post- WWII technology boom. In KEF’s case, it grew inside a Quonset hut on the grounds of the aforementioned foundry. A half-century down the road the Kentish maker is still there (in Kent, not in the metal shed!), still focused on its core competency (loudspeakers), and still producing wholly excellent designs.

Michael Berk  |  Nov 15, 2012  | 

Danish manufacturer Jamo's been making a splash with the spherical speakers we saw back at the 2012 CES, and this week they've announced a pair of 5.0 setups in the appropriately named 360 Series, based around their unique architecture: the S 25 HCS ($649.99), including five of the company's S 25 speakers, and the S 35 HCS ($999.99), which groups four of the larger S 35 units with a C 35 center channel.

Brent Butterworth  |  Dec 20, 2012  | 

KEF made the LS50 minispeaker for lots of reasons. It’s a celebration of the company’s 50th anniversary. It’s the first affordable application of the technology developed for the $29,999/pair Blade. It’s a throwback to the LS3/5a, a beloved, BBC-designed minimonitor for which KEF made the drivers.

Daniel Kumin  |  Feb 13, 2013  | 

Everybody loves small speakers, and why not? Smaller is — often — easier to afford, easier to schlep home, easier to place, and easier to live with. Smaller also has certain acoustical advantages in achieving smooth response and in yielding the broad, even spread of sound that favors good imaging and an open, believable tone color.

But how small is too small? Some say there’s no limit, and at least one manufacturer (Bose) has had success with subwoofer/satellite designs whose sats are smaller than a pepper mill, let alone a breadbox. But as the front satellites of a speaker system become smaller, their ability to reproduce bass low enough to bridge effectively with the practical upper limits of a single subwoofer, at around 150 Hz (and ideally lower), becomes questionable.

Klipsch thinks it has found the sweet spot with its HD Theater 600 system

Brent Butterworth  |  Mar 26, 2013  | 
A longtime fave of home theater enthusiasts, Axiom sells its speakers direct through its Web site. The M3v3 ($378/pr) features a 1-inch titanium-dome tweeter and a 6.5-inch aluminum-cone woofer, crossed over at 2.2 kHz and mounted in a rear-ported cabinet. At 13.5 inches high, it's one of the largest speakers in this roundup.
Brent Butterworth  |  Mar 26, 2013  | 

Hsu Research ranks high on home theater enthusiasts' "most favored brands" list, largely because of its high-performance, low-priced subwoofers. Indeed, the HB-1 MK2 ($318/pr) seems to be designed primarily as a home theater bruiser: At 15.4 inches high, it's the largest speaker in this roundup, and its 6.5-inch, polypropylene-cone woofer gives it more bass real estate than any but the Axiom M3v3.

Brent Butterworth  |  Mar 26, 2013  | 

Audio cognoscenti won't recognize the C3 ($350/pr) as a KEF because it doesn't have KEF's trademark concentric tweeter-inside-woofer design. Its 0.75-inch aluminum-dome tweeter sits above its 5.25-inch polypropylene-cone woofer in an 11.4-inch-high front-ported cabinet.

Brent Butterworth  |  Mar 26, 2013  | 

Usually, a sub-$400/pair minispeaker is part of a manufacturer's entry-level line, but the RB-41 II ($299/pr) is part of Klipsch's Reference line. It uses the horn-loaded tweeter that has been a Klipsch hallmark since the 1940s - in this case, a 1-inch titanium-dome model - and a ceramic/metallic-cone 4-inch woofer in a rear-ported enclosure.

Brent Butterworth  |  Mar 26, 2013  | 

More than any other speaker in this group except perhaps the Polk, the BX1 ($379/pr) looks like a high-end product, with its walnut finish; its 1-inch, gold-finish C-CAM (composite ceramic metal) tweeter; and its 5.5-inch C-CAM woofer. Unusually, the woofer is attached to the back panel, not the front, so its vibration won't be as easily transmitted to the front panel.

Brent Butterworth  |  Mar 26, 2013  | 

The Marimba ($349/pr) is the first speaker ever offered under the Music Hall brand, known for affordable turntables and audiophile electronics. Clearly, the sound was the focus; the Marimba's black ash vinyl wrap finish won't win any design awards. The 1-inch silk-dome tweeter and 5.25-inch, polypropylene-cone woofer are mounted in a rear-ported, 11-inch-high cabinet.

Brent Butterworth  |  Mar 26, 2013  | 

“Really?” I blurted out loud when I opened the RTiA1’s box to find a substantial, beautifully made minispeaker with curved sides and a higher level of fit’n’finish than that found on any of the other speakers in this group (the Monitor Bronze BX1 perhaps excepted). I even double-checked the price, doubting that Polk could sell such a nice-looking speaker for less than $400 a pair, especially $325 a pair (or even less online).

Brent Butterworth  |  Mar 26, 2013  | 
The Monitor series of speakers from Paradigm is now in its seventh generation. It's always been the company's most affordable line, but it's always been designed in the same no-nonsense, engineering-focused style as the company's other speakers. The Atom Monitor 7 ($398/pr) is no exception.
Brent Butterworth  |  Mar 26, 2013  | 

For decades, the minispeaker has been a touchstone for audio enthusiasts. Because you can get a respectable pair of minis for a few hundred dollars, the mini is where most audiophiles start their journey into sound.

Brent Butterworth  |  Apr 09, 2013  | 

The Motion 15 is in my listening room partly because I've wanted to hear it ever since I first saw it about a year ago, and partly because I mistakenly ordered it for our massive "Clash of the Minispeakers" test.

Daniel Kumin  |  Jun 06, 2013  | 

Physicists have long postulated that an ideal sound reproducer would behave as a pulsating sphere. Ever since, the wish being father to the thought, speaker designers have been cramming transducers into balls, as if making the cabinet round would somehow magically make the sound spherical.

Pages

X