Bookshelf Speaker Reviews

What a long, strange trip it's been. I've reviewed hundreds of speakers—big towers, tiny satellites, high-end flagships, and a long run of budget models—but Sunfire's new XT Series Cinema Ribbon speaker is something different. I couldn't get over how this little thing, standing just 8.25 inches tall, can play bloody loud and project the sort of huge and still highly focused imaging I've only heard from exotic, big-bucks speakers. On well-recorded concert DVDs, like Pixies: Live at the Paradise in Boston, the Cinema Ribbons let me hear around each musician. It was as if the band had materialized, fully formed, in front of me. If I had any doubts about the pint-sized speakers' ability to handle gobs of power, rocking out with the Led Zeppelin two-disc DVD set convinced me. John Bonham's hand drumming on "Moby Dick" had the sort of tactile, palpable presence you hear in real life. With the volume cranked, I felt—and I mean felt—each whack on the floor toms. The Cinema Ribbons (with the assistance of Sunfire's True Subwoofer EQ) sounded like a set of tower speakers.

I review stuff. Manufacturers have a right to be wary of people like me. And, when I ask for a surround receiver, the first thing they ask me is, "What speakers will you be using with it?" I tell them, "Paradigm Reference Studio 20s." The sighs of relief at the other end of the phone line are almost audible. More often than not, I get what I ask for.

On the battlefield of speaker design, I am the triage nurse. I walk into speaker demo rooms at trade shows, my badge sometimes inadvertently turned inward, listen for a moment, and quietly mutter to myself, "This one's a keeper," or, "He's dead, Jim." Or occasionally just, "Hmmm," because good speakers may sound iffy under bad conditions, and I respect the potential buried within an ambiguous first take. But, if my instincts tell me to pursue a review, I whip out a business card and start making arrangements on the spot.

Pricewise, these Definitive Technology ProCinema speakers and this Pioneer Elite A/V receiver are a perfect match. Even visual cues unite them, with the receiver's shiny-black metal faceplate echoing the satellite enclosures' black-gloss curve. In other ways, they may seem like an odd couple (or septet, rather). Wouldn't that big receiver be too much for those little speakers? No, say the specs. With the satellites rated to handle as much as 200 watts per channel, the receiver's hefty rated 140 watts are well within the acceptable range, although the speakers' 90-decibel sensitivity suggests that they'll play fairly loudly, even with a lower-powered amp. Therefore, it is legal to marry these speakers to this receiver, at least in Massachusetts, Canada, Spain, and the Netherlands.

The high-definition video capabilities of the Xbox 360, like those of the imminent Sony PlayStation 3, have put a renewed emphasis on the importance of the video display. And, indeed, consumers young and old continue to bring HDTVs into their homes in record numbers. But no one was more shocked than I was to discover that there are still some gamers out there with current- and next-generation consoles in their living rooms who aren't hooked up to discrete 5.1-channel audio systems. Rather than record a Sally Struthers–style public-service announcement to elicit help for these poor, unfortunate souls, I chose to investigate the options—and I came up with Pioneer's officially licensed Xbox 360 sound solution, the HTS-GS1.

When I ran across the Klipsch RB-81—in the newly renovated Reference Series—I couldn't resist ordering a set. It's been years since I've reviewed a two-way design with a great big 8-inch woofer. The very concept brought on one of my increasingly frequent bouts of nostalgia.