Bookshelf Speaker Reviews

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Mark Fleischmann  |  Sep 14, 2012  | 

MilleniaOne Speakers
Performance
Build Quality
Value
 
MilleniaSub subwoofer
Performance
Features
Build Quality
Value
Price: $2,648 At A Glance: Die-cast aluminum satellites • Flat-form-factor subwoofer • Remarkable transparency

Not often do I begin a review with an apology to readers. But I owe you one.

It’s taken me an unconscionably long time to get around to reviewing the Paradigm MilleniaOne satellite speaker system and MilleniaSub. The products made their retail debuts in November 2010. Since then they’ve languished on my to-do list despite the fact that Paradigm is one of my favorite speaker manufacturers. In fact, I never fail to cite my reference speakers, the Paradigm Reference Studio 20 v.4, in every A/V receiver review. Now that I’ve gotten an earful of the MilleniaOne and MilleniaSub, I’m kicking myself. I should have recommended these stellar satellites and innovative subwoofer to you a whole lot sooner, whether you’re in the market for a sat/sub set or not. This is the kind of high-performance sat/sub set that might make believers out of people who weren’t even interested in the product category to begin with.

Mark Fleischmann  |  Aug 10, 2012  | 

Performance
Build Quality
Value
Price: $6,800 At A Glance: Three-way with coaxial midrange/tweeter • Sub with dual side-firing drivers • Laser-like focus and well rounded

Kent, in the south of England, was best known for hop farming when Raymond Cooke left Wharfedale and founded KEF in 1961. The company was named after the industrial site on which it was founded: Kent Engineering & Foundry. KEF’s numerous distinguished alumni include Laurie Fincham, who now develops next-generation audio technologies for THX, and Andrew Jones, who designs world-beating loudspeakers at a variety of price points for Pioneer and TAD. KEF has earned a reputation for making both great speaker systems and great speaker drivers, some of which were instrumental in the legendary BBC-designed LS3/5A, which KEF and other manufacturers have marketed in various forms. Roving through a New York cocktail party celebrating KEF’s 50th anniversary last year, hobnobbing with the audio elite, I found that the drive units inspired as much nostalgia as the speakers in which they were used. (To read about KEF’s history in more detail—and in a handsome coffee-table book, no less—see KEF: 50 Years of Innovation in Sound by Ken Kessler and Dr. Andrew Watson.)

Mark Fleischmann  |  Jul 17, 2012  | 
Audio is not supposed to be fun. That’s why outdoor speakers are a terrible idea. Music is meant to be enjoyed in an acoustically perfect room by a single person sitting in the sweet spot. While you listen, it might be permissible to reverently handle a gatefold album jacket or dutifully edit metadata to make it absolutely perfect. But it is not permissible to swim, soak up the sun, watch the kids play with the dog, pour daiquiris from a pitcher, or hobnob with neighbors. Above all, it is never socially acceptable to barbecue while listening to music. If you are a morally upright audiophile, you may safely assume the rest of this story will be in the same vein. Go now. Retreat to your music library while I discipline the riffraff.
Mark Fleischmann  |  Jul 12, 2012  | 

Performance
Build Quality
Value
Price: $1,297 (with updated X Series models)
At A Glance: Dual orbs in front, single orbs behind • Full-range drivers in steel enclosures • Rod or pedestal stand

Spherical loudspeakers are perhaps too easily dismissed: “Oh look, it’s round. Cute gimmick. Next…” That box speakers are easy to build certainly doesn’t guarantee sound quality. In fact, designers of quality speakers are constantly rebelling against the limitations of rectangular enclosures. To curb cabinet resonance, designers build bracing into the box and stuff the interior with damping material. They curve the sides to stop standing waves from developing between parallel walls. But rather than tweak boxes, some do away with them altogether. So if you think the spherical steel shells of Orb Audio’s People’s Choice satellite speakers are mere gimmicks, think again.

Darryl Wilkinson  |  May 16, 2012  | 

StudioMonitor 55 Speakers
Performance
Build Quality
Value
 
SuperCube 6000 subwoofer
Performance
Features
Build Quality
Value
Price: $2,494 At A Glance: Top-mounted, passive radiator • Dual binding posts • Enhanced phase plug

Whether you think a decade is a long or a short period of time depends on your perspective. If you’re discussing cosmology with astrophysicist Neil deGrasse Tyson, the word “decade” probably won’t even make it into the conversation. If you’re Apple, you crank out more than 300 million iPods in that period of time. If you’re a momma elephant with a particularly frisky elephant husband who likes to party, you might be able to birth five elephant progeny. (Although the stretch marks will simply be impossible to get rid of after that third one, no matter what exercise club you sign up with.) At the Glenmorangie distillery in the Scottish Highlands, you’re trying to decide whether or not to bottle the batch of single-malt scotch that’s been aging in the barrels for the last decade or to wait another eight years and ship out cases of Glenmorangie 18 Years Old instead. But if you’re Definitive Technology, you take your sweet time and eventually come out with…wait for it…three (as in one more than two) totally redesigned monitor speakers.

Mark Fleischmann  |  Apr 26, 2012  | 

Performance
Build Quality
Value
Price: $900 each At A Glance: Comprehensive bass optimization in a small cabinet • Compelling midrange • Speckle gloss finish

As a surround-oriented magazine, we rarely review speakers in stereo. But when Atlantic Technology offered a pair of its AT-2 H-PAS speaker, we couldn’t resist a listen. This loudspeaker uses an intricately constructed stand-mount enclosure to deliver bass comparable to that of an equivalent conventional floorstander. Does anyone want it?

Mark Fleischmann  |  Apr 13, 2012  | 

Performance
Build Quality
Value
Price: $1,745 At A Glance: Sealed design controls bass • Satin-finish MDF enclosures • Factory-direct sales enhance value

Are you one of those people who can’t resist a supermarket circular? Do you trawl the Internet looking for coupon codes that can be pasted into online purchases? Loudspeaker pricing doesn’t often indulge us with the same feeling of satisfaction that we get from buying a jumbo jar of marinara sauce or a cashmere scarf at an extremely low price. But while researching this review last December, I couldn’t help noting that Emotiva’s factory-direct speakers offered some wiggle room to the timely shopper. The XRC-5.2 LCR speaker normally sold for $299/each—not a bad price to begin with—but was momentarily going for an introductory price of $239/each.

Mark Fleischmann  |  Feb 07, 2012  | 
Performance
Build Quality
Value
Price: $1,706 At A Glance: Listening fatigue immunity • Extremely solid build • Factory-direct value

SVS Sound designs its products from the bottom up. The company got its start as a subwoofer manufacturer, fascinating point-one-obsessed audiophiles with unusual (and potent) cylinder-shaped models. Check out the company’s Website at svsound.com under products and you’ll find the subwoofer category listed above speakers and systems. If you want to add an SVS sub to an existing system, the Website’s Merlin engine lets you key in the make and model of your non-SVS speakers to obtain recommendations on compatible SVS subs. Merlin will even offer suggestions for subwoofer crossovers in both surround and stereo systems.

Mark Fleischmann  |  Dec 29, 2011  | 

Performance
Build Quality
Value
Price: $2,075 At A Glance: Compression Guide Technology enclosure • Top-to-bottom ease and authority • Sub controls in separate remote-controlled box

Longtime readers know I often revisit the same manufacturers in loudspeaker reviews. I like to see how speaker lines from the same crucible evolve and grow. The downside is that returning to the same brands cheats me (and you) of new experiences. So for this review, I found myself placing a call to Howard Rodgers of RSL Speaker Systems. I dialed his West Coast number at 10 in the morning East Coast time with the intention of leaving a voicemail—only to roust him out of bed, to my surprise and embarrassment. He told me a little about the company and the 5.1-channel speaker package I was about to review.

Michael Fremer  |  Dec 27, 2011  | 

Performance
Build Quality
Value
Price: $6,850 At A Glance: 0 for looks • 11 on a 10 scale for sound • Smooooth air motion transformer tweeter

Although Berlin, Germany–based Adam Audio is a recent player in the American A/V marketplace, the company has produced passive and powered loudspeakers for both pro and home use for 11 years. The acronym ADAM stands for Advance Dynamic Audio Monitors. ADAM Audio USA entered the pro market here in 2002 and only recently began building a home audio distribution and sales network.

Mark Fleischmann  |  Dec 16, 2011  | 
Performance
Value
Build Quality
Price: $880 At A Glance: Super-smooth-sounding top end • Spacious, big-sounding midrange • Compact form factor • Modest price

There are two schools of thought about speaker design for movies and music. The purist approach is that the fundamentals of performance affect both equally—what’s good for music is good for movies and vice versa. On the other hand, the pragmatic approach calls attention to the differing demands of movies versus music, suggesting that your choice of speaker should be optimized for one or the other, whichever you care about more.

Mark Fleischmann  |  Nov 11, 2011  | 

Performance
Value
Build Quality
Price: $2,350 At A Glance: Smallest member of Imagine Series • Ingenious design, high build quality • Wood veneer or gloss finishes

A few decades ago, the Canadian government’s National Research Council built an anechoic—that is, non-echoing—chamber in Ottawa for the testing and refinement of loudspeakers. This investment nurtured a whole school of speaker designers. Paul Barton of PSB was among the earliest and most distinguished to emerge. Five years ago, Barton embarked on a wholesale redesign of his speaker lines, summing up his considerable experience and adding improvements made possible by the lowered cost of manufacturing in China. Yes, some manufacturers actually use China’s industrial prowess as an opportunity to improve their products. Barton regularly visits his contract manufacturers to ensure they’re delivering the quality he demands in his high-performing loudspeakers.

Mark Fleischmann  |  Nov 04, 2011  | 

Performance
Value
Build Quality
Price: $2,494 (updated 2/17/15) At A Glance: Rethink of price/performance champ • Perfectly voiced for affordable electronics • Optional Perfect Bass Kit tunes sub

I envy the Paradigm Monitor Series 7 speakers, the latest in a durable line. Over time, the Monitors have gotten better and better, while I have only gotten balder.

Mark Fleischmann  |  Sep 20, 2011  | 

Performance
Value
Build Quality
Price: $1,750 At A Glance: HVFR folded diaphragm tweeter • Dual woofers in slim enclosure • High sensitivity

There are no second acts in American lives,” F. Scott Fitzgerald gloomily mused. Don’t tell that to Sandy Gross. Having cofounded Polk Audio and Definitive Technology, he has recently formed a third Baltimore-based loudspeaker company called GoldenEar Technology. I’ve asked Gross more than once why he’s launched a third speaker brand when the first two have left him at a pinnacle of material success. He always starts his reply with a broad smile that says it all.

Mark Fleischmann  |  Sep 20, 2011  | 

Performance
Value
Build Quality
Price: $3,350 At A Glance: 90-by-60-degree Tractrix horn • Extremely focused imaging • More decibels for your watts

The story of Klipsch is often told, but the storytellers, myself included, typically fail to mention two of the three key principals. Every audiophile has heard of Paul W. Klipsch. He founded the loudspeaker company that bears his name in 1946 and spent several decades patiently perfecting his use of horn-loaded drivers to provide—and here I’ll just quote the Klipsch mantras—high efficiency, low distortion, controlled directivity, and flat frequency response. Paul was also known to take notes during sermons so that he could grill the minister afterward on the fine points of theology.

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