Tower Speaker Reviews

Some speakers start communicating immediately. Ten seconds after I got these JBLs started, I was engrossed. Before I set them up, I'd just gotten halfway through the first disc of Vladimir Feltsman's hard-to-find four-disc set of Bach's The Well-Tempered Clavier. Having just rearranged my reference system to better visual and sonic advantage, I was loath to pull it apart again, but duty called. The Cinema Sound speakers simply picked up where my reference speakers left off. They sounded neutral, substantial, and well able to keep up with both the recording's shifting dynamics and its liquid beauty.

We haven't reviewed any of Revel's flagship Ultima models since the Gem/Voice/Embrace combination was evaluated in <I>Stereophile Guide to Home Theater</I> way back in 1998. But we've reviewed several Revel Performa systems since then. Three years ago I reviewed the then-new flagship system of Revel's Performa line, headlined by the floor standing <A HREF="http://ultimateavmag.com/speakersystems/123/">Performa F50 </A>.

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When the assignment came in to review Revel's Performa system, I was more than just a little bit excited. After all, spending time with a Performa F52, C52, S30, M22, and B15A setup is akin to driving a Mercedes-Benz CL600 coupe with every conceivable option when you're accustomed to commuting in a Honda Accord. There's nice, and then there's, "Give me the keys, and get out of the way!" Yes, this would be fun.

Say your Great-Aunt Edna died and left you $10,000 or so in her will with the stipulation that you had to spend it on a home theater system (that's why she always was your favorite great-aunt). You and I could while away the better part of an evening arguing the particulars of what gear to buy—and especially how the money should be divided between the audio and video parts of the system.