Tower Speaker Reviews

Performance
Build Quality
Value

AT A GLANCE
Plus
Audyssey MultEQ XT Pro room equalization
Variable-axis soft-dome tweeters on surrounds
All speakers are biamped or triamped
Minus
Expensive
Status LEDs on amplifier are bright and can’t be dimmed
Requires professional installation

THE VERDICT
When it comes to the evolution of loudspeakers, Phase Technology has an enviable pedigree filled with innovation. The company’s newest dARTS speaker/amp package is a spectacular achievement that mitigates the effects of room acoustics and creates a highly theatrical, intensely musical experience that’s extremely rare.

One day last summer, I found myself grumbling more than usual as I stood staring at 550 pounds of speakers and amps that Phase Technology had shipped to my house. (Actually, because the gravel road I live on is very unfriendly to tractor-trailers, I had to drive to the depot, load a couple of pallets of heavy boxes into two vehicles, drive home, and then unload it all.) The gear makes up the top-of-the-line version of the company’s new, second-generation dARTS system.

Performance
Build Quality
Value

AT A GLANCE
Plus
Neutral balance with fine imaging
Very good center-channel performance, integration
Superb value
Minus
Towers may require substantial tilt-back

THE VERDICT
Emotiva’s new passive loudspeakers combine serious audio design and refinement with sufficient construction and finish quality to establish unprecedented value.

There’s been plenty of ink spilled, print and digital, in Sound & Vision and elsewhere, about Tennessee’s direct-to-consumer brand Emotiva and the disruptive pricing the company has brought to various audio categories. To date, this has been mostly focused on electronics, where power amps, preamps, pre/pros, and DACs have been offered up for surprisingly small sums that seem to belie their inherent engineering and build quality. Corner company founder Dan Laufman about how he does it, and he’ll enthusiastically share his prior life as an OEM for other audio brands (many of which you know well) and how he’s learned a few tricks about where and how to stretch raw material costs in the most meaningful ways.

Performance
Build Quality
Value

AT A GLANCE
Plus
Spacious bipole sound
Seriously full-range with powered bass section
Astounding dynamics
Minus
Big and demanding of floor space
Reflective bipolar reproduction may not suit every room, taste

THE VERDICT
A big speaker with a sound to match, Definitive Technology’s latest, Atmos-onboard, powered-tower flagship delivers the impressive imaging depth and breadth we expect from bipoles. Its response is as full-range, and its dynamic abilities as unfettered, as anything I’ve heard from a one-piece system.

Definitive Technology’s monolithic bipolar towers —which launched the brand in 1990—have been around in one form or another almost as long as that thing in 2001: A Space Odyssey. With the fourth generation bowing recently, the Baltimore-area manufacturer set us up with a full suite: BP9080x fronts, CS9080 center, a pair of smallerbut-still-huge BP9060 towers for surrounds, and the A90 elevation speakers (Dolby Atmos-enabled and compatible with DTS:X) to go on top of those surrounds; the marquee BP9080x fronts have the same elevation componentry to bounce height-channel signals off the ceiling built right into their top 5 inches.

Performance
Build Quality
Value

AT A GLANCE
Plus
Open, airy highs
Clean, tight bass
Big, generous soundstage
Minus
Setup takes patience for best results
Treble can be unforgiving

THE VERDICT
Careful trial and error with placement, and perhaps the addition of a good subwoofer for movies with crushing bass will be needed for getting the best out of the DALI Rubicons. But the best this system offers is compelling.

DALI (Danish Audiophile Loudspeaker Industries) isn’t new to this country, but it’s relatively new as overseas loudspeaker manufacturers go. The somewhat new Rubicon range sits near the top of the company’s U.S. product offerings, topped only by the Epicon series, which it is said to most closely share technology.

Performance
Build Quality
Value

AT A GLANCE
Plus
New DSP for low-frequency tuning
Totally redesigned midrange drivers
Balanced crossover with polypropylene capacitors
Minus
Bright blue power LED on back of tower

THE VERDICT
With the hindsight of four years of product development, GoldenEar reboots their very first speaker with updated drivers, crossover, and low-frequency DSP—to quite stellar results.

Unfortunately, the first GoldenEar Technology Triton Two loudspeaker I ever saw didn’t work. It wasn’t the result of shoddy workmanship, chintzy materials, or some brutal, shipping-induced internal hemorrhage of crossovers and cables. Truth be told, the speaker wasn’t technically a Triton Two because, at the time (in early January during CES 2010), GoldenEar Technology didn’t officially exist. The tall, dark tower standing silently in front of me was a cosmetic mock-up of what would become the Triton Two— GoldenEar’s first speaker. In other words, this mute monolith, wrapped in black fabric, was merely a hollow shell of its future towerful self.

Motion 60XT Speaker System
Performance
Build Quality
Value

Dynamo 1500X Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Powerful, punchy sound
Excellent sonic match among speakers
Fine upper-octave detail
Minus
Clunky interface for Perfect Bass Kit
Marketing not withstanding, they can’t image like ML’s dipole speakers

THE VERDICT
While they don’t have much in common with MartinLogan’s electrostatic offerings, the Motion XT speakers let you keep a foot in both the music and home theater camps with little compromise.

Coming up with a good slogan for your company can be tricky. You want something that tells people what you do, but you don’t want it to tie your hands as the company evolves. For years, Burger King ran commercials using the catchphrase “Have It Your Way,” but they had to drop it when they wanted to reduce the bottlenecks being caused at restaurant counters by custom orders. Now they’re back to being the “Home of the Whopper.” Of course, you could simply ignore the historical inaccuracy of your catchphrase, as the H.J. Heinz Company has done; after all, they probably have 5,700 varieties today, not just 57.

Zensor 5 Speaker System
Performance
Build Quality
Value

VTF-1 MK2 Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Neutral balance
Excellent center-L/R tonal match
Superb “small”-sub output and extension
Minus
Zensor 5 mini-towers are rather short

THE VERDICT
Combining DALI’s fine-performing, high-value two-way line with one of the best inexpensive 10-inch subwoofers available creates an affordable system that competes well with the many contenders in its price class.

DALI is a company that has nothing to do with surrealist art or Tibetan Buddhism. The acronym is for Danish Audiophile Loudspeaker Industries, which over some 30 years has grown from a home-market specialist to a respected international brand. Despite this success, I had never gotten up close and personal with any DALI designs (trade-show demos excepted) until they shipped us a representative selection of their new Zensor entry-level series. Since the Zensor-ship currently lacks a subwoofer, we tapped one of the best size- and price-appropriate designs we know, Hsu Research’s affordable VTF-1 MK2.