Tower Speaker Reviews

It seems like there have been Paradigm Monitor-series speakers roaming the earth since shortly after Rice and Kellog patented the dynamic loudspeaker as we know it in 1924. (The original practical design was by Peter Jensen, co-founder of Magnavox, some years earlier.) And as the arrival of its “Series 7” might suggest, the Canadian maker’s Monitor family does in fact date back a couple of decades. Like the speakers that preceded them, Paradigm’s new Monitor models are benchmarks of performance/value quotient in the best Canadian-speaker tradition: rationally priced, excellent-performing, technically advanced designs that compete very effectively with some far more costly “high-end” designs.

So what has changed for Series 7? According to Paradigm, the answer is smaller, deeper, broader: The new models are smaller in size (and so more décor-friendly), yet thanks to redesigned waveguides and the adoption of aluminum bass/mid cones and tweeter domes, they offer improved low-frequency extension and smoother, wider off-axis response. In other words, just like before — but more so.

It shouldn’t have come as too big a surprise, though. GoldenEar is the creation of Sandy Gross, a co-founder of Polk Audio and Definitive Technology, and engineer Don Givogue, the other co-founder of Def Tech. Still, to have people comparing your $2,500-per-pair speaker to $10,000-per-pair models is an accomplishment.

One of my favorite things about the audio biz is that anyone with a dream and a garage can get in. Accumulate the knowledge to design a speaker or an amp, gather the tools and materials to build it, muster the courage and social skills to sell it, and you’ve got yourself an audio company! (Unfortunately, a few would-be entrepreneurs skip that all-important first step.)

There’s no better current example of this phenomenon than John DeVore, founder, president, and chief designer of DeVore Fidelity. DeVore was a musician and high-end stereo salesman in new York City who’d nurtured a hobby of building his own speakers. When he finally got to the point where he was satisfied with his designs, he started to produce and sell them. His company now builds speakers in the old Brooklyn Navy Yard, which has become a hotbed of artisanal manufacturing.

The seeds were planted at CES this past January in Las Vegas. I was ushered directly to the SSS, the Sweet Spot Seat (middle chair, second row) in GoldenEar Technology’s private suite at The Venetian. GoldenEar’s major audio domo, Sandy Gross, had been waiting patiently for my arrival so I could hear the company’s new speaker pair, the Triton Seven towers.

1961 Speakers
Performance
Build Quality
Value

1961 1V Subwoofer
Performance
Build Quality
Value

PRICE $14,490 (as tested)

AT A GLANCE
Plus
Powerful, accurate sound
Relatively compact
Attractive
10-year warranty

Minus
Sub lacks an app
Only available in black or white

THE VERDICT
A perfect match for a flagship AVR, the 1961 9.4.4 system from Arendal performs great and looks fantastic.

The 1961 system from Arendal is one of the company’s three speaker series, the other two being the 1723 and 1723 S. 1961 is more compact and more affordable, but is otherwise consistent with Arendal’s design philosophy and aesthetics. This isn't what you'd call overpriced audio jewelry. It is modern and solidly built and aesthetically pleasing, but most importantly, it performs and offers great value.