Blu-ray Movie Reviews

In what will surely go down in history as a textbook example of a successful online campaign to release a much-wanted movie, the #releasethesnydercut movement ultimately convinced Warner Bros. to complete and distribute director Zack Snyder's original vision for his DC Comics Extended Universe ("DCEU") team-up flick, Justice League. Snyder's departure from the project during production led to the hiring of Joss Whedon to oversee final work on the movie for its November 2017 theatrical debut, writing and directing new scenes on the way to a two-hour cut. That version largely left audiences cold, particularly fans of Snyder's previous DCEU films, despite co-star Gal Gadot's wave of popularity from her Wonder Woman solo film a few months earlier.

The messiah here is Fred Hampton, chairman of the Illinois chapter of the Black Panther Party (BPP), preaching and gathering disciples to join him in his efforts to help feed and free the people. Judas is Bill O'Neal, the follower who's secretly working for the oppressive force—the Chicago PD and the FBI circa 1968, who see the BPP as more of a threat than the Russians or the Chinese.

George Bernard Shaw's play Pygmalion premiered in London back in 1913. Loosely based on an ancient Greek myth, its plot involves a linguistics professor, Henry Higgins, teaching a bedraggled flower girl, Eliza Doolittle, to speak proper English—not only well enough to pass her off as a duchess at an embassy ball, but to "get her a job as a lady's maid or a shop assistant, which requires better English!"

As a kid in England in the late 1970s, I loathed director Mike Leigh's BBC TV dramas about what seemed like the drab lives of dull, ordinary people because they lacked the glamour and drive of Hollywood classics. Years later, I became enthralled with the pathos of universal pain and struggle shown in Leigh's Secrets & Lies, a microcosm of real relationships and feelings that is as moving and massively encompassing as any film I've seen.

As the first film to launch the MonsterVerse, a "cinematic universe" featuring enduring monster movie icons, this 2014 reboot of the Godzilla franchise set the template for several movies to come, including Kong: Skull Island and the late-pandemic sensation, Godzilla vs. Kong. Here's the deal: After escaping a nuclear weapons assault (cloaked by authorities as a "nuclear test") in the 1950s, Godzilla went deep underground.

It can be taken for granted that if Tom Hanks is starring in a movie, we will become acquainted with a compelling lead character. Also, if Paul Greengrass is directing, it will be an exciting ride. Following the South's loss in the Civil War, Texas circa 1870 was a complicated place and time in the United States. World-weary Captain Kidd (not Phillips) ekes out a humble existence traveling from town to town, reading the news of the day to small groups of dime-paying customers who might otherwise remain oblivious.

(Cue deep, sonorous narration.) In a world infested with giant, hungry bugs, what's left of mankind has hunkered down in underground colonies where they're safe (mostly) from being eaten alive. How this post-apocalyptic nightmare began is explained in the brief opening sequence of Love and Monsters, but in short it was mankind (as usual) that messed things up.