Headphone Reviews

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Chris Chiarella  |  Sep 30, 2005  | 
5.1 for your head.

After more years writing about sound technology than I care to count, I've had two revelations of note: A full 5.1-channel speaker system is too much for some people, while, for many of those same folks, traditional stereo just isn't enough. With content—movies and games—growing ever more sophisticated, we need adequate gear on which to enjoy it. However, not everyone has the space, the budget, or even the basic technical know-how to wire five speakers and a subwoofer.

Brent Butterworth  |  Sep 07, 2011  | 

When I got the press release for the new InTune in-ear headphones from Fuse, it made me think: How is any particular genre of music supposed to sound? And does it already sound that way, or do you have to do something to it to make it sound like it’s supposed to?

The InTune headphones inspired this question because they’re available in four varieties, each tuned for a certain type of music: red for rap and hip-hop, orange for rock, blues and country; blue for jazz and classical; and green for pop and easy listening.

Geoffrey Morrison  |  Nov 07, 2011  | 

Expanding on our recent bout with celebrity-endorsed headphones, here we go one step further (back?) with a TV-show-endorsed headphone.

Maybe "endorsed" isn't the right word. "Branded" perhaps, which is more than appropriate given the subject matter of Showtime's vampire-themed soap opera.

Given that preamble, the V-MODA True Blood Maker headphones turn out to be something of a surprise.

Brent Butterworth  |  Dec 09, 2011  | 

When we heard about the Sync by 50 headphones from SMS Audio, our hearts soared. We hoped that company founder and hip-hop star 50 Cent — or Fiddy, or Fif, or Cent, or Curtis, or whatever the hip-hop cognoscenti are calling him this week — would tap his fabled entrepreneurial skills and no-nonsense business attitude to create the world’s first hip-hop headphones that don’t at least kinda suck.

Brent Butterworth  |  Dec 14, 2011  | 

After hearing the enthusiastic sales pitch from SOL Republic, one of the latest of many new entrants into the headphone biz, I was disappointed when I heard the company's first model, the Tracks $99 on-ear. While the Tracks is beautifully made and incredibly comfortable for an on-ear model, its extremely bass-heavy balance made me feel like I was locked in the trunk of a Honda Civic with two 12-inch woofers and the complete works of Deadmau5 cranked way up.

When I received the company's first in-ear monitor (IEM), the $99 Amps HD, I wondered if the company would be able to achieve the blend of design and sound quality it originally promised - or if it'd be another well-crafted but sonically intolerable product.

Brent Butterworth  |  Dec 23, 2011  | 

After trying several Bluetooth headphones, I’m surprised this category hasn’t taken off yet. With Bluetooth, you’re unencumbered by pesky cables. You can leave your cell phone in your pocket, on a table, etc., and control volume and track forward/reverse wherever you roam, as long as you don’t stray further than 30 feet. And unlike almost all mic-equipped headphones, Bluetooth headphones work as well with Androids as they do with iPhones.

Brent Butterworth  |  Jan 04, 2012  | 

Mention noise-cancelling headphones and most people think of large, over-ear models like the Bose QC15. Comfy as those big cans can be, they’re waaaay too big to slip into a pocket or purse. But not all noise-cancelling headphones come in cases sized like jumbo donuts at the State Fair. In fact, a few manufacturers have added noise-cancelling technology to their in-ear monitors (IEMs), using a little “lump in the line” to house the needed electronics.

One might fairly ask, though: Do IEMs really need noise cancelling? After all, when used with tips that fit your ears properly, IEMs completely seal off your ear canals. However, IEMs do most of their noise-blocking at frequencies above 1 kHz. Below that, they’re not so effective at keeping the noise out.

Brent Butterworth  |  Jan 27, 2012  | 

YOU’LL NEVER BE TEMPTED to take this headphone on the bus. The earpieces of Audio-Technica’s ATH-AD900 are huge, measuring about 4.5 inches in diameter and concealing a big 53mm driver. Unlike almost all other headphones, the ATH-AD900 does not have an adjustable band. Instead, it features a pair of spring-loaded, padded “wings” that support it on your head. The soft padding and big earcups made the ATH-AD900 super-comfortable for Howard, Joe, and me. But it felt droopy to Will, and Geoff found the feel of the wings on his bald pate intolerable after a few minutes.

Brent Butterworth  |  Jan 27, 2012  | 

THE ONLY MAJOR MANUFACTURER I know of that makes the same headphone in different impedances, Beyerdynamic offers the DT-990 in a 32-ohm version for use with portable devices, a 250-ohm version for average home gear, and a 600-ohm version for high-end headphone amps. We requested the 32-ohm version because the other headphones tested here run in that range and because we figured most S+V readers would at least occasionally want to plug straight into a smartphone or a computer.

Brent Butterworth  |  Jan 27, 2012  | 

ANY AUDIOPHILE CAN RECOGNIZE a pair of Grado headphones from 50 feet away. The distinctive, old-school leather band and earpieces mounted on sliding rods give them a World War II vibe. But audiophiles love them for their sound, not their looks.

Brent Butterworth  |  Jan 27, 2012  | 

IT MAY BE ONLY 4 YEARS OLD, but the HiFiMan brand has had a major impact on the growing world of portable audiophilia. The new HE-300, which uses conventional dynamic drivers, is the company’s most affordable over-ear headphone yet. With its solid, mostly metal construction and audiophile-grade detachable cables, it sure doesn’t look like it costs $249. You even get an elegant hardshell case in the deal.

Brent Butterworth  |  Jan 27, 2012  | 

WHEN I FIRST SAW the Sennheiser HD598’s beige-and-brown color scheme, woodgrain accents, and air-cushioned headband, images of all sorts of 1970s products fl ooded through my head: Kustom guitar amps with “tuck and roll” covering, lacquered driftwood furniture, waterbeds, Roger Dean posters.

Brent Butterworth  |  Jan 27, 2012  | 

BEING THE ONLY CLOSED-BACK headphone pair in this bunch gave the Sony MDR-Z1000 a potential advantage and disadvantage. The advantage, we assumed, would be that the MDR-Z1000 would have more robust bass than the open-back models. The disadvantage, we assumed, would be that it wouldn’t sound as, well, open — i.e., spacious — as the open-back models.

Brent Butterworth  |  Jan 30, 2012  | 

EVERYWHERE YOU GO, it’s so easy to listen to music, thanks to smartphones, tablets, and MP3 players. But it’s kind of a bummer that millions of people now hear most of their music through earbuds with drivers smaller than a dime.

Brent Butterworth  |  Feb 01, 2012  | 

When I first encountered the Exodus from House of Marley, during our test last fall of celebrity-branded headphones, I didn’t expect much. I assumed the company had put all its effort into the Exodus’ stunning styling, and little into sound quality.

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