Projector Tech

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Thomas J. Norton  |  Jul 21, 2021  | 
Today's projection screen scene is far more complex and competitive than it was even a short 10 years ago, with numerous companies now offering a wide range of screen types at various shapes, sizes, and prices. Narrowing the options requires research, together with careful consideration of your specific needs and viewing environment. How tightly can room lighting be controlled? How big does the image need to be? What is the preferred aspect ratio? Should the screen's frame be fixed or retractable? Finally, how do today's high dynamic range (HDR) requirements—unknown a decade ago—figure into the choice?
Kris Deering  |  Sep 15, 2020  | 
At the last CEDIA Expo in September 2019, JVC announced a firmware update for its native 4K D-ILA projectors that delivered true frame adaptive HDR tone mapping to the lineup. For CEDIA Expo Virtual 2020, the company’s key announcement is an improved version of that Frame Adapt HDR feature called Theater Optimizer. The firmware also includes a few other tweaks and new features and will be available as a free firmware update in November 2020 for the following models: DLA-NX5, DLA-NX7, DLA-NX9, DLA-RS1000, DLA-RS2000, and DLA-RS3000.
Thomas J. Norton  |  Jan 28, 2020  | 
In Choosing the Right Projector for a WOW! Experience, we compared the merits of big-screen TV vs. video projection and covered the ins and outs of selecting the perfect projector. Now it’s time to delve into what it takes to choose the perfect screen to go with your new projector.
Thomas J. Norton  |  Dec 10, 2019  | 
Ready to create a WOW! big-screen experience at home but not sure where to start? No worries, I’ll guide you through the process.
Kris Deering  |  Nov 26, 2019  | 
In a departure for JVC, the company didn’t announce new D-ILA projector models at CEDIA Expo in September 2019. Instead, JVC’s key announcement at the show was a firmware update for the native 4K projector line it had unveiled at the previous CEDIA Expo in 2018.
SV  |  Jul 18, 2018  | 
Ambient-light-rejecting (ALR) projection screens that picture contrast in spaces that can’t be completely darkened continue to grow in popularity thanks to recent advances in performance and declining prices.
Rob Sabin  |  Apr 18, 2018  | 
With new ultra-short-throw and cheaper 4K projectors appearing on the market, your path to the ultimate home theater experience appears to be shrinking.

Last year in our annual front projection update, we wrote about how the category wasn’t about to be left behind on the 4K, Ultra HDTV revolution. Nothing in this business stands still, of course, and we’re happy to report that “front projection’s reinvention,” as we dubbed it last year, is moving into yet another phase. Not only are 4K-compliant projectors more readily available, better performing, and in some cases much cheaper, we’re also seeing a batch of fresh ultra-short-throw home theater projectors reaching the market in 2018. So what does this mean for you if you’ve always dreamed about sitting back in front of that giant 100-inch screen? Read on to find out.

Kris Deering  |  Oct 03, 2017  | 
Texas Instruments has upped the DLP game with the recent rollout of their newest digital micromirror device (DMD), claiming full Ultra HD performance. The 0.66-inch chip has nearly the same physical dimensions as the DLP chip found today in many 1080p home theater and business application projectors. It features a native resolution of 2716 x 1528 pixels, which combined with an optical actuator used for pixel shifting, allows for an onscreen image of 8.3 million pixels—roughly the same as a native 3840 x 2160 UHD imaging chip. The chip’s compact size is said to allow for more cost-effective manufacturing—and has resulted in a new $2,000 low price point for at least one Optoma 4K projector.
SV  |  Sep 08, 2016  | 
Ambient light allows us to see the world. From the moment of our first breath to our final sigh, the waking hours of our lives are bathed in ambient light. Think of your best days under the sun; the warm rustic glow of candles and firesides, or the countless light bulbs that have illuminated your path through all these years. Of all the phenomena in this great universe, it has contributed so much to the quality of our lives. That is, unless you are trying to get a good picture on any large video display—then it is just too darn bright. Once again, the old adage proves correct that “you can have too much of a good thing.”
Geoffrey Morrison  |  Apr 09, 2014  | 
I have to admit, I don’t really understand TVs. Sure, I review them, and through various trade shows and articles, see dozens every year, but I don’t get it. Why would you want something so tiny? A 50-inch TV is a postage stamp.

The new 70- and 80-inch models are barely better, and they’re expensive. These days, for less than $1,000, you can get a decent-looking Full HD “TV” that’s over 100 inches diagonal.

Thomas J. Norton  |  Sep 12, 2011  | 
Performance
Setup
Value
Price: $2,699 At A Glance: Gets the black bars out • Solid value • Minor uniformity issues

Elite Screens may be less well known than some of the bigger names in the business, but they offer a wide range of projection screens for every application. Since their products are manufactured in China, they’re more than competitive in price. But this limits their ability to offer customization, such as sizes not included in their standard lineup.

Thomas J. Norton  |  Apr 26, 2011  | 
Price: $2,199 At A Glance: Image pops with room lights on • Minimizes room reflections with lights off • Fixed frame—no retractable version

Lighten Up

Many of us will tolerate a projection system that requires a totally darkened room for movie watching. But when other family matters make this impossible, or when your buddies come over on a Sunday afternoon for the big game, how many of us are willing to totally blacken the room and leave everyone to stumble around in the dark?

Thomas J. Norton  |  Apr 25, 2011  | 
Getting the most out of your big-screen experience.

When it comes to setting up a great video projection system in your home theater, the screen is nearly as important as the projector. A white wall or sheet simply won’t do, except in a pinch as a temporary stopgap. There’s no substitute for the real thing.

But choosing the right real thing requires research, together with examination of your individual needs. How tightly can you control the room lighting? How big do you want the image to be? What shape screen do you want—that is, what aspect ratio—and do you want a screen that can mask off the unused portions when the source is a different aspect? Can the screen have a fixed frame, or do you want it to be retractable? How much gain should the screen have? Which screen will best match your projector? And last but not least, how will 3D affect all of these other considerations?

Thomas J. Norton  |  Mar 01, 2010  | 
I vividly recall those freeway signs that once littered the sides of the clogged Los Angeles freeways. “If You Lived in Nutty Oaks, You Could Be Home by Now,” they trumpeted.
Adrienne Maxwell  |  Apr 27, 2008  | 
Tips for selecting and installing a front-projection screen.

What’s keeping you from taking the front-projection plunge? Is it a belief that projection systems are still only for the rich and famous, consisting of $15,000 projectors, movie-theater-sized screens, and elaborate masking systems, controlled by advanced touchpanels? The entry-level projector roundup on page 38 of this issue is proof that there’s a 1080p projector to suit almost any budget, and the same is true for theater screens.

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