"Two hundred channels and nothing to watch!" How many times have you felt that way? Or maybe you've wanted to finish watching a DVD in another room but didn't have a second player. Or wished you could keep an eye on the kids outside without sitting in the sweltering heat. Or wanted to see the video display from your iPod docked in another room.
The iPhone has been stealing all the media buzz lately, but what about Apple's other radical offering, iTunes Plus? As I wrote in my July/August column (also available at soundandvisionmag.com), Apple and EMI have decided to sell music without any Digital Rights Management. They're charging extra for those downloads ($1.29 each vs.
Newcomers to Sound & Vision's HDTV test reports are likely to come across some tech talk that might seem confusing or arcane at first. The truth is, video technology has become much more complex since TV started to go digital and high-def nearly a decade ago, and a side effect of all that increased picture resolution and clarity has been mounds of strange new jargon.
Thanks to more efficient manufacturing, cutthroat retail competition, and predatory market-share grabs by a few manufacturers, HDTVs are now readily affordable. But the one thing that hasn't changed is the refrain heard from many people when they get their new sets home: "Hey, where's all the high-definition programming?"
Chris Wyllie has had his share of tough missions. As a Navy SEAL from 1994 to 2000, he was dispatched to the Persian Gulf, where he drove high-speed cigarette boats, supervised military electronics, and gathered photo intelligence.
From the outset the most intriguing thing about the Apple iPhone hasn't been the phone so much as the interface: a high-resolution touchscreen on which your fingers do the talking: Tap an icon to select an application, spread them to enlarge the picture, slide your finger to move the cropped image into view, swipe the screen to reveal the next slide. It all feels so natural.
Now that cable operators are required to separate access and security from the tuner(s) in new set-top boxes, you have the opportunity to buy a digital video recorder that's potentially more stylish and capable than the one you might be leasing.
Much of my work as owner of Experience AV in Montrose, Colorado, is in the strange world of spec homes - and in this market, a developer with a little foresight is the best friend a custom installer can have.
In the time since I wrote about the installation in my Telluride home for the September issue (Rocky Mountain Picture Show), I've updated the screening room with Sony's new VPL-VW200 1080p SXRD projector ($15,000).
The 21st century is giving us numerous ways to listen to and control our music. Not only can we now distribute tunes around our homes with the touch of a button, but the wonder of metadata feedback actually lets us know what's playing as well.
Thousands of users have chosen ReQuest servers to store their music collections through the years, typically feeding their outputs to audio-distribution and control products made by others.
I remember the first video camera I bought back in the '80s. It was about 2 feet long, I had to perch it on my shoulder, and it shot grainy VHS footage. Suffice it to say that consumer camcorders have come a very long way since then. The HITACHI DZHS500A DVD/HDD hybrid camcorder ($600, hitachi.us/tv) is an amazing little unit, even in the current flooded market.
Until recently, in-wall speakers were the last choice for anyone who cared about sound quality. Now, thanks to improved technologies and the entrance of major speaker brands into the burgeoning "architectural audio" category, in-wall (and ceiling) speakers are legitimate alternatives in rooms where you either can't or don't want to use freestanding models.
In-wall speakers have come a long way since the first models, which were essentially re-purposed car-stereo speakers. That dramatic improvement over the past decade is due largely to the boom in "architectural" audio products driven by the advent of flat-panel TVs, any-room home theater systems, and whole-house audio.
For a Hollywood-in-the-Fifties home theater, this room got the star treatment. Just a glance, and you can see its comfort and elegance. What you can't see, by design, is most of the gear.