Stunning or strange? One of these words is likely to come to mind when you first lay eyes on the 101 X-treme speaker system, the flagship of MBL’s Reference Line. And what a system it is, handmade to order in Germany and comprising a pair of approximately 6-foot-tall towers, each of which supports two utterly unconventional driver arrays in an open frame, and two subwoofer towers, each comprised of six 12-inch woofers, a crossover, and an amplifier broken into three ported birch and aluminum boxes that can be stacked or laid side by side as needed. (No lows left behind.)
The road to A/V perfection is littered with formats and products that didn’t make it for one reason or another. Some were technically sound but ahead of their time or poorly marketed. Some were victims of bad timing, unforeseen circumstances, or uninspired design. Others were just plain curious in a “what the heck were they thinking?” kind of way. And then there are the tweak formats and technologies—embraced by enthusiasts and ignored by the masses—that refuse to go away. Here, we remember A/V formats, products, and technologies that are gone but (mostly) not forgotten.
Home theater is in your blood. You crave the latest and greatest gear and are constantly thinking about your next upgrade. You can’t resist tinkering. Impossible. You’re regularly chastised by family members for monopolizing the remote, ready to tweak the sound or picture at any moment—and get reprimanded often for doing so just as the opening credits start to roll. Glaringly bright images, lopsided sound, flabby bass—these are things that make you cringe. There’s no getting around it: You’re hard core, and no one is going to stop you from dreaming about quitting your day job to design and build insane home theaters.
Julian Hirsch was a celebrity, but you would never have known it if you'd met him. He'd have been the first person to shrug off any kind of special status. Yet he was special.