Chris Chiarella

Enthralling in every way a movie can be, George Lucas' Star Wars (retconned as Episode IV: A New Hopein 1981) is simply one of the greatest achievements to ever hit the screen. A wildly imaginative yet classically inspired adventure, it has been entertaining audiences—and spawning prequels, sequels and spinoffs—since 1977.

The date noted in 1917's title (April 6, to be precise) puts us well into World War I, when young Lance Corporal Blake along with his mate Schofield are dispatched from the Allied trenches with an urgent message. Some 1,600 soldiers, Blake's own brother among them, are heading into certain slaughter if new orders are not delivered to the commanding officer. And so, facing impossible odds, the brave duo embarks on a mission that could change the course of the conflict.

To the annals of unique interpretations and iconic performances of The Clown Prince of Crime we must now add Joaquin Phoenix and his exquisitely tragic turn as Joker. The film's Arthur Fleck is a new creation fully outside any established cinematic or literary continuity, a man barely able to function on the mean streets of Gotham City circa 1981. We can feel him barely hanging on as he goes about his daily grind: caring for an ailing mother, toiling as a professional clown, and dreaming of a career as a standup comedian.

Aging TV actor Rick Dalton (movie actor Leonardo DiCaprio) suspects that his career as he knew it might be over, and grapples with the vanity and insecurity that comes with such an uncertain future. He makes his living pretending to be a cowboy, in contrast with his best bud and stunt double/driver, Cliff Booth (Brad Pitt, embracing his recent grizzle), who actually embodies the no-nonsense, two-fisted demeanor of a good old-fashioned horseman. Together, they navigate the show business landscape of 1969 in this nostalgic journey through the boulevards, backlots, and bars of La La Land.