The year is 1942, and Max (Brad Pitt) is a Canadian working with British Intelligence deep undercover in French Morocco, teamed for the first time with Marianne (Marion Cotillard), a cunning operative for the French Resistance. Together they face incredible danger and the sad realities of the life they’ve chosen, only to fall in love. Back in England, they find themselves married with a child while the war still rages, but Marianne is suddenly the target of suspicion: Could this woman who has so dutifully risked her life in service to the Allies possibly be a spy for the Germans? With his entire family at stake, Max sets out to uncover the truth, a perilous journey with some unexpected, unwelcome twists.
Right or wrong, writer/director Damien Chazelle knew what he wanted. From the cinematographic techniques to the costumes and sets to the staging of the elaborate song-and-dance numbers, he employed every tool at his disposal to bring this uniquely Hollywood tale to life.
The brave, spirited non-princess of the title is still learning how to lead her village when a when a mysterious curse befalls their island. Despite a lifetime of warnings from her father the chief, she sets sail upon an epic journey to save her people, seeking the help of a misunderstood demigod along the way. A tale of destiny, selflessness, and family, Moana is filled with beauty, magic, and wonder and is among the very finest films to ever come from Disney.
An undeniable dramatic masterpiece, High Noon has lost none of its considerable power to enthrall an audience with its relentless suspense born of inexorable doom. We know at once that Marshal Will Kane (Gary Cooper) is a damned good man. Yet when news breaks that a murderer he sent to hang is instead returning with his gang for revenge, he is heartlessly shunned by the townsfolk he has risked his life to protect.
When a gaggle of gigantic, otherworldly objects parks itself at various points around the Earth, life as we know it is paused while collective humanity figures out our next move. Our finest minds—tempered by the military—seek to determine the mysterious visitors’ even more mysterious purpose, leaving us with the complicated business of learning how to communicate with them. The best hope is brilliant language professor Louise Banks (Amy Adams), who is tasked with deciphering a bizarre form of “speech,” impossible for humans to emulate. But if she doesn’t make meaningful contact, and soon, all hell might break loose, with no guarantee of how such a conflict would end.
Anchored by a disquietingly reserved performance from star Michael Rooker (The Walking Dead, Guardians of the Galaxy), this Portrait is an artful character study of a very bad man. Loosely based upon documented events, Henry explores the unspeakable crimes of an unrepentant murderer, a dark soul whose bleak existence is punctuated by frequent acts of violence. And when he brings his particularly loathsome roommate into the fold, no one in Chicago is safe. The matter-of-fact dramatic style makes the instances of gore hit that much harder, and yet plot developments are sometimes revealed in clever, original ways.
Rachel (Emily Blunt) is a lost soul who eases the lingering pain of her divorce with ample doses of alcohol, particularly on her daily rail trips to and from Manhattan. Her only diversion is an elaborate fantasy about someone she sees from her moving window, Megan (Haley Bennett), and projecting all of her longing onto this stranger. And then one day Rachel spies Megan doing something she ought not to, threatening the idyllic life the voyeur has imagined for her. She even goes so far as to attempt a confrontation with Megan, but it quickly becomes a boozy blur of violence.
The mind reels at the creativity needed to craft a sequel to Finding Nemo, once the most popular Pixar movie of them all. The results pick up a year after clownfish-dad Marlin went on a quest to locate his missing son, and now traveling companion Dory is the one in need of finding. The lovably forgetful blue tang (voiced by Ellen DeGeneres) is on her own mission now, to reconnect with her parents, but soon enough she’s “trapped” at a marine biology theme park, reunited with some chums of her youth and aided by some new aquatic allies.
Bigger-than-life John Wayne stars as Sean Thornton, a mild-mannered American returning to his native Ireland, seeking nothing more than a peaceful life in a charming village. But his homecoming is soon complicated by the sight of a tempestuous redhead (Maureen O’Hara) and by the aggressions of a blustery local bully... who just so happens to be her brother. Sean does his best to blend into the colorful community, occasionally led into an inadvertent clash of cultures, and ultimately forced to confront a dark secret from his past, all culminating in one of the most satisfying two-fisted finales in movie history. Much of the story might seem a bit quaint or even politically incorrect to modern audiences, but The Quiet Man endures as a sweetly irresistible bit of entertainment, quite possibly inspiring an urge to visit The Emerald Isle or at least throw back a pint.
Perhaps by coincidence, many of independent label Shout! Factory’s recent releases hail from the era of big hair and synthesized music, ranging from the little-seen Metalstorm (in 3D!) to the gritty urban thriller, Night Hawks. We donned our day-glo parachute pants and spun four of their most interesting.