Darryl Wilkinson

The wholehouse story.

Home automation is just too cool. There’s no doubt about it. Sure, it’s great to turn on your home theater system and go to the correct input or channel with the press of one button. But there are a number of good universal remotes that’ll do that. I want to be able to use that same remote to turn the lights on and off, lock and unlock doors, raise and lower shades, and, well, anything else I can think of. (I’d like it to cook and clean, but I’m afraid domestic robots are still a bit further in the future.) In last month’s issue, I highlighted parts of the latest incarnation of Control4’s expandable home automation system, specifically how the company’s three controllers and new 2.0 software update give you the ability to control your entire home theater, the lights in your house, and even door locks. Control4’s 4Store marketplace will ideally let third-party apps expand the system in ways that Control4 hasn’t thought of—such as managing the energy usage in your home. But there’s plenty more to talk about that we couldn’t fit in that issue. This time, in addition to the seduction of motorized shades, I’ll cover some of the nuts and bolts of putting a Control4 system together, as well as what it takes to program and control it.

I reviewed Control4’s first offering in February of 2006 (oh, those were the days, weren’t they?). The system—based around the company’s $599 Home Theater Controller (HTC)—could easily have been described as a universal remote control with grand aspirations. As the name implies, the HTC was designed to control the components in a home theater (including access to a stored digital music library) with a simple, highly intuitive onscreen graphic user interface. That by itself was pretty sweet. But behind the HTC’s deceptively blank faceplate was hidden a formidable engine capable of powering a sophisticated wholehouse automation and multiroom music system using a combination of Ethernet, Wi-Fi, and ZigBee communication to control things like lights and thermostats as well as distribute music around the house. All you had to do was pony up the extra bucks for the wireless ZigBee thermostats and light switches (up to 125 of them—but at $100-plus a pop, it was unlikely that you’d ever max out the system). You also needed some Control4 Speaker Points, plus the labor to install and program everything, and you were ready to command and conquer the homeland. I liked—no, I lusted after—that original system and was extremely reluctant to box it up and send it back. It couldn’t necessarily do all the amazingly complex things that a Crestron or AMX system could do at the time, but it was a fraction of the price.

Hitting the Class Ceiling

We hold these truths to be self-evident: that all men are created equal, that they are endowed by their Creator with the ability to watch any movie they want (even Avatar in 2D), and that they should never, ever use in-ceiling speakers for a home theater. After all, you want Sigourney Weaver’s gravelly, “Where’s my god damn cigarette?” to sound like it’s coming from the screen, not the light fixtures above your head, right?