Shane Buettner

Shane Buettner  |  Feb 24, 2007

It might surprise you to know I read the Best buy pullout in every weekend's Sunday paper (which now arrives on Saturday for reasons I can't discern). I'm primarily interested in seeing what's being pushed on the mass market and how.

Shane Buettner  |  Feb 20, 2007

It's unfortunate but sometimes review products arrive DOA, or don't work properly right from the get go. And when this happens, it puts everyone in a bad spot. Our policy here at <I>UAV</I>, which is a good one, is that any product sent for review gets one, even if the product malfunctions. No one gets a break on a defective product. However, when a component is dead or defective from the get-go we can't even spend enough time with it to write a meaningful paragraph. And if four or five interesting and functional products are lined up behind it, it's easy to just move on to the other products and wait for a replacement.

Shane Buettner  |  Feb 16, 2007
  • $6,300
  • 1920x1080 three-chip D-ILA
  • Key Connections: Dual HDMI inputs, one component inputs, one RS-232
Features We Like: Accepts 1080p/24 and 1080p/60 signals (displays at 60fps in either case), new imaging chips and improved light engine obtain deeper blacks and better contrast without a dynamic iris
Shane Buettner  |  Feb 14, 2007

If you claim your disc format the winner of the format war, does it become true? High-Def Digest <A HREF="http://www.highdefdigest.com/news/show/Industry_Trends/Disc_Sales/Sonys_... </A>that Sony is seizing the marketing initiative with respect to the Neilsen Videoscan ratings and other indicators that showed Blu-ray as releasing and selling twice as many titles in January as HD DVD and will now market Blu-ray as the clear winner of the format war.

Shane Buettner  |  Feb 14, 2007

Buena Vista Home Entertainment (Disney) is rapidly proving itself as one of the companies that get it when it comes to releasing top quality Blu-ray Discs. The company is releasing consistently high quality BDs by employing both MPEG-2 and MPEG-4/AVC compression for its 1080p video transfers and using uncompressed PCM soundtracks. The extras are relatively thin, but that's easy enough to forgive when the principal mission of providing high quality picture and sound is met.

Shane Buettner  |  Feb 14, 2007

OK, I know the Blu(e) jokes are stale. Still, I had to call this Blog something to enter it into the system, so why not? Unless you've been under a rock you know that Warner and Paramount support both Blu-ray and HD DVD. Warner is unique in that it now encodes the video for its movies using Microsoft's VC-1 compression on both formats, encodes that are said to be virtually identical. But on the soundtrack front, the Blu-ray customer doesn't always get the advanced, next-gen sound that the HD DVD customer gets.

Shane Buettner  |  Feb 14, 2007

In one sense this film is an unexpected gift. I would never have imagined such intense, mesmerizing human drama could be culled from the story of two rival magicians trying to destroy each other personally and professionally around the turn of the century. Of course, in another sense the success of a film made from such a talented pool of people on both sides of the camera shouldn't seem surprising at all.

Shane Buettner  |  Feb 14, 2007

It's a big credit to this film that its subject matter is something that has not only been done, but been done very well many, many times. In fact, the film it reminded me the most of, in many ways, is the excellent if not great <I>Truman Show</I>. Yes, like that movie this one highlights the dramatic skills of a genius-level sketch comedy actor, only this time around it's Ricky Bubb-eee himself Will Ferrell. Instead of the being the unwitting subject of a reality TV show, Ferrell's Harold Crick finds that he's the subject of a novel being written by a self-and death-obsessed writer played wonderfully and obsessively by Emmma Thompson.

Shane Buettner  |  Feb 14, 2007

It would take a much better film writer than I to do justice to this film, so I'll limit the damage by being brief. Alejandro Gonzalez Inarritu's <I>Babel</I> brilliantly intertleaves the lives of four families across three continents, and links them in way that are mostly believeable and emotionally captivating and compelling from beginning to end. Almost like Jim Jarmusch meeting Robert Altman in the Int'l terminal.

Shane Buettner  |  Feb 03, 2007

In an effort to outperform the original, sequels invariably spend more money, have more explosions, more action, more stunts and more special effects. In this spirit I suppose it's inevitable that Kevin Smith's <I>Clerks II</I> would turn to bestiality (er, "interspecies erotica") in an effort to go where even the original <I>Clerks</I> hadn't gone before. The original did feature necrophilia as a set piece after all. And there's also a hilariously wrong homage to <I>Silence of the Lambs</I> here that anyone who sees this film will never forgive Kevin Smith or Jason Mewes for.

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