JVC announced three new projectors building on its E-Shift technology. This process accepts a 4K source but displays it from a 2K chip. In doing so, however, is shifts each pixel slightly within each frame in a way that produces an effective halfway point between true 4K and 1080p.
I admit that I hadn’t been too impressed by this process when I reviewed one of the first E-Shift designs a couple of years back. But the process has been continuously refined...
Quantum Media showed its full RGB 4K laser projector. The booth was too dark to get a good shot of it, but it’s large (and loud) enough to deserve a small projection booth of its own. In its 4K guise it will cost you between $150,000 and $200,000...
According to Sony, an expected 100,000,000 4K displays are expected to be sold worldwide by 2017. Not all of these will come from Sony, but the company certainly covets its share. And while flat screen sets will make up the bulk of these sales, CEDIA is not a show at which a mass of new flat screen sets is introduced. That’s CES. The displays featured at CEDIA are invariably projectors.
And Sony showed three new 4K projectors at the show...
I had a dream last night. I was wandering around lower Manhattan (New York). I think I was trying to find my way, but as dreams go I’m not exactly sure where to. I was apparently using a map on my tablet, but the tablet was an old CRT the size of the integrated CRT monitor/computer on the first iMac. I wandered into a bookstore, apparently in search of a more usable map, but all I recall seeing was a copy of Widescreen Review and a children’s version of the New York Times, the latter’s cover filled with full color comics (definitively proving, I suppose, that we do dream in color, though the hues were so odd that they must have been captured in two-strip Technicolor). I had left my “tablet” outside (perhaps the bookstore was a tablet-free zone) and when I went back outside it was still there but the screen had been smashed. In a New York minute. Then I woke up.
This was all likely inspired by my recent trip to New York to attend the Vizio launch of its new Reference series Ultra HDTVs...
It’s fall, and a young man’s fancy (and we hope a woman’s as well) turns to thoughts of evenings by a roaring fire listening to music or watching a movie or two on that new flat screen UHD TV (hopefully not mounted above said fireplace!). There have been so many interesting posts to the S&V website recently that I can’t resist the temptation to offer a few thoughts on some of them. Some commenters to these individual posts have beaten me to the punch, but I’ll press on.
Paradigm Concept
I’ll soon be finishing up a review of the Paradigm Prestige 95F loudspeaker for our sister publication Stereophile. No sneak peeks here, but it has certainly grabbed my attention.
So I was intrigued when I read about the prototype Paradigm Concept 4F.
Moving, either across town or across country is up there with life's highest stress producers, just below a death in the family, divorce, being fired, or taxes. And as I've alluded to in previous blogs, when an audiophile or home theater enthusiast is involved (and many of us are both), all bets are off as to which of these events is the worst! I’ve written a bit about my recent move before, but there’s always more to say...
Last year the Consumer Electronics Association (CEA) laid down what it considered the minimum standards for a 4K Ultra HD set. A few months later it introduced a voluntary UHD logo program that manufacturers could use in advertising and labeling sets that meet the standards. This logo also clarified the name to be used for these sets: 4K Ultra HD. While manufacturers are free to make and sell 4K Ultra HD sets of any description (the CEA has no legal authority to stop them), they can’t use the logo if their sets don’t meet these standards. The logo will read either 4K Ultra HD or 4K Ultra HD Connected (though there’s nothing to stop a manufacturer who doesn’t meet the standards from calling their sets simply 4K, or Ultra HD)...
AT A GLANCE Plus
Excellent 4K upconversion
Good blacks
Solid value
Minus
Odd gamma
Clips above white and below black
No enhanced-color or HDR future-proofing
THE VERDICT
As with most current 4K sets, the Vizio M65-C1 delivers only the 4K portion of the full Ultra HD toy box. It also has a few nagging technical issues. But for the most part, these fade into the background of the set’s compelling viewing experience.
Vizio is the value leader in a tough HDTV market. While the safest route for them to maintain their commanding share would have been to change their 1080p E series and M series models just enough for a “new for 2015” promotional campaign, Vizio chose the long view: The E series remains the company’s 1080p budget line, but the M series is now 4K, while still priced well below most of the competition.
Join me in the WayBack Machine for a trip to 1995. Somewhere in North America a Stereophile Hi-Fi Show is in progress, and the writing staff is gathered for an Ask the Editor’s session. A question arises about the then fledgling music downloading technology. I recall I answered that, “We’ll be able to do it before we can do it well.”
As it turned out that was correct, though I’m no soothsayer...