Dolby has been working on an LED local-dimming system for LCD TVs for a couple of years, but now it's finally finished and ready for manufacturers to use in their products. It comes in two flavors—Dolby Vision is intended for prosumer, commercial, medical, and industrial applications, while Dolby Contrast is intended for consumer TVs. Pictured here is a 47-inch prototype implementation of Dolby Vision from SIM2. I also saw a demo of Dolby Contrast next to a Samsung 950 LCD with local dimming, and the difference was clear—the set with Dolby Contrast had better contrast and lower blacks, and the colors popped more.
I've always liked Optoma's 1080p DLP projectors, except for one thing—no lens shift, which makes placement difficult. I guess the company listened, because the new HD8200 takes lens shift one step beyond normal. Called PureShift, the Optoma shifts the entire light engine up to 20% left/right and 30% up/down, keeping the light path in the center of the lens. It'll be available only through custom installers for $5000 starting in February. The similar HD808 will be available at retail for $3500 in March; the 808 uses the DarkChip 2 DMD, whereas the 8200 uses the DC3 chip for greater contrast.
New to Dish Network's lineup of HD DVRs is the ViP 922 with Slingbox built in, which lets you watch any recorded program from anywhere in the world with an Internet connection. To store all the HD programs you can't live without, it houses a 1-terabyte hard disk. Also new is the remote, which sports half the number of buttons as the previous design and a little touchpad that moves an onscreen cursor around a much more graphical menu system. As if that weren't enough, the 922 also offers RSS widgets, and it even recommends shows you might like based on what you select to watch.
The top of the Toshiba heap is the SV670 series in 46- and 55-inch flavors. This one has LED backlighting with local dimming and a cool "Infinity Flush" design that features a continuous sheet of glass across the entire front face. It's beautiful <I>and</I> unobtrusive dark gray, a combo I definitely like.
Next up the ladder is Toshiba's ZV650 series, which will be available in April in 42-, 47-, and 55-inch sizes. At this level, you get ClearScan 240 (120Hz frame interpolation with backlight flashing), USB and SD card slots for media stored thereon, and Dolby Volume, which keeps the volume consistent between shows, commercials, and channels. Oddly, they also have Audyssey Dynamic EQ, but they decided not to use Audyssey Dynamic Volume, which does much the same thing.
In the large-screen category, Toshiba has plenty to show. The XV645 series includes 40-, 46-, and 52-inch models that will be available in May. All are 120Hz and include Toshiba's Resolution Plus, which used to be called SRT and does a very creditable job upscaling standard-def to 1080p.
Sharp has two new Blu-ray players, the BD-HP16U ($279, lower left) and 22U ($299, lower right). Both are BD-Live capable, and the 22U comes with 2GB of memory—I got conflicting stories as to whether that memory is internal or an included memory stick. Both also implement Aquos Pure Mode, which automatically sets things like aspect ratio depending on the content in current and future Sharp TVs.
Tucked away in one corner of the Sharp booth is a new single-chip, 1080p DLP projector, the XV-Z15000, which will sell for a mere $3000 starting in March. It has Sharp's VyperDrive, which bypasses the video processor for gaming, but it doesn't have anamorphic capabilities or, more importantly, lens shift, which makes placement more difficult.
The new E77 series of 120Hz LCDs from Sharp include 40-, 46-, 52, and 65-inch models, all with the new Super Lucent Advanced Super View panels (say that three times fast!) that are said to improve contrast while reducing glare.
Yet another concept demo in the Hitachi booth was called Super Resolution, which interpolates new pixels on a frame-by-frame basis to increase an image's resolution. The split-screen demo was very impressive, as shown here.