When Michael Fremer reviewed the <A href="http://ultimateavmag.com/avreceivers/55/">Pioneer VSX-49TX</A>, he concluded that it was "one of the best, if not <I>the</I> best, A/V receiver on the market today." Of course, technology marches ever onward, and Pioneer hasn't rested on its laurels. Their subsequent flagship receiver, the VSX-59TXi, builds on the qualities of its predecessor, offering even more features for the same $4500 price tag.
According to market research and analysis firm <A href="http://www.in-stat.com">In-Stat</A>, the future of DVD looks bright despite the emergence of new digital delivery services, such as video-on-demand (VOD) and online downloading. The company's latest market-research report predicts that the worldwide value of all published DVD products will increase with a compound annual growth rate of 18.2%, from about $33 billion during 2004 to $76.5 billion by 2009.
Earlier this month, a new distribution system for the delivery of digital-cinema content across continents was tested between the US and Singapore. The system, called Cross-Continent Digital Content Transmission, or CCTx, is the result of collaboration between the Singapore government, an industry association called Singapore infocomm Technology Federation Digital Media Chapter (SiTF DMC), and the Entertainment Technology Center (ETC) at the University of Southern California. Other partners involved in the pilot program included Thomson Technicolor (consulting); GlobeCast, StarHub, and 1-Net (international and local circuit and data storage); and Christie, Dell, Texas Instruments, and XDC (technology).
While Ireland is gearing up for a nationwide digital-cinema network (see <A href="http://www.ultimateavmag.com/news/032405Ireland/">news story</A>), the best the US can do is a network for digitally distributing <I>advertising</I> to commercial movie theaters. The project was recently announced by Thomson and Screenvision, a joint venture of Thomson and ITV. Technicolor Digital Cinema, part of Thomson's Services division, will provide technology, network operations, and digital-content management systems on an exclusive basis to Screenvision and its theater-advertising customers. Screenvision provides advertisement services to nearly 15,000 screens in the US, of which approximately 5,000 will be included in the initial rollout.
While religious and political animosity continues to brew between the Republic of Ireland and Northern Ireland, there is one thing they can agree on: digital cinema. A subsidiary of technology and services provider <A href="http://www.avicatech.com">Avica</A>, Digital Cinema Limited (DCL), has announced that they are starting to implement a nationwide digital-cinema network that will ultimately lead to a conversion of all 515 screens in both regions of the Emerald Isle to the digital format. After two years of planning, DCL began installing the first 25 projectors earlier this month and hopes to have all Irish screens operational within a year at a cost of over $53 million.
It's been a long, hard road for TiVo, the company that started the digital video recorder (DVR) revolution. Even though the name has become a household word (as both a noun and a verb), TiVo has struggled to stay afloat since it was founded in 1997. In fact, it has yet to show a profit.
This week at ShoWest 2005 in Las Vegas—the premier gathering for commercial-cinema owners and operators—HD entrepreneur Mark Cuban and partner Todd Wagner announced at they are taking a big step toward the digital future with the purchase of six Sony SRX-R110 digital-cinema projectors for their Landmark Theatres, the nation's largest "art-house" theater chain, currently with 209 screens in 22 markets. The SRX-R110 provides 4K (4096x2160) resolution and 10,000 ANSI lumens of light output using SXRD (Silicon Crystal [X-tal] Reflective Display) technology, Sony's version of LCoS. The projectors will be installed in six Landmark Theatres—two each in Los Angeles, New York, and San Francisco—with the eventual goal of converting all Landmark locations to 4K SXRD projection.
<IMG SRC="/images/archivesart/headshot150.sw.jpg" WIDTH=150 HEIGHT=200 HSPACE=6 VSPACE=4 BORDER=0 ALIGN=RIGHT>We live in troubling times. Many people look at our society and see an increasing erosion of morality and civility, which leads them to yearn for the perfect suburbia as depicted in early television sitcoms such as <I>Father Knows Best</I> and <I>Leave It to Beaver</I>.
At this year's CeBIT (Europe's answer to CES) in Hannover, Germany, Samsung is introducing the world's largest LCD flat panel display. Measuring 82 inches diagonally, the 1920x1080 panel was developed at Samsung's new seventh-generation production facility in Tangjeong, South Korea; amazingly, this facility can produce two 82-inch panels from a single substrate, which has been impossible up to now.
Earlier this week, it looked like the Voom HD satellite service was dead, but it now seems that reports of its demise were at least slightly exaggerated. On <A href="http://www.ultimateavmag.com/news/030105voom/">Tuesday</A>, we reported that Cablevision, Voom's parent company, decided to pull the plug after founder Charles Dolan failed to meet a February 28 deadline for purchasing Voom's remaining assets. (The Voom satellite and FCC licenses to operate at its orbital location are being purchased by rival EchoStar, subject to regulatory approval.)