Tom Norton

Tom Norton  |  Jan 11, 2009
In the TAD room at the Venetian, speaker engineer Andrew Jones was demonstrating the $30,000/pair TAD Compact reference stand-mount speaker, which features a sophisticated coaxial midrange tweeter driver with beryllium cone/dome material (Similar drivers are used in the far less expensive Pioneer speakers also designed by Jones, though they use beryllium only for the tweeter dome.
Tom Norton  |  Jan 11, 2009
The Panasonic Z1 series should be in a store near you come June. The TC-P54Z1, shown here, is not only roughly 1.5" thick, but can wirelessly transmit a full 1080p/60 image up to 30 feet in the same room without adding additional compression to the image data. Moreover, it weighs just 67 lbs. The inputs are located in a separate box together with the wireless transmitter (shown below the screen, along with the receiver box which must sit near the set.
Tom Norton  |  Jan 11, 2009
If the above Panasonic plasma isn't thin enough for you, this one-third of an inch-thick prototype might fit the bill. But the above design is closer to production.
Tom Norton  |  Jan 11, 2009
This diminutive speaker (about as high as the water bottle sitting beside it), uses two 3.5", full-range drivers. While it may be used as a surround, its real purpose is as the first speaker specifically designed for use in the new Dolby height format, Pro Logic IIz (discussed in an early blog). No price as yet; this was an early prototype.
Tom Norton  |  Jan 11, 2009
We've seen the Meridian 810 Reference Video System before; it's the first 4K x 2K video projector available to the consumer. It won't come cheap a just a few thou south of $190,000 for the projector, video processor (needed to scale available 1920x1080 material up to 4800 x 2400. It looked fabulous, even though even better images are possible from it with native 4K program material (essentially non-existent to you and me). They had to settle for a 10' wide projection screen (a curved, 2.35:1, Stewart Studiotek 130), and were claiming 48 foot-Lamberts! Clearly the projector is intended for a much larger screen.
Tom Norton  |  Jan 11, 2009
Chario is Italy's largest high-end speaker manufacturer.The setup here shows the Academy Serendipity (far left and right), Academy Sovran, and Academy Solitaire center channel—the Academy series sits at the top of Chario's line, and fall into the "if you have to ask" price category. The Solitaire ($17,000/pr) was recently reviewed in Stereophile.
Tom Norton  |  Jan 11, 2009
Joseph Audio announced the Pulsar, a two-way stand mount speaker that will retail for $7000/pair when it streets later this year. There's no center channel, but if you can spare the dime you could buy five (or seven) of them for identical performance in each channel!
Tom Norton  |  Jan 11, 2009
This new spectroradiometer was brought to my attention by William Phelps, video expert and currently working with Meridian on its digital projectors. A spectroradiometer is a sophisticated test tool used to measure and calibrate video displays (we use the Photo Research PR0650 in much of our testing). This SP-100 from Orb is not a product for the average consumer, but something for the calibration specialist, or well-healed video perfectionist, to know about. Not cheap at about $8000, it's nevertheless less expensive than much of its direct competition. According to Phelps, it compared favorably to a $30,000 Minolta device.
Tom Norton  |  Jan 11, 2009
Opoma continued its reputation of having the biggest screen at the show. It was well over 10-feet wide, and the new HD8200 projector (discussed far below) was putting up a bright image even at that size. The image was also crisp and detailed. The color was clearly off (with fleeting hints of too much green, especially in flesh tones), but that's a calibration issue and should be easily fixable. l
Tom Norton  |  Jan 10, 2009
Epson demonstrated its top of the line ProCinema 7500UB LCD projector at CEDIA. It looked excellent there, but after undergoing further refinements to smooth out some pre-production wrinkles, its finally ready for prime time, with one of the best-looking images at the show. With a claimed native contrast ratio of 6000:1, it didn't appear to need the help of a dynamic iris (though it has one) to produce convincingly deep and rich blacks. Worked great with an anamorphic lens, too, on a 101" wide Stewart Studiotek 130 projection screen. The projector uses an HQV REON processor, has a full color management system, red, green, and blue-only modes for setup, and a claimed tight color alignment of the three panels. The best part may be the $4199 price.

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