Rob Sabin

I made it a point this weekend to be among the first to view Peter Jackson’s latest epic, The Hobbit: An Unexpected Adventure, in its native 48 frames-per-second frame rate. If you’ve not been keeping up with the news surrounding this movie, Jackson made the decision early on to shoot it digitally at twice the 24 fps rate used for the last 80 years or so. The 24 fps rate is closely associated with the look of film as we’ve come to know it. Increasing that rate can greatly reduce blurring and judder on fast motion and camera pans, allowing for extra detail that would otherwise be lost when shooting either film or video at 24 fps. Fast frame rates also improve the 3D experience, making viewing easier on the eyes and reducing the instance of crosstalk or “ghosting” artifacts. But it imparts a sheen that most of us would more closely associate with native video rather than film. If you’ve looked at film-based content on any LCD television that has its 120 Hz or 240 Hz motion enhancement features turned on, you know what I’m talking about. Such circuits cause content originally shot at 24 fps to look like video — the so-called “soap opera” effect. Some folks like the look and some don’t. Whichever side you fall on, there’s no arguing that the look these circuits impart to 24 fps native content is an artifice—it’s clearly not what the director was watching when he composed the film or what he intended for your viewing.

As the holiday seasons kicks off, a report from dealnews.com suggests that Black Friday will see some insane TV deals—like 55-inch 1080p HDTVs going for $499.

Looking for that perfect Blu-ray player? Before you hit the stores, here’s everything you need to know in a quick-read format. See our Top Receiver Picks.

Looking for that perfect big-screen TV? Before you hit the stores, here’s everything you need to know in a quick-read format. Visit our How To Shop page for tips on shopping for Speakers, A/V Receivers, Blu-ray Players and more.