Mike Mettler

So . . . seen anything good lately? Now that we have almost nothing but time on our hands as we collectively self-quarantine behind closed doors and chill in front of our screens, there's no better time than the here and now to catch up on all the great rock documentaries we've been meaning to delve into via the streaming universe. Naturally, we here at S&V assume you've already devoured—and loved—the half-dozen rock docs I recommended here just a few short weeks ago, so what should you watch next?

Prince was determined. While he had made some inroads on both the sales charts and urban radio with his first four hot-button, mostly one-man-show albums of the late-'70s and early-'80s, an opening slot on The Rolling Stones' 1981 tour exposed the narrowmindedness of many concertgoers who outright booed and/or threw things at Prince and his band while they were onstage.

Some bands have sonic innovation flowing through their veins, right from conception. Case in point: Nektar, the progressive European collective who initially made their bones in Germany in the 1970s, even though their founding members were all from the U.K. Early, mind-expanding Nektar albums like 1971’s Journey to the Centre of the Eye, 1972’s A Tab in the Ocean, and 1973’s Remember the Future were all said to have influenced the always exploratory likes of Pink Floyd. I sat down with Derek “Mo” Moore and founding drummer Ron Howden to discuss the enduring legacy of their deep canon and how they address their history on their recent album The Other Side.

Few artists have oh-so-quantifiably defined their own uncopiable sound as definitively as King Crimson did with their October 1969 debut, the full-title-mouthful In the Court of the Crimson King: An Observation by King Crimson. This five-track, beyond-progressive salvo brought together forward-thinking pastoral, orchestral, jazz, and blues-rock sounds into a distinctive blend that only served to widen the overall aural palette of the most formative decade in popular music.