Mike Mettler

The Wonder of Elvis and the Royal Philharmonic Orchestra

Mike Mettler | Nov 18, 2016

Elvis Presley would have loved to have taken advantage of today’s meticulous recording standards. Fact is, The King was very much a stickler in the studio. Elvis also had an affinity for orchestral arrangements, something his estate was able to realize last year with If I Can Dream: Elvis Presley With the Royal Philharmonic Orchestra (RCA/Legacy), which has sold over 1.5 million copies worldwide to date. A worthy sequel, The Wonder of You: Elvis Presley With the Royal Philharmonic Orchestra, has just been released. I reached out across The Pond to get album producers Don Reedman and Nick Patrick’s takes on the sonic differences between the two albums, how a certain mantra guided their respective hands and ears, and what aspects of modern recording Elvis would have embraced.

The S&V Interview

Gary & Dale Rossington Take It on Faith

Mike Mettler | Nov 02, 2016

Photo by Travis Shinn.

Gary and Dale Rossington have been making beautiful music together in their special union for over 35 years and counting — much of it as fully integrated members of the extended Lynyrd Skynyrd family. They've now further cemented their musical bonds by stepping back out on their own again as Rossington to produce a heartfelt, soul-grabbing, and absolutely blues-tastic new album, Take It on Faith. I called Gary and Dale during a Skynyrd tour stop in Dale’s home state of Indiana to discuss the genesis of Faith, Gary’s guitar-tone mastery, and why Skynyrd’s music must endure. Turn it up...

Music Reviews

The Traveling Wilburys: Revisited & Remastered

Mike Mettler | Oct 26, 2016

Performance
Sound

There are supergroups, and then there are The Traveling Wilburys. The wink/nudge humor behind the band name and the multiple nicknames of its five members is all George Harrison, the late Monty Python–loving Beatle, who put together a cream-of-the-crop collective for a pair of fabulously harmonious albums, 1988’s Vol. 1 and 1990’s Vol. 3. Harrison coined the word “Wilbury” in reference to in-studio recording gaffes attributed to faulty equipment, of which he told producer Jeff Lynne: “We’ll bury ’em in the mix.”

The S&V Interview

Rik Emmett on the Allied Forces Behind the Sound of RESolution9

Mike Mettler | Oct 19, 2016

Rik Emmett is an artist who’s always reveled in the creative benefits of teamwork and collaboration. The former guitarist/vocalist of Canadian power trio Triumph has forged quite the formidable and far-reaching solo career since he left the band in 1988, but he’s quite adamant about the all-for-one, band-centric, and exhilaratingly electrifying flavor of RES 9 (Provogue Records), the forthcoming album from his new four-man collective that’s been appropriately dubbed Rik Emmett & RESolution9. I called Emmett, 63, to discuss the sonic impetus behind RES 9’s audio identity, how life experience informs his songwriting, and the ongoing impact of Triumph’s Allied Forces, which was released 35 years ago this past September. “I got a burning heart/I got a hungry soul,” Emmett sings on “Human Race.” RES 9 more than RESolves the pangs of those cravings.

Headphone Reviews

Here Active Listening In-Ear Monitors

Mike Mettler | Oct 19, 2016

Performance
Build Quality
Comfort
Value

PRICE $199

AT A GLANCE
Plus
Lets you become an instant live mixmaster
Easy to mix in real time
Comfortable and nonintrusive over many hours of consecutive use/wear
Minus
Could use a few more genre- and venue-specific presets

THE VERDICT
The Here Active Listening System ensures you can control exactly what you hear in any performance venue so you’ll never be subjected to substandard live mixes again.

How many times have you attended a live concert and thought, “I could mix the show better than that”? Well, now you can, thanks to the Here Active Listening System in-ear monitors from Doppler Labs. For someone like me who attends upwards of 100 or more live events in any given year in venues of all shapes and sizes all across the continent, these Here in-ears could very well be an aural godsend—if they deliver as promised.

The S&V Interview

Rickey Medlocke Conjures the Next Generation of Blackfoot

Mike Mettler | Oct 05, 2016

Rickey Medlocke's latest pet project has been to shepherd the next-generation incarnation of his beloved Blackfoot, who have committed their hard-charging sound to the grooves of a new album, Southern Native (Loud & Proud Records), that beautifully meshes traditional tones with modern sensibilities. I got on the horn with Medlocke to discuss the genesis of Southern Native, keeping true to his analog-centric inclinations, and what it was like working with his grandfather Shorty Medlocke back in the early days. It’s a highway song that keeps going on and on...

Music Reviews

U2: iNNOCENCE + eXPERIENCE - Live in Paris

Mike Mettler | Sep 28, 2016

Performance
Sound

These days, even the most seasoned recording artists find it difficult to gain traction with their new material. Case in point: U2, whose deeply personal 2014 release Songs of Innocence fell by the wayside with the listening public, likely due in large part to the instant backlash the band faced when the album suddenly appeared as an automatic download in everyone’s personal iTunes library without warning that September. Much collective online hand-wringing occurred until Apple acquiesced and shared instructions for how people could permanently remove the “offending” files. (Why getting any type of new music legitimately for free was such a problem for consumers used to downloading songs without paying for them continues to mystify me, but that’s another story for another time.)

The S&V Interview

Charlie Daniels Explores the Sound Quality Trail on Night Hawk

Mike Mettler | Sep 21, 2016

Charlie Daniels is an American treasure. Still going strong on the cusp of his 80th birthday, the man best known for fiddle-driven story songs like “The Devil Went Down to Georgia,” “In America,” and “The Legend of Wooley Swamp” has just released a long-gestating passion project, Night Hawk (CDC Records), which covers all different shades of the authentic cowboy lifestyle. “It was a long time in the making,” Daniels recounts. “Night Hawk is an album I’d always intended to make for many, many years, so I had been collecting songs for it for a long time. I wanted it to be an album with songs about the working cowboy, because that culture still exists.” I got on the line with Daniels, 79, to discuss the changes in recording technology over the years, the art of storytelling, and the many ways his band transforms other people’s material into Charlie Daniels Band (CDB) songs. With Night Hawk, the Long Haired Country Boy finally comes full circle.

The S&V Interview

Greg Lake & ELP: Welcome Back to the Hi-Fi Show That Never Ends

Mike Mettler | Sep 07, 2016

Emerson, Lake & Palmer were always at the forefront of progressive music, and being original has been a hallmark of ELP ever since their adventurous self-titled 1970 debut. Now, the band’s sonic legacy has been distilled into a nice three-disc collection, The Anthology (Manticore/BMG), which also serves as a 39-track sampler of a full-bore catalog reissue series, which recently commenced with three two-discs sets, each complete with outtakes and bonus cuts, for 1970’s Emerson, Lake & Palmer, 1971’s Tarkus, and 1971’s Pictures From an Exhibition. I Skyped with ELP vocalist/multi-instrumentalist Greg Lake, 68, across The Pond to discuss how effectively ELP utilized the stereo soundfield, why he prefers the analog format, and what the ultimate key is to making good records. Ooh, what a Lucky Man he still is.

The S&V Interview

Billy Sherwood Says Yes to Taking Circa Into the Hi-Fi Valley

Mike Mettler | Aug 17, 2016

These days, Billy Sherwood — the multi-talented, multi-hyphenate musician who cites bassist, vocalist, guitarist, songwriter, producer, mixer, and engineer as being among the many caps he wears in his sonic haberdashery — is spending the bulk of his time as the bassist in Yes, having been handpicked by the late Chris Squire to be his replacement. As rewarding as being in Yes is for Sherwood, his passion project is his other band, Circa, in which he plays guitar and sings lead vocals. Sherwood, 51, called me to discuss his goals for the overall sound of circa's new album Valley of the Windmill, what it’s like backing up William Shatner, and what the future may hold for Yes.

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Mike Mettler

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