Blu-ray Movie Reviews

Sort By:  Post Date TitlePublish Date
Josef Krebs  |  May 13, 2011  | 

“How do you trust your feelings when they can just disappear like that?” This piece of dialogue sums up the main theme of Blue Valentine, a film that, trying to work out where love goes, looks back to where it came from in the first place.

Josef Krebs  |  May 13, 2011  | 

There’s a particularly wonderful scene in The Illusionist, the animated movie adapted and directed by Sylvain Chomet (The Triplets of Belleville) from a previously unfilmed script by Jacques Tati. When the Monsieur Hulot-like character familiar to fans of Tati goes into a movie theater, there’s Tati’s Mon Oncle up on the screen in live action.

David Vaughn  |  May 13, 2011  | 
Based on the true story about French ex-convict Henri Charriére (Steve McQueen), a petty criminal who is unjustly convicted of murder, and his constant struggle to escape to freedom from the brutal French penal system at Guiana's infamous Devil's Island. On the way to the hellhole, he meets Dega (Dustin Hoffman), a convicted counterfeiter who relies on Henri for protection. The two men end up becoming good friends and they rely on each other for their survival.

While the performances are marvelous from both McQueen and Hoffman, the pacing of this movie is horrendously slow. I understand that director Franklin J. Shaffner is trying to show the struggle that Charriére endured to secure his freedom, but a good 45 minutes could have been left on the cutting room floor improving the overall enjoyment of the film.

Rad Bennett  |  May 12, 2011  | 

Friends with benefits: Is that kind of modern-day relationship really possible? No Strings Attached looks into that question for almost an hour before ending up in typical Hollywood rom-com land.

Brent Butterworth  |  May 11, 2011  | 

Technologies that distribute audio and video around a home are incredibly cool—if you can afford them, if you can tolerate complicated installation, and if you can figure out how to use them once they’re in. I’ve long assumed a big consumer electronics company like Samsung or Sony would invent a more practical multiroom A/V solution, but it seems the technology that finally gets us past the old paradigms may be Apple’s AirPlay.

Brent Butterworth  |  May 11, 2011  | 

Technologies that distribute audio and video around a home are incredibly cool—if you can afford them, if you can tolerate complicated installation, and if you can figure out how to use them once they’re in. I’ve long assumed a big consumer electronics company like Samsung or Sony would invent a more practical multiroom A/V solution, but it seems the technology that finally gets us past the old paradigms may be Apple’s AirPlay.

Brent Butterworth  |  May 11, 2011  | 

Technologies that distribute audio and video around a home are incredibly cool-if you can afford them, if you can tolerate complicated installation, and if you can figure out how to use them once they're in. I've long assumed a big consumer electronics company like Samsung or Sony would invent a more practical multiroom A/V solution, but it seems the technology that finally gets us past the old paradigms may be Apple's AirPlay.

Kris Deering  |  May 11, 2011  | 
Video: 4.5/5
Audio: 3.5/5
Extras: 1/5
Seventeen year-old Caroline Wexler (Kat Dennings) has just moved to a tiny, nowhere town where an industrial fire burns ceaselessly and a serial killer is claiming young victims. When Caroline realizes she has nothing in common with the permanently stoned kids that populate her new school, she pursues the one person she connects with - her handsome young teacher, Mr. Anderson (Josh Lucas). A bizarre love triangle ensues between Caroline, Mr. Anderson, and a stoner classmate (Reece Thompson).
Kris Deering  |  May 11, 2011  | 
Video: 4/5
Audio: 4/5
Extras:2/5
Told in an innovative style that blends present moments in time with romantic past memories, "Blue Valentine" is the uncompromising portrait of Dean and Cindy, a young married couple who have grown apart, taking one night away from their daughter to try to save their relationship.
David Vaughn  |  May 11, 2011  | 
Looking to track down his best friend's killer, fast-talking Detroit Police detective Axel Foley (Eddie Murphy) travels to Beverly Hills to follow-up on some clues. Once there, he's put under the watchful eyes of two local cops (Judge Reinhold and John Ashton), and draws the ire of the local officials with his unorthodox detective skills.

Saturday Night Live showcased Murphy's comedic talent and 48 Hours made him a star, but it was his role in Beverly Hills Cop that turned the talented comedian into a box office sensation. He would later reprise the role of Axel Foley in two follow-up films, but the first of the trilogy is by far the best.

David Vaughn  |  May 09, 2011  | 
Meeting in camp as teenagers, Adam (Ashton Kutcher) and Emma (Natalie Portman) almost had a hook-up, but Adam's advances were repelled at the time. Fifteen years later, the two meet again but with Emma's busy schedule as a resident doctor, she doesn't have time for a relationship. In lieu of that, she proposes that she and Adam become sex buddies with no strings attached.

Portman is one of my favorite female stars in Hollywood and I had high hopes for this one. Wow, what a disappointment, but I shouldn't be surprised when Kutcher's name is on the cover. How does he keep getting roles? He can't act worth a damn and virtually every project he's involved with stinks. The screenplay had some potential, but it drags way too much and the only reason to watch it is to see Portman romping around half-naked.

David Vaughn  |  May 06, 2011  | 
Since college, confirmed bachelor Ronny (Vince Vaughn) and happily married Nick (Kevin James) have been through it all. Partners in an auto design firm, the pair are vying to land a dream project with Chrysler that will launch them into the big time, but when Ronny inadvertently sees Nick's wife kiss another man, he makes it his mission to get answers.

Off the top of my head, I can't think of a bad film Ron Howard has directed over his career, so I'm going to cut him some slack for this middling effort. While the two stars are supremely talented when it comes to comedy, the editing is this film is terrible and it really kills the pacing. Scenes drag on forever and there are certain subplots that could have been cut altogether (sorry Queen Latifah) that would have improved it immensely.

Ken Korman  |  May 06, 2011  | 

Consider the dense, multi-layered, centuries-old, and sometimes impenetrable culture of New Orleans — especially in the months just after Hurricane 

Marc Horowitz  |  May 04, 2011  | 

File this one under Wasted Potential. The Green Hornet does have plenty of visual style, courtesy of director Michel Gondry. It also has the likable Seth Rogen as the title character, the awesome Christoph Waltz (Oscar winner for Inglourious Basterds) as the bad guy, and Cameron Diaz as the brainy eye candy.

Marc Horowitz  |  May 04, 2011  | 

File this one under Wasted Potential. The Green Hornet does have plenty of visual style, courtesy of director Michel Gondry. It also has the likable Seth Rogen as the title character, the awesome Christoph Waltz (Oscar winner for Inglourious Basterds) as the bad guy, and Cameron Diaz as the brainy eye candy.

Pages

X