Bookshelf Speaker Reviews

BeoLab 18 Speaker System
Performance
Build Quality
Value

BeoLab 19 Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
WiSA wireless multichannel audio technology
All processing and switching built into the TV
Motorized TV speakers and TV stand
Minus
No backlighting on remote control
Nothing else but the price

THE VERDICT
Although most of us can’t afford this system, those who can will be treated to an amazingly moving experience that no other system can provide—every time they turn it on.

Bang & Olufsen is unusual in the AV world. In fact, I could have stopped at “unusual.” I once heard a story about B&O that perfectly sums up what I’m talking about. It’s probably apocryphal, because the person I heard it from had heard it from someone else, but I’ll tell it anyway. Years ago, when B&O still made phones—corded, landline telephones—a guy from the U.S. asked one of the Danish engineers why the handsets had their unique shape, which made them almost impossible to cradle between your ear and shoulder so you could have a conversation and still use both hands. (Twenty-some years ago, that was the era’s version of “hands free.”)

The engineer’s answer was short and to the point: “Because we don’t talk on the phone that way here.” That sort of stubborn—some might say arrogant—confidence in the belief that their way is the right way is one of the core characteristics of Bang & Olufsen. When other AV companies are busy jumping on the latest technological bandwagon, B&O is off in the woods searching for truffles.

Infinity Reference R162 Speaker System
Performance
Build Quality
Value

Infinity Reference SUB R12 Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Detailed high frequencies
Proprietary drivers
Curved enclosure
Minus
Can be too revealing
More finishes needed

THE VERDICT
The new Infinity Reference series has superb top-end transient detail and a commendably subtle sub, turning even familiar material into a fresh experience.

“Attention to detail.” That was my mantra when I hired and trained people to write product descriptions for an e-commerce site. It’s a pretty good rule to live by in general, and I try my imperfect best to practice it myself, both personally and professionally. It came back to me when I pulled the grille off the Infinity R162, part of the big brand’s new Reference series. When I saw a tweeter waveguide unlike any I’d previously seen, I knew I was communing with a kindred spirit, a lover of detail—though one with access to far greater resources than I command as a mere reviewer. Infinity’s parent corporation, Harman International Industries, has the kind of facilities and personnel that many speaker companies can only dream of. Harman pays a whole lot of talented people to attend to detail.

Studio 230 Speaker System
Performance
Build Quality
Value

Studio SUB 250P Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Efficient, high output
Vocal clarity and defined soundfield
Affordable price
Minus
Thin, accentuated top end
Best at low-to-moderate volumes

THE VERDICT
Although their bright voicing may not be for everyone, the JBL Studio 2 speakers combine high efficiency with excellent detail retrieval.

What if the solution to room-interaction problems resided in your loudspeakers? Wouldn’t that be a great alternative to the ills of receiver-based room correction systems? Those are some potentially interesting questions posed by JBL’s Studio 2 series.

For starters, who needs room correction anyway? Well, when it’s hard to catch the dialogue, and imaging smears all over the place, the room correction program in your A/V receiver can mitigate those problems (depending on the receiver and the room). But quite often, it also introduces new artifacts and errors. For my own part, in my own room, I find that many room correction systems thin out the overall tonal balance and induce fatigue. That’s why some audiophiles shun room correction and choose to live with the acoustic character of their room, for better or worse—usually both.

Imagine XB Speaker System
Performance
Build Quality
Value

SubSeries 125 Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Clarity and evenness
Compact, tuneful sub
Affordable price
Minus
Dynamic limits of small sub

THE VERDICT
PSB’s Imagine X series refreshes a popular speaker line with reliably excellent sound.

A small but growing number of my younger readers care more about headphones than loudspeakers—but might eventually want to own both. That’s why I’m about to use headphones as the starting point in a speaker review.

There are names that evoke loudspeakers: Bowers & Wilkins, GoldenEar, KEF, Klipsch, MartinLogan, Paradigm, Wilson, Definitive Technology. Then there are names that evoke headphones: AKG, Audeze, Beyer, Grado, Koss, Sennheiser, Stax. However, though several speaker manufacturers have dabbled in headphones, it’s hard to think of many brands known equally well in both categories.

Mini T Speaker System
Performance
Build Quality
Value

Mini T Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Outstanding sonics and dynamic ability
Impressive bass extension from Mini-T alone
Made in Canada, not overseas
Minus
Requires substantial
amplifier power for best performance
Classic boxy designs won’t thrill everyone

THE VERDICT
They’re big, boxy, and expensive, but these speakers are world-class performers, top to bottom.

Bryston’s new Mini T loudspeakers spoke to me early, even before I’d fully wrestled them out of their imposing, oversized packaging. And what they said was, “We were designed by guys who don’t give a hamster’s hindquarters for new-age cosmetics, ‘breakthrough’ transducers, or 21st-century styling: We’re old school!”

For the record, Bryston Ltd.—based in the small Canadian city of Peterborough, an hour or so east of Toronto—has for decades produced some of the world’s preeminent power amplifiers (also preamps, surround processors, and even the odd integrated amp), impeccable performers built to a standard of brick-house quality seldom bettered, and warrantied accordingly. If you wanted vast reserves of current, bulletproof design, road-ready ruggedness, and genuine craftsmanship, Bryston fit the bill.

S300 Speaker System
Performance
Build Quality
Value

X12 Subwoofer
Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Realistic, dynamic sound
Outstanding build quality
Carries on the fine M&K tradition
Minus
Expensive

THE VERDICT
M&K’s system is perfect for the movie lover and extremely capable for the discerning audiophile.

It was in February 2000 when I was in a hi-fi store looking at some new electronics and stumbled upon a salesman giving a speaker demonstration to a married couple. I decided to listen in to see if anything piqued my interest. The salesman went through a number of different speakers, and I didn’t hear anything remarkable until his last demo: M&K Sound S150s coupled with an MK350 subwoofer. I don’t recall the exact track he played, but my jaw dropped when I heard the sound emanating from the speakers. It was as if the entire wall came alive, and I couldn’t pinpoint which speakers were active. Much like the wand picking the wizard in Harry Potter, these speakers picked me, and I knew I’d have to own them.

Sadly, it took me three years to convince She Who Must Not Be Crossed to give her blessing, but I’ve been in audio bliss for over 10 years now with a trio of S150s across the front soundstage and four SS150s across the rear of my home theater.

Aero 2 Speaker System
Performance
Build Quality
Value

Aero 9 Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Flat BMR in lieu of tweeter
Clear sonic window into the midrange
Unusual dual-mono/bipole surrounds
Affordable price
Minus
Boxy vinyl-wrap enclosures

THE VERDICT
Cambridge Audio’s Aero reinvents the two-way loudspeaker in midrange-friendly fashion with excellent performance and value.

What if you needed two throats to speak? Sounds a bit cumbersome, right? But that’s how a two-way loudspeaker usually treats the human voice. Its drivers divide the midrange frequencies where the voice resides into two parts, sending higher frequencies to the tweeter and lower frequencies to the woofer. While the crossover varies from speaker to speaker, the frequencies that handle the voice usually get split right in the region where human ears are most sensitive to vocal timbre.

Of course, good speaker designers routinely surmount this obstacle to natural vocal sound, either by carefully tweaking their two-way designs or by going to three-way designs that dedicate a separate driver to midrange reproduction. But the three-way approach adds two more crossover sections, potentially leading to other troubled areas of reproduction.