Ears On

We now have an official definition of what is high-resolution audio. That's the good news. The bad news is that we don't have a clear enough definition of what is not high-resolution audio.

Bis is a Swedish music label with a large catalogue of Super Audio CDs. Among them are two releases that have become my go-to choices for major works in the orchestral repertory: Beethoven's nine symphonies and Bach's six Brandenburg Concertos. Both are DSD recordings, less than a decade old, with surround and stereo soundtracks. They'll cost you more than most CD box sets of the same works. But the chance to hear these vibrant performances in high-res DSD via SACD is well worth the price. Think of surround as icing on the cake.

My moment of immortality in the Pazz & Jop Poll, the annual music critic's poll that runs in The Village Voice, came when I confessed my craving for classical music, not a popular genre at the Voice. I mentioned how much I loved gorging on $2 used LPs at the now-gone Tower Annex in Lower Manhattan, buying "as much dead white boy music as I can carry to the bus." My ballot comment ran in the paper, which was a great honor. That was sometime in the early 1990s, during the golden age of cheap vinyl, before the current vinyl resurgence. Folks were dumping LPs for CDs and even an impecunious collector could make out like a bandit. Today vinyl isn't as cheap as it once was; those 180-gram virgin-vinyl reissues cost a bundle, as do vintage pressings of Beatles and Pink Floyd albums. Yet even today I continue to collect loads of used classical vinyl. Most of it is still cheap and it's one of the few forms of high-res audio an inkstained wretch can afford to buy in large quantities.

For some, tower speakers are an article of faith. Many audiophiles wouldn't consider going without them—either folded into a 5.1+ system or as a standalone two-channel system. For some of those listeners, owning a pair of towers is the right decision, and I wouldn't be foolhardy enough to try talking them out of it. But for others, floorstanding speakers are just one option among many, and not necessarily the best one. In some primary systems, smaller-scale monitors or satellites would be more appropriate; for some secondary systems, soundbars or standalone audio products make more sense. As I discussed in a previous blog, choice of speaker size depends on both needs and personalities.

A home theater system, as I never tire of saying, is the union of big-screen television and surround sound. Conceptually speaking, the big-TV part is not a heavy lift. But some people interested in getting into home theater may have trouble visualizing what a surround sound system might look like. And it's hard to blame them. Surround systems come in many configurations, each appealing to a different tribe of listeners. How can you, as an aspiring home theater buff, decide which surround tribe you belong to? Here are some common configurations matched to the listeners to whom they would appeal.

It's official. The future of audio hardware and software now has an acronym. It's HRA, or high-resolution audio, trumpets a press release from the Consumer Electronics Association. HRA may well emerge as a key theme of CEA's 2014 International Consumer Electronics Show. So this would be a good time to discuss what is, and is not, high-resolution audio.