Tower Speaker Reviews

My daughter has been coming home recently with holes in her slacks—and, no, they aren't the holes she puts her legs through, as she wryly pointed out the other day. (That's what I get for raising a family full of wiseacres.) The cause of these holes is a bit of a mystery, seeing as how they appear and reappear at the same spots on each leg at random times. I've toyed with the idea of treating them as the fashion equivalent of crop circles or the result of an obsessive-compulsive moth, but these are, as you might conclude, unfulfilling answers. None of her peers have similar apparel problems, so it appears to be an extremely localized phenomenon. It remains an enigma.

Even a quick glance at the home theater section of your local consumer electronics retailer reveals an overabundance of A/V receivers. They're a staple component in home theater. After you sift through all the ubiquitous brands, you'll come across Sunfire. The company is the creation of the venerable Bob Carver, also founder of Phase Linear and Carver Corporation. In a previous audio life, I sold many Phase Linear 400 and 700 power amplifiers, which were among the most popular and affordable high-powered stereo amps during the 1970s. Bob Carver has consistently reinvented himself and refined his product offerings, and one of his latest creations is the Sunfire Theater Grand TGR-3 A/V receiver from the company's XT Series. It's a component that borrows many features from Sunfire's high-end processors and amplifiers. And its straightforward operation, proprietary features, and impressive sound quality might earn it a place among the best high-end receivers. The TGR-3 is a great example of meticulous American design, albeit of Chinese construction.

This is a momentous time for Energy Speaker Systems. Until recently, Energy was one of several brands owned and operated by Audio Products International of Toronto, Canada. (The others included Mirage, Athena, and Spherex.) Now the API brands have been merged into Klipsch of Indianapolis, Indiana, creating a new fusion of Canadian design and American ownership. Energy has also moved their manufacturing to China, where they will have more control over parts, while achieving greater cost-effectiveness. John Tchilinguirian, the longtime lead designer for the brand, has moved on to independent consulting. That makes the Energy RC-70 towers, RC-LCR (serving as center), and RC-R surrounds partly a chapter from a previous tome and partly the first chapter in a new story.

I drink green tea the way some people drink water. I make it in large batches, keep it in the fridge, and guzzle it all day. Such are the dimensions of this innocuous drug habit that I blend teas, often adding a pinch of Butterfly Sencha (with peach and sunflower petals) to a standard Sencha, creating something more subtle than the former and more interesting than the latter. (The Tea Squad may burst through the door to arrest me at any moment.) I do the same with surround equipment. This month, I've deliberately brought together a receiver brand that prides itself on neutrality with a speaker brand that obsesses about the purity and phase coherence of high frequencies. Marantz, meet Tannoy. Tannoy, meet Marantz. What will happen next?

Once upon a time loudspeakers were large, floor standing affairs, especially those designed to produce deep bass. Then came the acoustic suspension revolution and "bookshelf" loudspeakers were born, most of which ended up on stands in homes where sound quality counts. Many manufacturers specialized in one or the other, but a few offered both.

As I unboxed this month's Spotlight System, I flashed on the innovative histories of Marantz and Snell Acoustics. Saul B. Marantz was a bona fide American audio pioneer in the 1950s and 1960s. His company's electronics not only sounded amazing, they were drop-dead gorgeous. Maybe that's why Marantz's early designs regularly sell on eBay for more than their original prices. Peter Snell was one of the brightest speaker designers to emerge in the mid-1970s. Back in the day, I owned a pair of his first speakers, the Type A, and had many conversations with Peter about music. In those simpler times, Saul Marantz and Peter Snell could launch their companies armed with not much more than a driving passion to produce great audio gear—and the inspired engineering to make the dream real. Best of all, both companies still adhere to their founders' perfectionistic traditions.