Tower Speaker Reviews

Infinity comes through again.

When it comes to expectations, setting the bar high can be a double-edged sword. On the one hand, you can't establish credibility or customer loyalty without coming through time and time again. On the other hand, the higher you set the bar, the easier it is to go down rather than up. Infinity quickly comes to my mind as one of the companies that isn't afraid of this challenge, whether it be with a $500 speaker or a $5,000 speaker. No reviewer can ever predict how tuned his ear will be to a particular set of speakers, or even a brand. However, with Infinity, you can count on getting a well-designed, well-built speaker from a company that has the right priorities in mind. Some speaker manufacturers get it, and some don't. Infinity is clearly one that does.

Big ambitions.

Boston Acoustics has been perfecting the art of speaker design for 26 years, so I guess they're ready to try something new. For 2005, the company set their sights on the fiercely competitive A/V-receiver market and released a classically handsome, custom-installer-savvy contender, the AVR7120. To keep it all in the family, I checked out the receiver with a contingent of Boston VR Series speakers.

Klipsch and Yamaha show that not every Spotlight System requires a second mortgage.

So far, we may have given you the false impression that the pages of this new column were going to be dedicated almost exclusively to the rarified air of the high end. After all, there has only been one installment so far that rang in under five figures, and last month's MiCon Audio system seriously blew the curve with a price tag roughly equivalent to that of a decent house in some parts of the country. Little did you know it was all part of an ingenious plan to build momentum for the column with flashy, big-ticket systems before settling in to the meat and potatoes of the A/V world—i.e., the systems the rest of us can afford. This month's Klipsch/ Yamaha combo is just such a system. Sure, it's not something you'll be able to buy with the change you find in your sofa, but it is certainly more attainable to a broader range of people than the MiCon Audios of the world are.

Turn on, tune in, strap down. I was standing in an area of last year's Home Entertainment Show in New York that had no demonstration rooms anywhere nearby. It started with a boom and a rumble, like the gathering of a distant but powerful storm. It wasn't enough to shake me yet, but it was enough to grab my attention. Then came another boom, another rumble, and enough curiosity that I felt compelled to find a tactful way out of my conversation and make my way toward this growing intensity. Not only could I feel the floor moving under my feet as I got closer, but I even started to believe I was seeing Sheetrock flakes on the floor, steadily gathering into a distinct trail. Soon enough, the rattling of the walls, the low-frequency energy waves hammering my senses, and the shaken but excited looks of people coming the other way told me I had arrived. MiCon Audio, the door announced. Curious, I thought—or tried to think, before another sortie ripped out from inside—and a belief that the door might literally be blown off its hinges began to monopolize my thoughts. Finally, the door opened, and the answer to all of the riddles awaited me inside—but, for that, you'll have to read on.

Synergistic sounds.

This review brings together two brands that are special to me: Harman/Kardon and Paradigm. When I was a teenager, I bought a Harman receiver with the money I earned running deliveries for the local supermarket. You know how that is: Nothing ever gets close to the thrill of the first one. I wore out several LP copies of Sgt. Pepper and Led Zeppelin II over that 15-watt-per-channel receiver. Much, much later, in the late '90s, I reviewed a set of Paradigm Atoms. Those little speakers sounded surprisingly huge, and, even more importantly, they were a lot of fun. The Atoms lingered in my listening room long after I finished the review, and that's probably the best indication of what separates good speakers from great speakers. For this back-to-the-future review, I paired Harman's DPR 1005 Digital Path Receiver with Paradigm's newly revised Monitor Series v.4 speakers. Looks like a good combination, but let's see.

Focal-JMlab has been manufacturing speaker drivers and systems from its home base in Saint-Etienne, France, since 1980. They first became known to audiophiles in the US for their range of Focal drive units, particularly their inverted-dome tweeters. The latter were used by a number of makers of speaker systems. One of them, Wilson Audio Specialties, has likely been Focal's most loyal customer over the years, having used various Focal drivers in most of its models since the original Wilson Audio Tiny Tot, aka the WATT, was produced in the mid-1980s.