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Perhaps you're thinking, "Hey, that new Xbox 360 looks pretty hot," along with the thought, "Man, how many remote controls do I need to figure out in order to use my home entertainment system?" It might just be, then, that the idea of adding a remote control for the Xbox 360 into your living room will be too much for your precarious state of mind.

And you thought it was already here. It's true that a number of films over the past few years have been digitally projected in a small number of theaters around the world, using primarily DLP technology (and occasionally LCoS). But these presentations have employed a wide range of formats. For example, 30 different release masters were reportedly made for the 30 theaters that showed <I>Van Helsing</I> digitally in 2003. This lack of standardization could never support the massive conversion to digital cinema (and the savings in print distribution costs) that the studios are hoping for.

All videophiles are looking for the holy grail&mdash;a video projector that will blow everything else out of the water and cost next to nothing. Short of the industry adopting the business model used for computer printers (charging $100 for the projector and $4000 for a replacement lamp), that next-to-nothing price will likely remain a dream. But manufacturers are competing hard to make good home theater projectors much more affordable, if not exactly cheap.

We had our 3rd bi-annual RPTV face off yesterday. It will be in the February issue, which you subscribers should be getting in about 7 weeks. As I mentioned previously, all the sets were 1080p. They ranged in size from 50 to 62 inches diagonal with an average price just over $4000. We had a panel of 5 judges rank each of the 6 TVs on a variety of factors and on a variety of material. What is perhaps most interesting is that the TV that came in last place this year was better than at least half of the TVs from the 2004 face off. TV competition is fast and furious, and the buyer/enthusiast profits the most from this. For example, the average full on/full off contrast ratio was right around 5000:1, a vast improvement over the digital sets from two years ago. And as far as CRTs go, well, CRT is dead. Sorry. We loved you dearly.