LATEST ADDITIONS

Peter Pachal  |  Jul 06, 2006

NO FOOTAGE JVC's Everio camcorders ditch those archaic videotapes in favor of recording to a hard disk. The 30 gigs onboard the flagship model will hold 10.5 hours of DVD-quality material - captured in eye-catching color, thanks to the three CCD image sensors (cheaper cams have just one).

John Sciacca  |  Jul 06, 2006

Step 1: Check file compatibility While computers can accept a variety of music file types, servers have more limited compatibility. If your server isn't "friendly" with your formats, you'll either have to re-rip, download, or buy them all over again, or convert them to a compatible format, which will cause additional compression artifacts.

James K. Willcox  |  Jul 06, 2006

With its eye-catching design and seamless integration with the iTunes Music Store download service, Apple's iPod has taken the portable-music market by storm. But once you get beyond the iPod's distinctive, sexy styling and crack open its case, you'll find a collection of off-the-shelf components not all that different from those used in other personal media players.

Ken Richardson  |  Jul 06, 2006

Recommending a recent gig by Franz Ferdinand, The Village Voice said the Scots "generate an in-person intensity that you just can't download." Or get from a CD. Sure, you can go digital or disc to sample these acts, but Austin's 20th South by Southwest proved once more that the show makes the band.

Jamie Sorcher  |  Jul 06, 2006

As a performer, you've done everything. Do you prefer TV, movies, singing, or the stage? I would say the Broadway theater - it's so much at the heart of things. But I just signed on to do a new sitcom on NBC, Twenty Good Years, and it's incredibly fun. We're going to have a ball on that show. It's a real treat to vary my diet.

Fred Manteghian  |  Jul 06, 2006

A few weeks ago, I reported the Plasma Display Coalition (PDC) paid consultants to test their plasma sets independently (see <a href="http://blog.ultimateavmag.com/fredmanteghian/061406torment/" target=new>Tormenting the Plasma</a>). This week, I got my hands on the actual report and the results are fascinating. Just a bit of background. Everyone I know that buys an LCD TV says, when I ask why not a plasma, that the LCD won't "wear out," "burn up," or words to that effect. Turns out, debunking that myth was only one of the study's goals.

Ultimate AV Staff  |  Jul 06, 2006

<UL CLASS="square">
<LI>Price: $5,749</LI>
<LI>Output channels: 7.3-channels (seven main channels, three subwoofers), single-ended</LI>
<LI>Decoding: DD, DD EX, ProLogic IIx, DTS, DTS-ES Discrete/Matrix/Neo:6</LI>
<LI>Ins and outs: Five coax and two toslink digital audio, five HDMI three component video, one 7.1-channel analog, MM phono, RS-232, 12V trigger</LI>
<LI>Highlights: THX Ultra2, damped Acousteel "Full Metal Jacket" chassis, HDMI and component video switching, multi-source/multi-zone, programmable backlit learning remote </LI>
</UL>
<IMG SRC="/images/archivesart/706arcamav9.jpg" WIDTH=450 HEIGHT=145 BORDER=0>

Ultimate AV Staff  |  Jul 06, 2006

<UL CLASS="square">
<LI>Price: $6,699</LI>
<LI>Output channels: 7.1-channels, single-ended and balanced</LI>
<LI>Decoding: DD, DD EX, ProLogic IIx, DTS, DTS-ES Discrete/Matrix/Neo:6/DTS 24/96</LI>
<LI>Ins and outs: Seven coax and three toslink digital audio, one AES/EBU, four HDMI and four component video, one 5.1-channel analog, RS-232, eight S-Video, three 12V triggers</LI>
<LI>Highlights: HDMI ver. 1.1 switching with Gennum video processing with transcoding of composite and S-Video and component video to HDMI, 24/192 A-D and D-A conversion, dual DSP engines, AV sync delay, multi-source/multi-zone, learning remote (not backlit!)</LI>
</UL>
<IMG SRC="/images/archivesart/706anthemd2.jpg" WIDTH=450 HEIGHT=202 BORDER=0>

Ultimate AV Staff  |  Jul 06, 2006

<UL CLASS="square">
<LI>Price: $4,699</LI>
<LI>Output channels: 7.1-channels, single-ended and balanced</LI>
<LI>Decoding: DD, DD EX, ProLogic IIx, DTS, DTS-ES Discrete/Matrix/Neo:6</LI>
<LI>Ins and outs: Seven coax and three toslink digital audio, one AES/EBU, four HDMI and four component video, one 5.1-channel analog, RS-232, eight S-Video, three 12V triggers</LI>
<LI>Highlights: HDMI switching with Gennum video processing with transcoding of composite and S-Video and component video to HDMI, 24/96 A-D and 24/192 D-A conversion, automated setup and EQ with integrated microphone, AV sync delay, multi-source/multi-zone, learning remote (not backlit!).</LI>
</UL>
<IMG SRC="/images/archivesart/706anthemavm50.jpg" WIDTH=450 HEIGHT=183 BORDER=0>

Mark Fleischmann  |  Jul 06, 2006
A major label will soon offer European customers three different tiers of CD releases, each with its own distinctive type of packaging. Universal Music Group announced that top releases will get a deluxe box (über-jewelbox? treasure chest?) potentially featuring bonus DVD, extra tracks, expanded notes, and other attractions. Mid-tier releases will get "super jewelboxes," a with round corners, stronger hinges, and heavier build quality. They sound a lot like the boxes already used for SACDs. Bottom-tier releases will get cardboard sleeves, though I'm not sure if that means a Digipak-like package (paper gatefold enclosing plastic spindle) or an all-cardboard "wallet" type. A competing budget label, Brilliant Classics, has had great success with wallets, marketing cheaply packaged but delightful boxed sets up to and including the now legendary 160-CD Bach Edition. Pricing for the Universal tiers will be €19.99, €14.99, and €9.99 respectively. As of this morning, a euro costs $1.28, so none of the tiers is cheap by American standards, though there's no telling what will happen if Universal brings the scheme across the Atlantic. Why this, why now? "We can grow the CD market," said a Universal executive—or at least, "slow its decline."

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