Other Source Component Reviews

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Michael Trei  |  Oct 06, 2021  | 

Performance
Features
Ergonomics
Value
PRICE $1,146 (as tested)

AT A GLANCE
Plus
Exceptionally simple to set up and use
Great sound
Minus
No remote control

THE VERDICT
With the Spin System, Andover Audio has expanded its game changing SpinBase concept to a complete hi-fi package that can be set up with minimal fuss and won't dominate your room.

If you're a boomer who grew up in the 1960s and 1970s like I did, you'll remember that no home was complete unless it had a stereo system in the living room. After you moved into a new place, the number one priority would be to get your tunes up and running, even before arranging furniture.

Mark Fleischmann  |  Jul 14, 2006  | 
One tuner to free them all.

Back when our ancestors lived in caves, when storytelling was the main form of entertainment around the evening fire, the biggest alpha male would designate the storyteller and club to death anyone who interrupted. This social arrangement has survived well into the age of the remote control.

Steve Guttenberg  |  Dec 14, 2004  |  First Published: Dec 15, 2004  | 
The sound goes round and round and comes out here.

The 2004 Home Entertainment East Show was chock full of cool, new high-tech goodies, but I found myself returning again and again to the Arcam/Gallo Acoustics room. This was all the more surprising because I'm pretty familiar with Arcam's uncommonly elegant electronics and Gallo's radically round speakers, but they were demoing the Drumline DVD at realistically loud levels, and the choreographed thunder of competing marching bands was huge, dynamically alive, and tons of fun. A week after the show, I was still reminiscing about the sound. I made some phone calls, worked out some scheduling and shipping details, and now I'm sitting here exploring the system's capabilities in my very own home theater. Let me tell ya, the spectacular sound I heard at the show wasn't a hallucination; the Arcam/Gallo combination is good. . .really good.

Chris Lewis  |  Feb 02, 2002  |  First Published: Feb 03, 2002  | 
Don't believe us? Just check out Arcam's DV27 DVD player.

Killing time on an airplane is never an easy thing to do. Thankfully, over the past couple of years, I've developed an entertaining way to do just that on my return trips from our industry trade shows: reliving all of the bizarre things people have told me over the previous days. The source of these statements is broad-based: manufacturers, PR people, dealers, and even my fellow journalists (yours truly, of course, has never said anything dumb at a show—as far as you know). Maybe it's the long hours and lack of sleep or the rivers of free booze that wind their way through these events. At this year's CEDIA Expo, a representative from a large manufacturer (which will go unnamed) resolutely declared that, outside of the lowest price ranges, nobody is going to buy a DVD player that doesn't process DVD-Audio or SACD. Maybe he was trying to appeal to my well-documented affinity for these high-resolution formats, or maybe he hadn't quite sobered up yet. I imagine that my dumbfounded look made it clear that even a biased audio fellow like myself certainly couldn't agree at this stage in the game—if ever.

John Sciacca  |  Jan 03, 2024  | 

Performance
Features
Build Quality
Value
PRICE $99

AT A GLANCE
Plus
Nice selection of games
Everything needed to play is in the box
Ability to upgrade controllers/games
HDMI port for connecting to a TV
Minus
Missing some key titles
Awkward controller button layout
Questionable longevity of controllers

THE VERDICT
For Gen X-ers, the My Arcade Atari Gamestation Pro is a blast-from-the-past in an affordable package that allows you to relive some of your favorite games from childhood. Probably the best under $100 purchase I’ve made!

Here’s the TL/DR: this review is mainly for Gen-Xers. If your first gaming console was an NES or Genesis, or PlayStation or X-Box, then you’ll probably do better just to move on. But for those of us who grew up in the Atari Generation, when the home gaming market was born and really started to take off, this box is a time machine that will transport you to simpler times when all you needed to worry about was a stick and a button!

Shane Buettner  |  May 24, 2011  | 

Performance
Features
Ergonomics
Value
Price: $9,950 At A Glance: Breathtaking picture and sound with all 5-inch silver discs • State-of-the-art audio performance with USB audio • No 3D

The Last Great Silver Disc Player?

The era of 5-inch silver disc players began in the 1980s, and it isn’t over yet. But even quality-driven, Blu-ray- and CD-playing dinosaurs like me are compelled to admit that there are fewer days ahead for the disc player than there are behind it. The Ayre Acoustics DX-5 Universal A/V Engine ($9,950) builds a bridge between yesterday and tomorrow. The DX-5 is a universal disc player. It plays CD, SACD, DVD-Video/Audio, and Blu-ray Discs. But it’s also a cutting-edge digital-to-analog converter for digital audio files from a variety of sources, up to 24-bit/192-kilohertz. Its supertrick analog audio outputs are stereo only, so the only people who need apply are extreme videophiles and two-channel audiophiles who want a reference-quality universal Blu-ray player and state-of-the-art playback of digital audio files. The DX-5 is loaded with crucial and daring proprietary technology, and it’s the best-sounding, most versatile digital source component I’ve had in my system. The price tag? Who cares. Don’t you want to know more?

Kris Deering  |  Jun 12, 2014  | 

Performance
Features
Ergonomics
Value
PRICE $2,995

AT A GLANCE
Plus
Handpicked parts and proprietary audiophile touches
Nearly plug and play
Supports all high-resolution formats
Reference level audio and video quality
Minus
Needs a tablet for easiest interface
Still only as good as what you plug it into

THE VERDICT
A no brainer if you seek audiophile performance from a media server without a lot of homework and trial and error. Customer support is exceptional and takes the IT guesswork out of the equation.

We have recently come to an enormous crossroad in entertainment. Physical media as a whole is withering on the vine and everything is moving to either streaming playback or file downloads. While I’m all about the convenience that this offers I hate the idea (and reality) of the compromise this situation can create in the quality of the content. We’ve already seen the music industry destroy the quality of music recordings to appease the iPod generation, and regardless of the convenience provided by Netflix and a host of other video streaming services, they cannot match the quality of Blu-ray video playback. So what do you do if you want to enjoy instantaneous access to your media but don’t want to compromise the quality of the material? Baetis Audio may have a few answers for you.
Michael Antonoff  |  Nov 04, 2013  | 
Performance
Features
Ergonomics
Value
Price $100

At A Glance
Plus: Watch broadcast TV while commuting • Steady reception in motion • Works without Wi-Fi or a mobile data plan
Minus: Limited channels • Reception spotty in buildings and locking in stations can be frustrating

The Verdict
Lets you watch TV while on the on the go but programming options are limited and reception is not a sure shot.

Though the picture quality of over-the-air TV can surpass cable, you’re likely to get no reception at all in a moving vehicle. That’s because broadcast DTV was conceived for stationary screens—not today’s legion of mobile devices.

Rob Sabin  |  Jun 06, 2012  | 
Performance
Features
Ergonomics
Value
Price: $400 At A Glance: Effective, free alternative to cable or satellite • Vudu streaming • Runs hot!

In this day of dozens of HDTV channels delivered via hardwired cable or satellite transmission, it’s hard to remember that watching TV wasn’t always quite so easy. Way back when, every television had an antenna connected to it. If you were distant from the transmission tower, you might have had a big mast antenna on your roof, as did your next-door neighbor, and his next-door neighbor, and so on, until the suburban skyline came to be defined by these skeletal sculptures reaching into the bright dawn of a soaring postwar America. If you lived a little closer to the tower, you probably just used the telescopic rabbit ears poking up from the back or top of every set, and the ritual of changing channels (to another of the seven or eight available) involved walking across the room, manually clicking the TV’s rotary tuning knob, and then reorienting the antenna arms to minimize the distortion. Even then, it didn’t always work. Depending on conditions, it wasn’t uncommon to get snowy artifacts from a weak signal, or ghosting caused by multipath reception as the signal bounced off nearby buildings or other large objects.

Kris Deering  |  Jul 16, 2019  | 
My recent article, High Dynamic Range Explained, covered what HDR is and how it gets implemented in different types of displays. The focus was movies on Ultra HD Blu-ray disc and on streaming services, but another topic worth discussing — one regularly overlooked — is HDR gaming.
Chris Chiarella  |  Apr 09, 2003  |  First Published: Apr 10, 2003  | 
By the time you read this, Paramount's two-disc special collector's edition of Star Trek IV: The Voyage Home should be available. While it was never my favorite Star Trek film, the movie does offer some memorable funny-because-they're-true lines. One that I often quote occurs when time-traveling Scotty confronts a 20th-century computer. When he eventually realizes that he'll have to use a horribly outdated keyboard, he quips, "How quaint."
Chris Lewis  |  Mar 18, 2005  | 
It's a speaker system away from an HTIB, with more bang for the buck.

Back in the days before HTIBs, there was another kind of home-theater-in-a-box—better known as an A/V receiver. In this era of consolidation, we probably don't entirely grasp the impact that A/V receivers had when they debuted some 25 years ago. A preamplifier, processor, and amplifier all in one box (literally), with a radio tuner thrown in for good measure, was impressive stuff back in the early '80s. Receivers were the Swiss Army knives of home audio, and they, along with surround sound itself, are probably as responsible as anything for the audio explosion amongst the masses that we now know as home theater.

Chris Lewis  |  Sep 01, 2003  | 
Denon punches their ticket to the universal dance.

When you boil it all down, you realize that most format wars are somewhat ridiculous. Sure, it's fun to get the blood up every few years, and those of us in the A/V press certainly appreciate the opportunity to ramble on about these conflicts' various aspects and ramifications. Format wars ultimately belong in the software section, though, where the most that a wrong decision will cost you is the $20 or $30 that you spent on a disc, tape, or whatever else. When it comes to hardware, format wars can cost people hundreds, if not thousands, of dollars. Ultimately, that's no good for either side, let alone the buying public as a whole. Thanks to universal disc players' rapid emergence, the previously contentious (and occasionally ugly) high-resolution-audio war is now software-based, as it should be. This doesn't mean that the DVD-Audio and SACD camps don't still take shots at one another. Now high-resolution-player buyers have the luxury of either ignoring the conflict altogether or simply enjoying it for what it always should've been, secure in the knowledge that big bucks are no longer on the line. With competition between the various and ever-growing assortment of universal-player makers, capitalism survives, but nobody gets burned. The result should be a boom in universal-player buying over the next couple of years.

Chris Chiarella  |  Mar 22, 2007  |  First Published: Feb 22, 2007  | 
The universe is still expanding.

People seem to love bashing the last great format war—SACD versus DVD-Audio—in which, of course, there was no real winner. My personal opinion has always been a little different. I consider it a unique pleasure to bask in the warm embrace of 5.1 high-resolution channels of some of the best popular music ever. I continue to do this, as I always have, by way of an affordable universal disc player, as one could fairly call it in the days before HD DVD and Blu-ray. I'm glad to see that manufacturers are still supporting the high-resolution audio formats, helping the consumer take advantage of all the great software currently available, much of it heavily discounted in the aftermath of the conflict.

Shane Buettner  |  May 11, 2009  | 
Price: $799 At A Glance: Superb user experience • Widgets! • Big storage with ability to scale higher • Works only with CableCARD • Not compatible with PPV or On-Demand • Can’t order pizza

Pimping Your HD Cable Ride

DISH Network and DIRECTV have poached a lot of cable customers using the allure of their premium HD DVRs. Bigger storage, more robust features, a slick user interface, no cable company to deal with—it’s an easy sell most of the time. But what if you can’t or won’t do the dish and still want an enlightened HD DVR experience from digital cable? Digeo’s answer is the Moxi HD DVR. At its core, the Moxi is a high-end HD DVR that has a 500-gigabyte hard drive with a 75-hour HD capacity and the ability to add a ton of additional storage. On paper, the Moxi would be a compelling device even if this was all there was to it. But its DVR functionality is only the beginning. The Moxi is also a media hub that aggregates content from your home network and the Internet without bringing a full-blown media PC into your living room. Yep. Those newfangled widgets are inside. Let’s take a look.

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