Bookshelf Speaker Reviews

Prestige 15B Speaker System
Performance
Build Quality
Value

Seismic 110 Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Advanced driver designs
Fine-grained, transparent, dynamic playback
Compact but powerful subwoofer
Minus
Boxy, non-curved enclosures

THE VERDICT
Paradigm’s Prestige series speakers and Seismic 110 sub employ unusual driver design to achieve remarkable transparency and punch.

As I sat down to write this review of the Paradigm Prestige speaker system, I couldn’t get a seemingly unrelated subject—the Pono hate—out of my head. No joke, folks: I sat at the keyboard for hours mulling it over. What chance did I have to convince readers that a $6,145 speaker system is worth hearing when a $400 music player is greeted with language like “don’t buy” and “snake oil”?

OK, I know I’m preaching to the converted. You probably wouldn’t be reading Sound & Vision if you weren’t open to the idea that a well-designed speaker system has the power to bring you closer to music. That’s what the Paradigms did for me when I informally played a few recent additions to my high-resolution music library (more on them later). I felt as if a curtain had been lifted and music was in the room with me—not just recorded music, but music.

I review stuff. Manufacturers have a right to be wary of people like me. And, when I ask for a surround receiver, the first thing they ask me is, "What speakers will you be using with it?" I tell them, "Paradigm Reference Studio 20s." The sighs of relief at the other end of the phone line are almost audible. More often than not, I get what I ask for.

Performance
Value
Build Quality

Seeing Red in a New Way

I first became interested in Paradigm speakers on the recommendation of a working musician. He was a trumpeter, and he owned a pair of Paradigm Titans. This was 20 years ago, but even today, the Titan is one of the best budget speakers in captivity. Like all Paradigm speakers, it’s gone through one generation after another, acquiring better drivers and improved parts along the way. I completed the circle by donating my pair of vintage Titans to another musician, who loved them.

Stars and Bars and L-C-R

Two bars walk into a guy. Sorry to be so gender-specific, but that’s generally how these jokes begin. One bar says, “I’ve got 5.1 channels, including fake surround, to add to the grandeur of your studio apartment.” The other bar says, “I’ve got the front three channels of good, honest sound to accompany the luster of your flat-panel TV.” What does the guy say? Frankly, I haven’t got the slightest idea. The interesting thing is that he has a choice.

Little Speakers, Big Sound

As I’ve said so many times that I’ve lost count, I’m an advocate for well-designed satellite/subwoofer sets. They usually save space, and they often bring surround into places where it previously wasn’t welcome. But to make the sat/sub concept work, you need a great sub, one that not only produces low bass, but produces high bass in the place where the sub crosses over to the sats. That’s where most affordable sat/sub sets are deficient—the sats perform well, but integration with the sub falls down on the job. I’m always on the lookout for a sat/sub set with exemplary bass performance and integration.

Speakers needn't be big. Smaller speakers are better candidates for wall-mounting, they're less-visually intrusive on stands, and they're more-harmonious mates for flat-panel displays.

Performance
Build Quality
Value

AT A GLANCE
Plus
Dolby Atmos–enabled monitors
Laser-like focus from coaxial driver array
Minus
Just-average subwoofer performance

THE VERDICT
Andrew Jones’ excellent Atmos-enabled speakers are equally at home in a 5.1-channel footprint as they are transforming surround sound as we know it.

Dolby Atmos bids to change the landscape of surround sound at home. One thing it has already changed is my mind.

I am that 5.1 guy. I’ve spent much of my tech-writing career promoting the standard 5.1-channel speaker configuration and defending it against all comers. This has pitted me against two-channel loyalists who mistakenly believe there is no such thing as a surround audiophile. But I’ve also opposed what I deem to be useless additions to 5.1.