Bookshelf Speaker Reviews

RP-150M Speaker System
Performance
Build Quality
Value

R-110SW Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Titanium-dome tweeters in 90x90 Tractrix horns
Tractrix-shaped rear ports
Wireless sub option
Minus
Sacrifices some warmth for analytic detail
Sub subdued

THE VERDICT
Klipsch’s Reference Premiere achieves high resolution at a low price, though it can be too revealing for some content.

Klipsch is built on concepts so fundamental that they have transcended changes in audio fashion and even ownership. Chief among them is the concept of horn-loading, promulgated by the legendary Paul W. Klipsch (1904–2002) and marketed by him, his family, and their successors. It enables reasonably priced speakers to play louder, and to many listeners sound clearer, with less power. Klipsch speakers also look like no one else’s, thanks to the tangerine/copper color of the woofers, another of the brand’s 20th-century traditions.

Performance
Value
Build Quality

The story of Klipsch is often told, but the storytellers, myself included, typically fail to mention two of the three key principals. Every audiophile has heard of Paul W. Klipsch. He founded the loudspeaker company that bears his name in 1946 and spent several decades patiently perfecting his use of horn-loaded drivers to provide—and here I’ll just quote the Klipsch mantras—high efficiency, low distortion, controlled directivity, and flat frequency response. Paul was also known to take notes during sermons so that he could grill the minister afterward on the fine points of theology.

Reference Theater Pack
Performance
Build Quality
Value

R-8SWi Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Klipsch’s classic horn-loaded sound at a budget price
Minus
Enclosure adds some coloration

THE VERDICT
This redesign of Klipsch’s bestselling sat/sub system makes some compromises from its predecessors—but still produces excellent sound.

Some people are just good at things. People like Rembrandt van Rijn, who could make a painted image gaze into your soul; or Meryl Streep, who can be Anna Wintour one moment and Julia Child the next; or Warren Buffett, who’s been known to make his shareholders a dollar or two; or Billie Holiday, who could sing like Louis Armstrong’s trumpet and fit a lifetime of hard loving into a single phrase.

Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Versatile
Easy to set up
Solid construction
Good sound with powerful bass

Minus
No tone controls

THE VERDICT
The Fives accommodate a variety of audio setups without the need for an outboard amp or receiver and deliver pleasing sound with rich, powerful bass.

I’m all about simplicity so I welcomed The Fives with open arms. A follow-up to The Sixes Klipsch introduced a couple years ago, the new speakers are smaller and take connectivity to the next level with the addition of an ARC (audio return channel)-enabled HDMI port. If I had to pick one word to describe this system, it would be versatile.

AT A GLANCE
Plus
Solid build quality
Handsome fit and finish
Easy setup
Good overall sound quality with bountiful bass
Minus
No Wi-Fi streaming
No tone controls
Disappointing phono preamp

THE VERDICT
Klipsch’s beautifully crafted Sixes deliver fine sound with the bonus of onboard power, but vinyl playback is shortchanged by its pedestrian phono preamp.

I’ve been talking about pulling my old turntable out of mothballs since I moved to my current home, oh…20 years ago. Which is why I jumped at the chance when asked if I had any interest in auditioning The Sixes, the latest entry in Klipsch’s Heritage Wireless series and big brother to The Three, the superb all-in-one wireless music system we reviewed in May. I know what you’re thinking: What does reviewing speakers have to do with setting up a turntable? Bear with me.

Looking for Mr. Goodbar

There’s one basic truth about home theater that I can never repeat often enough: It is the union of big-screen television and surround sound. They do not operate in isolation from each other. Instead, successive waves of video technology have affected the way people think about audio for video.

It's not uncommon for a company to come along and make the claim that they've reinvented the wheel in audio or video. In fact, every year at the Consumer Electronics Show, I chuckle when some yahoo representing one of these companies comes up to me and begins to peddle their wares. Sure, there have been several advancements in audio engineering over the last few decades, but let's face it—no one has truly reinvented the wheel.