Bookshelf Speaker Reviews

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Mark Fleischmann  |  Apr 18, 2013  | 

Aon 2 Speaker System
Performance
Build Quality
Value

ForceField 5 Subwoofer
Performance
Features
Build Quality
Value
Price: $3,000 At A Glance: Broad dispersion • Good power handling • Powerful subwoofer

A review is more interesting when it tells a story. How should the story of the GoldenEar Aon 2 begin? There’s the technology angle: The Aon 2 is among the few speakers on the market with an unusual pleated tweeter design that uses a squeezing motion (as opposed to a piston motion) to generate the changes in air pressure that we hear as sound waves. Because the benefits—wide horizontal dispersion and vivid imaging—are easy to describe, that would be a good way to begin. And then there’s the human interest angle: GoldenEar is the third brand to be cofounded by Baltimore-based loudspeaker impresario Sandy Gross, whose genuine love for audio is balanced by his love for gourmet food, Expressionist canvases, and ancient statuary. The only thing wrong with these angles is that reviewers hither and yon have used them so often in the past. That leaves the musical angle. Here I believe I have a variant that might qualify as an exclusive.

Mark Fleischmann  |  Sep 20, 2011  | 

Performance
Value
Build Quality
Price: $1,750 At A Glance: HVFR folded diaphragm tweeter • Dual woofers in slim enclosure • High sensitivity

There are no second acts in American lives,” F. Scott Fitzgerald gloomily mused. Don’t tell that to Sandy Gross. Having cofounded Polk Audio and Definitive Technology, he has recently formed a third Baltimore-based loudspeaker company called GoldenEar Technology. I’ve asked Gross more than once why he’s launched a third speaker brand when the first two have left him at a pinnacle of material success. He always starts his reply with a broad smile that says it all.

Al Griffin  |  Apr 01, 2020  | 

Performance
Build Quality
Value
PRICE $1,599/pair

AT A GLANCE
Plus
Detailed, dynamic sound
Powerful bass for a bookshelf
Compact form factor
Minus
Requires careful setup and placement for best performance

THE VERDICT
GoldenEar Tech’s compact, passive BRX proves that the company known for powered towers can also make a better bookshelf speaker.

At some point when I reviewed GoldenEar Technology's Triton Reference tower in early 2017, it hit me that the company may have backed itself into a marketing corner with its new offering. After all, how do you push the performance envelope further after developing a "Reference" speaker? The company's agenda, as it turned out, was to scale its $8,500 flagship down in order to deliver variations on the Reference experience.

Mark Fleischmann  |  Sep 07, 2010  | 
Price: $999 At A Glance: Sleek, simple-looking satellites with removable pedestals • Small, sealed sub with 8-inch driver

Undercover Operative

When agents for the federal government’s most secretive intelligence agencies take up their sensitive duties, they are outfitted with trench coats and fedoras so that they can blend in with the general population. That’s what I thought of when I uncrated the Harman Kardon HKTS 30 satellite/subwoofer system. To look at these speakers, you’d hardly suspect that they form a package that retails for just a buck shy of a thousand dollars. The look is strictly utilitarian, like something you’d see packaged with a less costly system. Yet under the metal grilles there lurk some nice silk-dome tweeters. And the speaker terminals aren’t the flimsy plastic-tab wire clips you’ll find in the cheapest speakers. Instead, Harman Kardon opts for a sturdy all-metal terminal, a spring-loaded cylinder of a type often seen in better-quality sat/sub sets. Clearly, there’s more to this system than meets the eye.

Daniel Kumin  |  Oct 15, 2004  | 

No, these aren't HTiB systems - home theaters in a box. You'll need to add more than just a TV to them before you can kick back and enjoy a movie theaterlike experience at home.

Brent Butterworth  |  Mar 26, 2013  | 

Hsu Research ranks high on home theater enthusiasts' "most favored brands" list, largely because of its high-performance, low-priced subwoofers. Indeed, the HB-1 MK2 ($318/pr) seems to be designed primarily as a home theater bruiser: At 15.4 inches high, it's the largest speaker in this roundup, and its 6.5-inch, polypropylene-cone woofer gives it more bass real estate than any but the Axiom M3v3.

Mark Fleischmann  |  Apr 23, 2007  |  First Published: Mar 23, 2007  | 
Trappist ale on a beer budget.

I admired the HSU Research HB-1 horn-loaded loudspeaker when I first heard it at the Home Entertainment Show in Los Angeles in June 2006. Nearby demo rooms were stuffed with megabucks two-channel gear, much of which simply didn't approach the directness of this $125 budget wonder. I blogged my first response, and it's a good thing I still feel that way, because now it's printed right on the HB-1's carton: "This speaker may become the underground bestseller of 2006." Make that 2007. Aside from the year, I stand by my original impression.

Daniel Kumin  |  Mar 31, 2021  | 

Performance
Features
Ergonomics
Value
PRICE $700/pair

AT A GLANCE
Plus
Superbly accurate tonal balance
Remarkable bass extension
Highly adaptable onboard EQ options
Onboard auto room correction
Minus
Finite output may not suit far-field listening
No auto on/off
No built-in sub integration option

THE VERDICT
IK Multimedia’s powered monitor is a great desktop audio option, and it also delivers sufficient output for far-field listening in small-size rooms.

With few of us straying far from home these days, or from our computer with its constant stream of information, entertainment, hope, and fear, desktop audio is having a moment.

For this reason, many are discovering a need for some- thing better than the crappy 2.1-channel "computer speaker" systems we bought back in the early 'aughts. What we need is an ultra-compact active monitor—like IK Multimedia's iLoud MTM.

Mark Fleischmann  |  Nov 07, 2004  |  First Published: Nov 01, 2004  | 
Infinity's CAI: constant acoustic improvements.
Daniel Kumin  |  Jul 26, 2004  | 

Back in hi-fi's golden age, there used to be hot debates over "East Coast" vs. "West Coast" sound - no doubt a tame forerunner of the hip-hop wars of the '90s. East Coast speakers were thought to be smooth and mellow, with "concert-hall" sound best suited to classical music and jazz.

Mark Fleischmann  |  Sep 14, 2006  | 
Flat and fit.

How would you feel if you woke up one day in a perfect body? You'd pull back the blanket and look down on a perfectly flat tummy (something I haven't seen in years, although heaven knows I'm trying). Combination skin is a thing of the past—you seem to have been remade in some wonderful material. Eager to check yourself out in a mirror, you cross the room to find yourself resculpted in new and slimmer proportions. And, when you open your mouth, depending on your gender, you have either the purest soprano or the noblest baritone. In fact, you have both. I think this metaphor may be getting a bit perverse.

Mark Fleischmann  |  Jan 13, 2015  | 

Infinity Reference R162 Speaker System
Performance
Build Quality
Value

Infinity Reference SUB R12 Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,100

AT A GLANCE
Plus
Detailed high frequencies
Proprietary drivers
Curved enclosure
Minus
Can be too revealing
More finishes needed

THE VERDICT
The new Infinity Reference series has superb top-end transient detail and a commendably subtle sub, turning even familiar material into a fresh experience.

“Attention to detail.” That was my mantra when I hired and trained people to write product descriptions for an e-commerce site. It’s a pretty good rule to live by in general, and I try my imperfect best to practice it myself, both personally and professionally. It came back to me when I pulled the grille off the Infinity R162, part of the big brand’s new Reference series. When I saw a tweeter waveguide unlike any I’d previously seen, I knew I was communing with a kindred spirit, a lover of detail—though one with access to far greater resources than I command as a mere reviewer. Infinity’s parent corporation, Harman International Industries, has the kind of facilities and personnel that many speaker companies can only dream of. Harman pays a whole lot of talented people to attend to detail.

Adrienne Maxwell  |  Feb 01, 2004  | 
The TSS-750 speaker system adds a new chapter to the entry-level guidebook.

Ah, the life of an audio reviewer is a glamorous one indeed. Lugging around speakers and subwoofers. Continually connecting systems, checking levels, tweaking placement, checking levels again, yada yada yada. Spending hours sitting in a room listening to movie and music tracks that you've watched and listened to so many times, your brain is suffering from burn-in. Yep, with all of this glamour, it might come as a surprise for you to learn that even we audio reviewers fall into the dreaded rut now and then.

Mark Fleischmann  |  Jan 18, 2008  |  First Published: Dec 18, 2007  | 
Harman conjugates their contours.

Like a master linguist conjugating a verb, Harman International has a way of reusing original ideas to good advantage in different settings. So, it's not exactly a surprise to find a family resemblance between Infinity's high-end Cascade speaker line, circa 2006, and the TSS-800 set, circa 2007. They share a unique extruded-aluminum form that's tapered at both the top and bottom, for starters.

Chris Lewis  |  Aug 30, 2005  |  First Published: Aug 31, 2005  | 
The international systems tour rolls on.

You may recall that I've usually tried to dip into the historical well when introducing the many international audio systems that we've reviewed lately. This at least spares you from yet another opening paragraph of worn-out exaggerations about paradigm shifts and in-your-face phrases like "in your face." I'm somewhat stumped here, though. The Japanese and English seem to have avoided pairing up, or squaring off (directly, at least), in any high-profile military conflicts. There have really been no economic or cultural wars between them. I can't even find a case where they've faced off in a major sporting event. But one place they have gotten together often is in the listening room—and I suppose that is what we're here for, after all.

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