Bookshelf Speaker Reviews

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Mark Fleischmann  |  May 04, 2008  | 
Let’s face it: The French have a better shape.

To Americans accustomed to seeing other Americans waddling through shopping malls—and let me be the first to admit I’ve been doing a fair amount of waddling myself lately—the streets of Paris come as a pleasant shock. How do people who feast on duck liver and red wine stay so lean and sexy? Perhaps that eternal mystery springs from the same source as Cabasse’s fashionably thin Artis Baltic Evolution tower loudspeaker. Like one of Frank Lloyd Wright’s amazing cantilevered houses, it seems to defy gravity, the sphere holding its coaxial driver array floating on a skinny diagonal slash of solid wood. I suspect that the people who designed the speaker sat down to an excellent dinner afterward.

Gary Altunian  |  Jan 18, 2008  |  First Published: Dec 18, 2007  | 
Sleek style and sound.

"The only thing constant is change" is a corollary that surely applies to consumer electronics, as new technologies and products are regularly brought to market. Loudspeakers are no exception; however, it seems as though some speaker designs remain timeless. A good example is coaxial speakers that have passed the test of time because they work. The French manufacturer Cabasse produces an entire line of speakers built around the coaxial design, and their latest offering is the Eole 5.1-channel speaker system.

Mark Fleischmann  |  Apr 18, 2014  | 

Aero 2 Speaker System
Performance
Build Quality
Value

Aero 9 Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,446

AT A GLANCE
Plus
Flat BMR in lieu of tweeter
Clear sonic window into the midrange
Unusual dual-mono/bipole surrounds
Affordable price
Minus
Boxy vinyl-wrap enclosures

THE VERDICT
Cambridge Audio’s Aero reinvents the two-way loudspeaker in midrange-friendly fashion with excellent performance and value.

What if you needed two throats to speak? Sounds a bit cumbersome, right? But that’s how a two-way loudspeaker usually treats the human voice. Its drivers divide the midrange frequencies where the voice resides into two parts, sending higher frequencies to the tweeter and lower frequencies to the woofer. While the crossover varies from speaker to speaker, the frequencies that handle the voice usually get split right in the region where human ears are most sensitive to vocal timbre.

Of course, good speaker designers routinely surmount this obstacle to natural vocal sound, either by carefully tweaking their two-way designs or by going to three-way designs that dedicate a separate driver to midrange reproduction. But the three-way approach adds two more crossover sections, potentially leading to other troubled areas of reproduction.

Mark Fleischmann  |  Jun 06, 2011  | 

Performance
Value
Build Quality
Price: $850 (updated V2 system)
At A Glance: Single-cube speaker with full-range driver • Polymer and extruded-aluminum enclosure • Wireless option

Surround Cubed

The cube speaker at the heart of Cambridge Audio’s Minx satellite/subwoofer set has become an enduring form factor for people who don’t like loudspeakers. Of course, in their zeal to get speakers off the floor, some speaker-haters poke holes in their walls for in-walls. But not everyone is willing to go to that extreme. And while in-wall and on-wall speakers have no footprint, they do have what you might call a wallprint. For folks who don’t like speakers, don’t like holes in their walls, and don’t like wallprints, but do like movies and music, the cube speaker—something the size of a Girl Scout’s fist—shapes up as the least invasive solution.

Mark Fleischmann  |  Apr 19, 2013  | 

Minx S325v2 Speaker System
Performance
Build Quality
Value
X300 Subwoofer
Performance
Features
Build Quality
Value
Price: $1,449 At A Glance: Second-gen high-end compact satellites • Mix of flat and cone drivers • Incredible dispersion

Compact cube speakers are an intriguing subset of the satellite/subwoofer speaker genre. Though not invariably high performers, cubes have achieved iconic status, and some manufacturers have made a fortune marketing them to folks whose significant others look at the diminutive geometric forms and say, “Bingo. That’s what I want your speakers to look like. Now get those big tombstones out of our den.”

Cambridge Audio has tapped into the cube mystique with its Minx sat/sub sets. In fact, the Minx has done so well that it is now a separate division of the company. Part of the Minx suc- cess story is, believe it or not, performance. The first-generation Min 10 (single cube) and Min 20 (double cube) earned rave reviews all over the place, and the single- cube version found a coveted perch on our Top Picks list.

Daniel Kumin  |  Jul 02, 2006  | 

Old joke: Heaven is the place where the police are British, the cooks are French, the lovers Italian, bureaucrats Swiss, and the engineers German. Hell is the place where the cooks are British, the engineers Italian, bureaucrats French, lovers Swiss, and the police German.

Mark Fleischmann  |  Dec 07, 2009  | 
Price: $5,550 At A Glance: Distinctive round-edged Cantons are easy to live with • Monitors deliver superb all-around performance • Adjustable sub delivers deep bass without bloat

Brilliant at Making Things

Last year I spent my vacation in Munich, Stuttgart, and Nuremberg. Afterward I sent e-mails and pictures to friends, raving about Germany’s high-speed trains and pedestrianized shopping districts. One friend wrote back and said that I made him sad because I spent all that time in Munich without visiting BMW, and in Stuttgart without visiting Mercedes-Benz. Let’s face it, the Germans are brilliant at making things: cities, cars, trains, eyewear, clothing, sausages, and beer—all the little things that enhance our quality of life. Wouldn’t you like your loudspeakers to measure up to that standard?

Mark Fleischmann  |  Jul 16, 2007  |  First Published: Jun 16, 2007  | 
Fussy in the front; pragmatic in the back.

Three identical stand-mounted speakers in front, two on-wall speakers in back—that's the unusual configuration I used in this review of the Canton GLE Series. Now I've got some explaining to do.

Steve Guttenberg  |  Oct 24, 2006  |  First Published: Oct 25, 2006  | 
The little system that could.

Some guys fantasize about winning the Mega Millions Lottery and driving into the sunset in a $1.25-million Bugatti Veyron 16.4 supercar. Or maybe a giddy winner would fork over heaps of cash for an ultimate home theater. The market for ultrahigh-end exotica is surging, but, while I'm waiting for my big payday, I thought I'd come back down to earth and have some fun with one of Onkyo's most reasonably priced audio/video receivers, the TX-SR504 ($300), partnered with Canton's sleek Movie CD 201 speaker system ($1,999). Budgetary constraints be damned, the little system still had to sound great in my home theater and deliver the goods in a cozy bedroom, office, or den.

Mark Fleischmann  |  Sep 01, 2003  | 
Speaker System Small sats, a big sub, and visions of hops and sausages.

My sociological spiel about the French in my JMlab Digital Home Cinema System review (April 2003) inadvertently hit newsstands around the start of the war with Iraq, so I'll limit my wantonly idiotic cultural commentary on the Germans to food and drink references. Have you ever tried their smoked beer? I'm not joking. It's called Rauchbier, and it's delicious. I should note that, although my byline is German, my ethnic makeup is German, English, Scots, and Irish, and they all make good beer. My oft-misspelled name literally translates as "meat man" (no jokes, please), and my great-grandfather was the last in a long line of sausage-makers. After he emigrated from Germany, he continued to practice his craft in New Jersey. According to my father, his sausages were so rich that you had to wash them down with a quart of milk.

Brent Butterworth  |  Mar 26, 2013  | 

For decades, the minispeaker has been a touchstone for audio enthusiasts. Because you can get a respectable pair of minis for a few hundred dollars, the mini is where most audiophiles start their journey into sound.

Mark Fleischmann  |  Nov 15, 2007  |  First Published: Oct 15, 2007  | 
Tie a rectangular ribbon.

Tweeter is the name of a speaker driver, an audio retail chain, and a Warner Brothers cartoon character. No, wait, that would be Tweety Bird. However whimsical the name may sound, the tweeter plays a crucial role in speaker design. An average one delivers not only high frequencies, as the chirpy name suggests, but also a significant share of the upper midrange. It's possible to design a loudspeaker without a tweeter. But most speakers depend on their tweeters to deliver harmonics, detail, airiness, and all frequencies above the crossover to the lower drivers.

Daniel Kumin  |  Dec 04, 2019  | 

Speakers
Performance
Build Quality
Value

Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,546 (as tested)

AT A GLANCE
Plus
Balanced sound with effortless treble
Solid bass extension
Impressive performance from compact subwoofer
Minus
Center speaker can sound slightly chesty when listening off-axis

THE VERDICT
DALI joins the pantheon of excellent compact, affordable 5.1 speaker packages with this system based around the overachieving Oberon 1.

Over the past 25 years, the Danish Audiophile Loudspeaker Industries company has grown from a small and relatively obscure maker (in the U.S. market, at least) to a much more major player in the world's crowded loudspeaker arena. The Danes' latest move toward the broader marketplace is the Oberon series, an affordable range consisting of two towers, two bookshelf/standmount models, one on-wall, and one center- channel—all two-way, vented- enclosure designs.

Mark Fleischmann  |  Jul 29, 2015  | 

B652-AIR Speaker System
Performance
Build Quality
Value

SUB-1000 Subwoofer
Performance
Features
Build Quality
Value
PRICE $299 as reviewed

AT A GLANCE
Plus
Super affordable
Pleated-diaphragm tweeter
Cinema-friendly voicing
Excellent finish quality
Minus
Lively cabinets
Wire-clip speaker terminals

THE VERDICT
If you want a home theater system and you want it now, these speakers will suit a draconian budget. Let a thousand starter systems bloom.

Late last year, a Florida man walked into Starbucks and ordered a Grande Latte with 99 extra shots of espresso and 17 pumps of vanilla syrup, mocha, and matcha powder. His tab was $83.75—more than a pair of Dayton Audio B652-AIR speakers. He was a big spender, of course, but if you ordered, say, a White Chocolate Mocha every day for two weeks at $4.65 per cup, you’d still spend more than the price per pair of these speakers.

Mark Fleischmann  |  Nov 15, 2007  | 
A budget sub/sat set for the divinely inclined.

Nowhere is the universal human desire to get something for nothing more evident than in consumer electronics. While I'm always amenable to reviewing mass-market gear that offers high value to the consumer, I also spend a large portion of my time convincing more discerning listeners that an investment in higher-priced gear is really worth it. Why, then, would I work up a froth of enthusiasm for a modest subwoofer/satellite set like the DCM Cinema2? It would be convenient simply to say that I heard it and liked it, but the truth doesn't always lend itself to a glib lead.

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