Bookshelf Speaker Reviews

It seemed that audio companies had surrendered the home-theater-in-a-box concept to the TV manufacturers.

The odds of finding a horse for $3,000 that will win the Kentucky Derby are about as good as they are of me hitting the Pick 6 at Santa Anita Race Track—in other words, it ain't gonna happen (although, in the case of the latter, it won't be for lack of trying). Even Seattle Slew, one of the great bargains in horse-racing history, carried an initial price tag of $17,500.

The emergence of the soundbar audio genre can be traced to two trends: 1) consumers’ desire to buy slender, space-saving speaker systems to match their slender, space-saving flat-panel HDTVs; and 2) consumers’ hatred of running speaker wire around the room. Studies show that people either leave their surrounds at the front of the room, which wreaks havoc with the soundstage, or they simply don’t hook them up at all, which is just a shame. To address the former, speaker companies began to incorporate the front three channels of a 5.1-channel system into one slender bar you could place above or below your TV. To address the latter, they took it one step further, putting all five channels into a single bar and using acoustic manipulation to create a sense of surround envelopment. It seems like every major speaker manufacturer is now jumping on the soundbar bandwagon, but does the technology really work? Can one speaker honestly re-create a 5.1-channel soundfield, and what kind of sacrifices must be made to do so? To find out, we brought in the latest soundbar models from Philips, Marantz, Yamaha, Denon, and Polk.

Performance
Build Quality
Value

AT A GLANCE
Plus
Tight, crisp bass
Detailed, dynamic sound
Price
Minus
Looks suffer with grilles removed
Needs a subwoofer for bass-heavy films
Vintage style might not appeal to all

THE VERDICT
It might not be at its best in a large room without a subwoofer or two, but the dynamic, open, and detailed sound of the KLH Model 3s can otherwise equal or exceed the performance of many far more expensive loudspeakers.

In the early 1950s Edgar Villchur, Henry Kloss, Malcolm S. Low, and Josef Anton Hofmann founded the Acoustic Research and Development Corporation. Of the four founders, Henry Kloss may be the name best recognized by audiophiles with a bit of mileage on their wheels. Kloss later left AR (along with Low and Hoffman) and founded KLH. Kloss later founded two other loudspeaker companies, Advent and Cambridge Audio.

InRoom Bronze LR-H Speaker System
Performance
Build Quality
Value

InWall Bronze/4 SlimSub
Performance
Build Quality
Value

AT A GLANCE
Plus
Dolby Atmos enabled
Natural, open character
Superb match with InWall Bronze/4 SlimSub
Minus
Atmos operation limits use in cabinets or behind a screen

THE VERDICT
Awesome for Atmos and awesome at most everything else.

Nine out of 11.4 people (approximately) reading this report are thinking, “Who the hell is Triad?” (Hopefully, fewer folks are asking, “What the hell is Atmos?” If you’re one of them, hang in there. I’ll get to Atmos in a bit.) To answer the original question, Triad is a Swiss Army Knife-like manufacturer of custom-installed speakers. That is, regardless of the particular application, Triad has a blade—er, speaker—designed and built for it (in the U.S. of A., by the way). You need in-room, in-ceiling, or in-wall speakers? Check. Invisible in-wall speakers? Ditto. OK, what kind of subwoofer do you want? The standard in-room or an in-wall design? Yes and yes. (Yawn.) Why not try something a little less common, like one of Triad’s on-wall, in-cabinet, or in-ceiling subwoofers? Then there’s Triad’s esoteric and rather sinister-looking FlexSub, which includes an expandable, flexible tube that channels the bass output from the hidden subwoofer cabinet to a remotely located grate or grille.