Tower Speaker Reviews

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Darryl Wilkinson  |  Feb 12, 2013  | 

MartinLogan Motion 40 Speaker System
Performance
Build Quality
Value
 

Dynamo 1000 Subwoofer
Performance
Features
Build Quality
Value
Price: $4,550 (updated 3/10/15)
At A Glance: Folded Motion tweeters • Dual 6.5-inch aluminum cone woofers • Custom five-way bi-wire tool-less binding posts

A couple of years ago, I took a tour of the Ben & Jerry’s ice cream factory in Waterbury, Vermont. Whilst there, I heard the tour guide refer to Ben & Jerry’s ice cream as super-premium. I was intrigued because: 1) I’m thinking about using it as a nickname for myself; 2) I’d never heard the term used in reference to ice cream before; and 3) I wondered if there were additional levels of premium-ness. (Ultra-super premium? Super-duper premium? Maximum-ultra-super-duper premium?) I was disappointed to discover that, although the FDA sets standards for the use of nutrient descriptors. Less air and more butter fat promotes higher premium-ness—all the way up, I assume, to the heart-valve-clogging, airless, 100-percent pure, frozen-block-of-butter-fat variety.

In the case of loudspeakers, it’s the opposite. More air and less fat—no one likes tubby bass—results in super-smooth, premium sound.

Michael Trei  |  Apr 15, 2020  | 

Speakers
Performance
Build Quality
Value

Subwoofer
Performance
Features
Build Quality
Value
PRICE $8,000 (as tested)

AT A GLANCE
Plus
Refined sound
Powerful, feature-rich subwoofer
Minus
Tweeter on 60XTi tower sits high off the ground
60XTi tower requires careful placement

THE VERDICT
Upgrades in style and performance take MartinLogan's Motion series speakers to the next level, while its Dynamo 1600X subwoofer is a feature-packed beast.

Ask a car guy to identify any classic American car from the 1950s or 1960s, and most would be able to pin it down to the exact year of production. Back then, the auto companies would change up styling every year, even if the mechanical stuff under the sheet metal remained essentially unchanged. The problem with that approach is that tooling up to build new models every year gets really expensive, so these days most cars have a life cycle of a few years before an all-new generation is introduced. To keep these longer-lasting designs looking fresh, at some point in the life cycle they'll give the car what's known as a facelift, replacing a few key parts like the grille, taillights, and trim to lend it a new look.

Michael Trei  |  Oct 22, 2015  | 

Motion 60XT Speaker System
Performance
Build Quality
Value

Dynamo 1500X Subwoofer
Performance
Features
Build Quality
Value
PRICE $6,695 as reviewed

AT A GLANCE
Plus
Powerful, punchy sound
Excellent sonic match among speakers
Fine upper-octave detail
Minus
Clunky interface for Perfect Bass Kit
Marketing not withstanding, they can’t image like ML’s dipole speakers

THE VERDICT
While they don’t have much in common with MartinLogan’s electrostatic offerings, the Motion XT speakers let you keep a foot in both the music and home theater camps with little compromise.

Coming up with a good slogan for your company can be tricky. You want something that tells people what you do, but you don’t want it to tie your hands as the company evolves. For years, Burger King ran commercials using the catchphrase “Have It Your Way,” but they had to drop it when they wanted to reduce the bottlenecks being caused at restaurant counters by custom orders. Now they’re back to being the “Home of the Whopper.” Of course, you could simply ignore the historical inaccuracy of your catchphrase, as the H.J. Heinz Company has done; after all, they probably have 5,700 varieties today, not just 57.

Jim Wilson  |  Jun 08, 2023  | 

Motion Speakers
Performance
Build Quality
Value
BalancedForce 210 Subwoofer
Performance
Features
Build Quality
Value
PRICE $9,194 (as tested)
Motion F20 $1,749 (each)
Motion C10 $999 (each)
MotionB10 $599 (each)
BalancedForce 210 $3,499

AT A GLANCE
Plus
Incredible mids and highs
Elegant appearance
Exceptional build quality

Minus
Not inexpensive
Perfect Bass Kit not included with sub
MAP (Manufacturers Advertised Pricing) enforced

THE VERDICT
MartinLogan blends exquisite detail with razor-sharp imaging and rich bass, then combines those elements into stylish enclosures. The Motion speakers and BalancedForce subwoofer provide a very compelling option for the serious audiophile.

MartinLogan, you know the name. They've been around since 1983 so pretty much everyone has heard of them. Renowned for its statement electrostatic speakers, the company also offers a full line of traditional cabinet speakers, subwoofers, wireless systems, architectural speakers, soundbars, even discrete outdoor systems.

Jerry Kindela  |  Dec 27, 2000  |  First Published: Dec 28, 2000  | 
The MartinLogan hybrid electrostatic speaker system delivers a distinctive aural panorama that throws you into the movies.

A core tenet of stellar home theater reproduction calls for a system's ability to re-create infrasonic bass—the kind that drops so low that you no longer hear it, but you can feel it throughout the length of your alimentary canal. The kind of bass that threatens to shatter your gallstones. Of course, getting this kind of gut-whomping bass is relatively easy today, depending on your room's resonance nodes and the amount of greenbacks you can muster for the purchase of a foundation-rattling subwoofer.

Steve Guttenberg  |  Sep 18, 2004  |  First Published: Sep 01, 2004  | 
They're cool—really cool!

MB Quart's new Vera Series speakers have redefined cool. They're cool-sounding, for sure, but I also mean cool, as in low-temperature cool. Heat, you see, is the enemy of good sound. When you're rocking with Aerosmith's ballistic blues bash Honkin' on Bobo or crankin' Master and Commander, your speakers' voice-coil temperatures shoot up. In extreme cases, they can heat up to 300 degrees Fahrenheit. The excessive temperature does bad, bad things; it can raise the voice coils' resistance by as much as 25 percent. Distortion creeps up, dynamics flatten out, and transient response goes to hell. Worse yet, sustained overheating can lead to driver meltdown. Ouch!

Michael Fremer  |  Dec 10, 2007  | 
Back when surround sound meant Dolby Pro-Logic, most informed enthusiasts preferred dipole or bipole surround speakers. Since Pro-Logic was an analog matrix system that derived four channels from two, resulting in a monophonic surround channel, the idea was to create as diffuse a surround sound field as possible to avoid "localizing" the position of the speakers and to prevent the creation of a "phantom" center channel for those sitting midway between the surrounds.
Michael Fremer  |  Dec 10, 2007  | 
Back when surround sound meant Dolby Pro-Logic, most informed enthusiasts preferred dipole or bipole surround speakers. Since Pro-Logic was an analog matrix system that derived four channels from two, resulting in a monophonic surround channel, the idea was to create as diffuse a surround sound field as possible to avoid "localizing" the position of the speakers and to prevent the creation of a "phantom" center channel for those sitting midway between the surrounds.
Chris Lewis  |  May 01, 2005  |  First Published: May 17, 2005  | 
Turn on, tune in, strap down. I was standing in an area of last year's Home Entertainment Show in New York that had no demonstration rooms anywhere nearby. It started with a boom and a rumble, like the gathering of a distant but powerful storm. It wasn't enough to shake me yet, but it was enough to grab my attention. Then came another boom, another rumble, and enough curiosity that I felt compelled to find a tactful way out of my conversation and make my way toward this growing intensity. Not only could I feel the floor moving under my feet as I got closer, but I even started to believe I was seeing Sheetrock flakes on the floor, steadily gathering into a distinct trail. Soon enough, the rattling of the walls, the low-frequency energy waves hammering my senses, and the shaken but excited looks of people coming the other way told me I had arrived. MiCon Audio, the door announced. Curious, I thought—or tried to think, before another sortie ripped out from inside—and a belief that the door might literally be blown off its hinges began to monopolize my thoughts. Finally, the door opened, and the answer to all of the riddles awaited me inside—but, for that, you'll have to read on.
Geoffrey Morrison  |  Jan 01, 2003  |  First Published: Jan 02, 2003  | 
M&K's latest delicacy brings out the sweetness in a film soundtrack.

Am I the only one who finds it strange that the maple tree and maple syrup are two very different colors? I bet I am. Ketchup and tomatoes are the same color, and most jellies and jams are the same color as the fruit they're made from. Mustard looks like…the mustard plant? OK, forget that last one.

Mark Fleischmann  |  Nov 15, 2007  |  First Published: Oct 15, 2007  | 
Surround that stretches for miles.

Although they're now owned by Klipsch, Mirage continues to follow their own ears. The Toronto-based company's name derives from a key design goal—to make speakers so immersive that the listener forgets the product is in the room. In addition to a goal, Mirage also has a method: to favor more omnidirectional sound over direct sound using an unusual reflector assembly built into the top of the speaker, creating a spacious feeling that is the company's sonic signature.

Thomas J. Norton  |  Jun 10, 2007  | 

Omnidirectional speakers have an uneven history in the audio marketplace. They've always been few in number, but persist because a few designers believe in their unique capabilities. Whether or not you accept the validity of their theory of operation, they do offer a perspective on reproduced sound different than that provided by conventional, forward-radiating designs. Among other things, they almost invariably sound bigger and more spacious than their physical size suggests. For more on the background of omni speakers, go <A HREF=" http://www.ultimateavmag.com/images/newsletter/206uav.html ">here</A>.

Thomas J. Norton  |  Feb 08, 2004  | 

Until the introduction of the Mirage M-1 a decade or so ago, all audiophiles knew what dipolar radiation meant. It was an inherent characteristic of flat, planar, enclosure-free speakers in which the rear radiation was 180&#176; out of phase with the front, producing a null at the sides. This null made the spacing from the sidewalls less critical. Beyond this, open-baffle dipole designs attracted a strong following for their unique spatial characteristics and a sound free of cabinet colorations.

Mark Fleischmann  |  May 15, 2006  | 
Sometimes it's better to be indirect.

Mirage has been, ahem, reflecting on the influence of room acoustics for nearly two decades. In the process, this distinguished Canadian speaker maker has birthed some unorthodox designs. The common thread running through all of them is a determination to make room reflections work for loudspeakers rather than against them. That determination bears fruit in the second-generation Omnisat series.

Thomas J. Norton  |  Jan 20, 2021  | 

Speakers
Performance
Build Quality
Value

Subwoofer
Performance
Features
Build Quality
Value
PRICE (as tested): $4,010

AT A GLANCE
Plus
Affordable price
Detailed overall sound
Good envelopment with Atmos soundtracks
Minus
Towers have limited deep bass
Ordinary cosmetics

THE VERDICT
Monitor Audio's Bronze 6G system is a remarkable testament to how much speaker you can get today for a reasonable price.

Britain-based Monitor Audio offers a wide range of loudspeakers at prices spanning from the bargain basement up to the penthouse that are cleverly named for a variety of metals: Platinum, Gold, Silver, Bronze. The company must have run out of suitable metallic names when its Monitor series was introduced a few years ago— Steel or Aluminum (or Aluminium!) clearly wouldn't do. But while that budget-priced series represents the entry point to the Monitor Audio's offerings, our saga here covers the next step up: Bronze 6G, the sixth generation of the Bronze line.

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