Tower Speaker Reviews

The seeds were planted at CES this past January in Las Vegas. I was ushered directly to the SSS, the Sweet Spot Seat (middle chair, second row) in GoldenEar Technology’s private suite at The Venetian. GoldenEar’s major audio domo, Sandy Gross, had been waiting patiently for my arrival so I could hear the company’s new speaker pair, the Triton Seven towers.

I've been reviewing speakers for a long time. I'm not saying my ears are any better than yours, but they're trained. Give me that much credit. I can wax rhapsodic paragraphs ad nauseam on why the latest multi-thousand dollar speaker can bring you closer to your music and movies. If you can afford them, great! But if you can't, it's not the end of the line. A more than decent system can be built around five mid-priced speakers, like the Polk LSi-9 ($500/ea), plus a good sub. But <i>really</i> inexpensive speakers? Well, that's always been a big challenge &ndash; until now that is.

Who do you think benefits most from corporate investments in technological research and development: so-called "early adopters" or average consumers? After I reviewed Infinity's top-of-the-line, high-performance Prelude MTS speakers a few years ago for <I>Stereophile</I> (Joel Brinkley reviewed the 5.1 version in <I>The Stereophile Guide to Home Theater</I>), I would have concluded "early adopters." But after spending a few months with the relatively inexpensive Beta ensemble, which is based on the driver technology developed for the Prelude MTS, I think mainstream consumers gain the most and they get it at near Wal-Mart prices.

Curves Ahead

Where ideas are concerned,” the late George Carlin said, “America can be counted on to do one of two things: take a good idea and run it completely into the ground or take a bad idea and run it completely into the ground.” Many loudspeaker manufacturers tend to follow one of these two trains of thought, with results that range from staid to disheartening. But there is a third path, the one that Infinity Systems follows, and it will take more than a sentence to summarize, period, enter, tab.

When it comes to expectations, setting the bar high can be a double-edged sword. On the one hand, you can't establish credibility or customer loyalty without coming through time and time again. On the other hand, the higher you set the bar, the easier it is to go down rather than up. Infinity quickly comes to my mind as one of the companies that isn't afraid of this challenge, whether it be with a $500 speaker or a $5,000 speaker. No reviewer can ever predict how tuned his ear will be to a particular set of speakers, or even a brand. However, with Infinity, you can count on getting a well-designed, well-built speaker from a company that has the right priorities in mind. Some speaker manufacturers get it, and some don't. Infinity is clearly one that does.

Performance
Build Quality
Value

AT A GLANCE
Plus
Realistic soundstage
Wide sweet spot
Easily play loud, deep
Adjustable tweeters

Minus
Power hungry for a big speaker
Expensive
Require stands

THE VERDICT
These powerful and precise JBLs made everything I listened to through a pair sound fresh and vital. The 1970s studio monitor styling may not suit everyone'staste, but the mesmerizing sound they produce is sure to captivate any music lover's imagination.

When it comes to speakers, I've learned not to judge a design by its looks. But when you first meet a JBL 4349, it's impossible not to start thinking about the company's professional studio monitors. The prominent horn, with its curved and bulging shape, takes center stage...