Ears On

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Mark Fleischmann  |  Jan 31, 2007  | 
Google-owned YouTube flunked its first test as a copyright-compliant media company. The Financial Times reported a month ago that a "content identification system" promised for the end of 2006 has failed to materialize. GooTube had been promising the tool to large copyright owners as a first step in converting its often dubious legal status into something sustainable. Instead, Google will be forced to go on making piecemeal deals with whoever threatens to sue. Is GooTube intentionally dragging its feet to prevent a catastrophic exodus from its user base? With hungry and well-funded players like AOL Video charging into the arena, GooTube may be playing for time. For my own part, I spend an impressive chunk of downtime with my armchair pulled up in front of the PC, watching amazing concert videos on YouTube that aren't available on DVD. The future belongs to whoever can deliver that experience while staying on the right side of the law, hitting the sweet spot between legality and comprehensiveness.
Mark Fleischmann  |  Jul 24, 2006  | 
Gracenote, the leading music metadata provider—for the iPod, no less—has cut a deal with music publishers to deliver lyrics in digital form. The company says possible applications include digital music retailers, mobile providers, search engines, music portals, and of course music players and servers. The prospect of seeing the words to a song scrolling down your MP3 player screen is an appealing and timely one. Once listeners could read lyrics in giant LP gatefolds or CD booklets. But even in the heyday of those formats, that wasn't always a given, and in the age of downloads, lyrics have been relegated to unauthorized websites (which may soon see a crackdown). So Gracenote's move is progress. But in a music industry where artists don't always get their fair share, how much can a songwriter expect to get paid if her lyrics are licensed as a new product? Emails on this subject to Gracenote and Gracenote's publicist went unanswered.
Mark Fleischmann  |  Feb 04, 2017  | 
2016 was a brutal year for rock fans and especially for progressive-rock fans. We didn't lose just Prince and Bowie. We lost Keith Emerson's keyboards, and in the final month of the year, the extraordinary voice, not to mention the bass and guitar, of Greg Lake. The year before we lost Chris Squire's Rickenbacker bass. If you recall my ELP in 5.1 review and Keith Emerson tribute, you might be a little tired of hearing about the keyboard-based power trio that was one of my boyhood heroes. But I can't let Greg Lake's death at age 69 pass unremarked.

Mark Fleischmann  |  Apr 06, 2006  | 
If you thought your PC security problems began and ended with those Sony rootkit CDs, think again. The watchdog organization stopbadware.org has issued a warning about the file-sharing service Kazaa: "We find that Kazaa is badware because it misleadingly advertises itself as spywarefree, does not completely remove all components during the uninstall process, interferes with computer use, and makes undisclosed modifications to other software." The group issued similar warnings about MediaPipe, a movie download program; Waterfalls 3, a screen saver; and even SpyAxe, which ironically enough bills itself as an anti-spyware program. Stopbadware.org is led by heavy hitters from the Harvard Law School and the Oxford Internet Institute with support from Google, Lenovo, and Sun Microsystems.
Mark Fleischmann  |  Aug 07, 2015  | 
Most receivers have seven amp channels. I've just reviewed several of them in a row: the Onkyo TX-NR545, Pioneer VSX-1130, and Sony STR-DN1060. Our October issue will collect them in a roundup, with a review of the Denon AVR-X1200W following in November. All list for $600 and include Dolby Atmos height-enriched surround in a 5.1.2-channel configuration. That is a couple of height channels short of the 5.1.4 configuration Dolby Labs recommends for Atmos in the home. And that in turn prompts an uncomfortable question: Is the seven-channel receiver obsolete?

Mark Fleischmann  |  Feb 08, 2006  | 
The maker of the world's coolest LCD TVs is now offering high-def-capable versions in screen sizes up to 42 inches. My favorite of the eight new design series is the 32-inch HANNSvibe ($1299), pictured here with its detachable speakers. HANNspree is also moving into plasma with the 50-inch HANNSskate ($4199). All big-screen models have ATSC and QAM tuners for reception of over-the-air and unencrypted cable channels. Also new from HANNspree are the G IT line of computer monitors from 15 to 23 inches, the seven-inch car-mount HANNSMobi with built-in DVD player, and the HANNSvidilink, a wireless 802.11a video transmitter and receiver that works at distances up to 300 feet. And the company is adding four Warner Bros. cartoon designs (including Bugs) to its Disney, NBA, and MLB series. The only thing the company isn't marketing is a TV based on my image and I expect to see that any day now.
Mark Fleischmann  |  Oct 05, 2012  | 
As I wandered around the floor at the recent CEDIA Expo in Indianapolis, a theme emerged. By some remarkable coincidence, three different loudspeaker manufacturers were showing special models to celebrate multiple-decade anniversaries. The brands—Paradigm, KEF, and Wharfedale—continue to be formidable ones. They have been making some of the world's best speakers for a long time, and these anniversary products are worth celebrating. They all include monitors, which are right up my alley: My reference system is based on monitors. Unfortunately, most of these models (except KEF) will be made only in limited quantities. Moreover, they are sold only per pair, so if you want to use them in a 5.1 or other odd-numbered surround configuration, an extra speaker is going to languish in a closet. Therefore I won't be able to get them in for review. However, I'd like to celebrate them here and note their passage through the history of audio.

Mark Fleischmann  |  Dec 27, 2006  | 
How much bad news has analyst Rob Enderle got for the Blu-ray camp? On top of all that other bad news? Let me count the blows:
Mark Fleischmann  |  Dec 07, 2006  | 
"Police blame iPod explosion for 5% rise in robberies," says a headline in The Guardian. Crime actually fell by two percent from April to June, according to figures from the Home Office, but the same period saw a five percent hike in robberies. One top cop attributed the bump to "the products that are available to be stolen these days. The mobile phone explosion is continuing. The iPod explosion is continuing. All of these gadgets that people carry around with them are very attractive to robbers, so that puts the opportunities up." To New York subway riders, this is old news—about a year and a half old, to be precise. It's hard to resist whipping out your 'Pod and putting it in harm's way when you're accessing MTA info the fun way.
Mark Fleischmann  |  Jul 18, 2006  | 
HD DVD has adopted a Thomson-developed technology that would insert simulated film grain into high-def movie releases. The problem: Digital video compression codecs tend to lose the natural grain in film-based cinematography. The, um, uh, solution: "Thomson has come up with a way that allows the film grain to be put back, or at least simulated, into the movie after it's been compressed and decompressed," says Gavin Shutz of the Society of Motion Picture and Television Engineers. Film Grain Technology™ will appear in two HD DVD players from Toshiba and one from RCA. It has also found its way into Sonic Solutions HD DVD production tools. So even if you shun the fakery in players, it will still find its way into at least some movie titles. OK, I haven't seen it yet, but isn't fake film grain the aesthetic equivalent of artificial edge enhancement? What ever happened to the idea of reproducing the source as accurately as possible?
Mark Fleischmann  |  Apr 27, 2006  | 
As tired as I am of hyping HD DVD and, um, that other one, the Toshiba-championed format will take a huge step forward on May 9 with Warner's first dual-format title. Rumor Has It will have high-def HD DVD on one side and standard-def DVD-Video on the other. What's great about it is that you can start building your HD DVD library now without having to spring for first-generation hardware, which is both feature-light and probably destined for price drops before year-end. The backward-compatibility move is reminiscent of hybrid SACD, which includes high-res audio on one layer and standard CD audio on the other. That helped SACD trump DVD-Audio, and the horrible DualDisc hasn't done much to help DVD-A to catch up. Of course, the format war undermined both of those formats, and HD DVD and Blu-ray seem headed in the same downward direction. But I must add: Only one of my systems is SACD-compatible, so I play both layers of my dozens of SACDs quite often. So there!
Mark Fleischmann  |  Feb 22, 2006  | 
Manhattan's Upper West Side is home to many world-class attractions—Lincoln Center, the Museum of Natural History, and the Fairway cheese department, to name just a few—but electronics-industry press events are relatively rare. Yet there I was, a 15-minute walk from my apartment, in a store full of reporters getting Toshiba's marketing message about HD DVD. The event at P.C. Richard & Sons was day one of a 40-city roadshow that will be repeated in stores throughout the country. The highlight of the presentation was a split-screen comparison of high- and standard-definition material, including a boat that glided from one side of the screen to the other, acquiring depth and detail along the way. Consumers had already placed orders that day for players to be delivered in the last week of March, we were told. Contrary to a rumor reported here, an interim agreement on encryption keys will allow hardware and software manufacturers to move forward in tandem. Still unanswered are the two big questions: (1) Can either HD DVD or Blu-ray prosper in a format war? And (2) what impact will the down-res of component video output have on owners of early-generation HDTVs? Toshiba has a new HD DVD website here and Darryl Wilkinson offers more details here. I, however, got the free long-sleeved HD DVD T-shirt, available in a choice of emerald, rose, and blue-grey. Word up, Blu-ray people—this is going to be a hard T-shirt to beat.
Mark Fleischmann  |  Jan 18, 2007  | 
The first pirated material from an HD DVD has been posted on BitTorrent. This latest battle in the digital rights management war began a month ago when a blogger told the world he'd hacked AACS, the DRM that protects both HD DVD and Blu-ray, as a means of getting the player to work with his DVI-in TV. Because AACS involves both firmware in the player and an encryption key in each disc, his BackupHDDVD utility was worthless without the keys. But now people are posting the encryption keys on the net and HD DVD is officially insecure. Blu-ray is not as badly affected, because it adds a second layer of protection called BD+. The news overshadows other recent HD DVD gains, including its first triple-layer 51GB disc and its embrace by the adult video industry.
Mark Fleischmann  |  Feb 19, 2008  | 
Today Toshiba announced that it will discontinue marketing HD DVD players. What do you think will happen next? Will you buy a Blu-ray player? Do downloads look more attractive? And finally, those of you who have tried both HD DVD and Blu-ray, which offered the better user experience? Weigh in and tell us what you think. After all, it's your opinion that will determine what happens next in this epic saga.
Mark Fleischmann  |  Feb 14, 2007  | 
There are ordinary mortals who throw Super Bowl parties. And then there is Pete Putman, occasional Home Theater contributor and the HDTV expert of hdtvexpert.com. He put the big game on nine different screens scattered throughout the house (and one outside it). So whose display chugged away in sub-freezing weather? Which had pride of place in Pete's workshop theater? How did the portable pocket projector do? And whose screen was featured in the bathroom, "positioned at an angle to viewers at the door, the sink, and on the throne"? Check out the fully illustrated story for yourself.

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