Ears On

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Mark Fleischmann  |  Mar 08, 2007  | 
Are you an AT&T Homezone customer? If so, the set-top box you're using to access video-on-demand has learned a new trick: cellphone-activated DVR programming. There's no charge except for the existing Homezone charge of $9.99/month. AT&T hopes that will keep you happy until U-verse, its fiber/copper hybrid IP-over-TV service, reaches more areas. If you're a Verizon customer, you needn't feel left out. A long promised arrangement with TiVo will come to fruition soon. The charge will be $1.99/month. Sprint is getting into the act too, in association with Comcast and Time Warner. A Jupiter Research survey quoted by Reuters said fewer than 10 percent of respondents were excited about cell-driven DVR recording. Then again, none of them had had a chance to try it.
Mark Fleischmann  |  Apr 21, 2006  | 
Do you flip the channel when a commercial comes on? Or use your DVR to fast-forward through ads? Get a load of this U.S. patent application from Philips: "The apparatus and method comprises an advertisement controller in a video playback device that prevents a viewer of a direct (non-recorded) broadcast from switching channels when an advertisement is displayed, and prevents a viewer of a recorded program from fast forwarding the recorded program in order to skip past advertisements that were recorded with the program." Wait, there's more: "A viewer may either watch the advertisements or pay a fee in order to be able to change channels or fast forward when the advertisements are being displayed." Of course, you still might use the mute button, or just flee the room screaming. Based on the Multimedia Home Platform, which uses digital flags to trigger interactive features, the "advertisement controller" may be built into DTVs, video recorders, cable boxes, satellite boxes, even Internet service. The patent app acknowledges that it may be "greatly resented."
Mark Fleischmann  |  Apr 04, 2014  | 
The Universal Music Group is taking a new kind of plunge into the Blu-ray disc format. Already the videophile's go-to format for movies and concert videos, Blu-ray now bids to conquer audiophiles. At least, that's the plan. Whether it goes anywhere is a different question.

Mark Fleischmann  |  Dec 02, 2016  | 
If you have a limited amount of money to spend on audio gear, should you spend it on hi-fi or head-fi? In recent years head-fi has been gaining ground as sales of traditional audio components flatlined and sales of headphones and associate gear skyrocketed. Companies with long track records in hi-fi (and mass market audio) have conjured new headphone lines out of thin air. Companies with long track records in head-fi are making hay.

Mark Fleischmann  |  Jul 03, 2014  | 
We now have an official definition of what is high-resolution audio. That's the good news. The bad news is that we don't have a clear enough definition of what is not high-resolution audio.

Mark Fleischmann  |  May 30, 2006  | 
Hitachi bills four new 42-inch plasma models as 1080-line-capable. The following information is for numbers-obsessed videoholics only: The relevant model numbers are 42HDF39 ($2299), 42HDS69 ($2499), 42HDT79 ($2999), and 42HDX99 ($5299). Nominally these are 1080i, as opposed to 1080p, displays though at 42 inches that distinction is negligible. However, it's the vertical resolution that's 1080 lines. Horizontal resolution is actually 1024 lines, as opposed to 1920 in the 1080i ATSC broadcast standard (1920 by 1080). So three of these models are 1024 by 1080, and the lowest-priced is actually 1024 by 1024. Got all that? The difference probably stems from the inherent limitations of Hitachi's highly rated plasma manufacturing technique, which involves vertical channels of pixels crisscrossed by horizontal lines of electrodes. I got a preview at last week's press event in New York though production models will not arrive till later in the year. Up close and personal, the prototype looked pretty spiffy. I could see the dots only from two or three feet. Beyond that the picture looked seamless. The bottom line is that these 42-inch plasmas can show 1080 lines in a test pattern. Try that with a crayon and a piece of paper. Bet you can't do it.
Mark Fleischmann  |  Nov 03, 2017  | 
It's been more than a decade since I blogged on holiday survival tips. The advice I gave then (in the form of a diablog, amusingly enough) is evergreen: You should save all packaging and boxes, remember how to repack intricately packed products, save store and credit card receipts, keep on top of rebates, start an electronic junk drawer if you don't already have one, label power adapters, file manuals and other product docs, prepare to mentor the receipient, write the serial number on the manual, and be nice to customer support people, should you need one. All that is still good advice. But I missed a few things...

Mark Fleischmann  |  May 09, 2006  | 
Warner Bros. will distribute movies and TV shows through BitTorrent, essentially adapting a technology developed for file sharing to legal use. BitTorrent's "file swarming" technique does not download entire files from a central server. Instead it assembles a piece of content using bits from several other computers in an ad hoc network. The company's first step toward respectability came last year, when it removed illegal movie content and links from its site at the, uh, ah, request of the Motion Picture Association of America. Soon you'll be able to file-swarm new movie titles on the same date as the DVD release (price not announced) or TV shows for a buck. The download may either sit on your hard drive temporarily, for a single use, or be backed up to a DVD, though it would still play only on the PC that recorded it. Whether the rules will evolve is uncertain, and no one's given a start date, but the concept seems promising. The studios are already dipping their toes in other forms of digital home distribution.
Mark Fleischmann  |  Aug 14, 2006  | 
"My editor recently queried me about my TV set," wrote Matthew Gilbert of the Boston Globe. Shock, horror: This professional TV critic does his work with a 20-inch screen! And judging from the size, probably analog. Now, before you all pile on, be advised that Gilbert's decision to use a small screen is carefully considered: "Without a lot of sophisticated sensory overload, I think, a show's writing, acting, and editing stand out more clearly. I can stay in touch with the true marks of good storytelling, without having to parse them out from a dazzling barrage." More shock, more horror: I downsize a lot of my own viewing, though for different reasons. I watch movies on a 72-inch-wide Stewart Firehawk, but when I watch TV, I retreat to a less intense 32-inch LCD. Why? The reduction in scale eases both the headache-inducing quick cuts of advertising and the sorrows of real-life suicide bombings. Still, I think "the marks of good storytelling" are as perceptible on a big screen as on a small one—more, in fact, if you consider camerawork and other aspects of visual style as storytelling tools—and now that shows are being produced in (1) widescreen (2) HDTV and (3) surround, the Boston Globe's TV critic may be missing the boat.
Mark Fleischmann  |  Feb 07, 2014  | 
High-resolution audio (HRA) can enter your life in more than one way, as I discovered when reviewing two HRA products practically end to end. Both devices are DAC-amps that play HRA audio files. The main difference between them is that Cambridge Audio's Minx Xi streams music in real time from PCs and other devices, whereas Sony's HAP-S1 server-amp plays music from its own internal hard drive. The Cambridge is more of a network player, while the Sony is more of a music server (as I define these terms). These two products offer profoundly different ways of enjoying HRA.

Mark Fleischmann  |  Mar 01, 2007  | 
A bipartisan group is pushing new federal legislation that would chip away at the worst abuses of the Digital Millenium Copyright Act--the law often cited by the Recording Industry Antichrist of America in its "legal" campaign against consumers. The Freedom and Innovation Revitalizing U.S. Entrepreneurship Act, also known as the Fair Use Act, is sponsored by Reps. Rick Boucher (D-VA) and John Doolittle (R-CA). It would allow audiovisual compilations for classroom use, commercial skipping, home networking, library archiving, and access to works in the public domain or those "of substantial public interest solely for purposes of criticism, comment, news, reporting, scholarship, or research." It would also give manufacturers some wiggle room, eliminating statutory damages for those who unwittingly aid others who commit copyright infringement, and shoring up the 1984 Betamax Decision by sanctioning devices "capable of substantial, commercially-significant non-infringing use." Critics say the bill does not go as far as Boucher's attempts in previous legislative seasons. They point out that while the acts listed above are sanctioned, the tools that perform them are not. The RIAA condemned the bill claiming it would "repeal the DMCA and legalize hacking." And the Consumer Electronics Association praised it, saying it would "reinforce the historical fair use protections" of existing law.
Mark Fleischmann  |  Aug 04, 2017  | 
I live in a dense urban neighborhood where it's not uncommon to see secondhand LP dealers plying their trade on the sidewalks. One day I was pawing through dirty old LPs when I came across something decidedly odd. The jacket mentioned a singer named Marni Nixon; no relation to the president, but if you grew up during the Nixon era, the name would catch your eye. Backing her was an all-cello chamber ensemble. And the titles of the works, by Villa-Lobos, were Bachianas Brasileiras Nos. 1 and 5. I knew nothing of the Brazilian composer then but have always loved Bach. Curiosity pried $1 out of my wallet and I carried home my prize.

Mark Fleischmann  |  May 06, 2016  | 
Audio products bring us joy. They also get in the way. (That goes double for hard-copy software. And triple for LPs, much as we love them.) In fact, though the magazine's reviews discuss fidelity, features, and even ergonomics, they rarely discuss how a product might bulk large in your home. Reviewers simply assume that readers will consider the product category, look at the picture, maybe check the dimensions, and reach their own conclusions. But intrusion is a major way in which products relate, or fail to relate, to us.

Mark Fleischmann  |  Jun 20, 2006  | 
A product as wildly successful as the iPod inevitably produces a few bad Apples. Anecdotal evidence of consumer unhappiness like this British newspaper report are common. Then again, so is evidence of consumer happiness, as in my torture test of an iPod case—the nano inside it survived repeated abuse. The only reports that should be taken seriously are those involving enough people to be statistically meaningful. That's why this survey from MacInTouch is compelling, if not exactly conclusive. It covers more than 4000 users and nearly 9000 iPods in the field. Please note that the methodology is loose. Among other things, it doesn't factor in time, and you know everything fails eventually. The good news for nano owners is that flash-based players, not surprisingly, are more reliable. In fact I'm rather pleased to discover my 2GB nano is twice as reliable as the 4GB (now I can stop feeling inferior). The bad news is that hard-drive players are more failure-prone, though the newer video models do quite well. The good news about the bad news is that the hard drive may be not dead but merely disconnected. For safety reasons, our lawyers would probably have me add, have a qualified service person do the work.
Mark Fleischmann  |  Dec 01, 2017  | 
Normally I use this blog to explain things. In this case, perhaps I need you to explain something to me. Specifically (in Jerry Seinfeld voice) what's the deal with those expensive phones?

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