Music Reviews

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Mark Fleischmann  |  Oct 04, 2005  | 
Sergei Rachmaninov's second piano concerto demands both a virtuoso pianist and a huge, supple orchestral sound. It gets both in this multichannel recording from Deutsche Grammophon, which pairs Lang Lang with a venerable Russian orchestra.
Chris Lewis, Geoffrey Morrison  |  Oct 28, 2005  |  First Published: Aug 28, 2005  | 
HT's audio and video editors share the test and demo discs they use to put a system through its paces.

Audio Test Discs

Mark Fleischmann  |  Aug 26, 2005  | 
Imagine the score for a 33-minute film noir with nonstop action. That's Béla Bartók's The Miraculous Mandarin in a nutshell, although it's actually a one-act dance suite. The story concerns three thugs who use a young woman as bait to rob a series of victims, culminating in the Mandarin. They murder him—but not before he consummates his passion for the girl. The plot had enough sex and violence to get it banned immediately upon its 1926 debut in Köln, Germany.
Mark Fleischmann  |  Aug 04, 2005  | 
Even people who know nothing about Brazilian music recognize the urbane Latin syncopation of the bossa nova beat. The language, of course, is Portuguese, not Spanish. The key names in Brazilian pop music are Jobim and Gilberto; in orchestral and chamber music, Villa-Lobos. Arguably, the most alluring voice in Brazilian music today belongs to Rosa Passos, who partners with jazz bassist Ron Carter on this audiophile release.
Adrienne Maxwell  |  Jan 11, 2006  |  First Published: Jul 11, 2005  | 
I don't know how many banjo players you can name, but I can come up with two: Bela Fleck and Roy Clark (and I had to cheat to get Roy Clark-before a trip to IMDB.com, it was "that guy from Hee-Haw"). Even if you've never heard of Bela Fleck, you've probably heard his music, as he's appeared on a ton of pop and jazz albums. He's won Grammys in the country, jazz, classical, and pop categories, but his roots are pure bluegrass.
Mark Fleischmann  |  Jan 11, 2006  |  First Published: Jul 11, 2005  | 
A trembling flute figure drifts into the air and hangs there, sensuously falling and rising. It's one of the most celebrated moments in orchestral music, and the free, blissful, agile development that follows does not disappoint. Nor does Telarc's multichannel recording of this sumptuous work.
Adrienne Maxwell  |  Jun 26, 2005  | 
By mere coincidence (or perhaps not), I sat down to review this new hybrid SACD on the rare rainy day in Los Angeles (although not quite as rare this winter). The two were a perfect fit. The Jazz Kamerata has a comfortable warmth about it, inviting you to wrap yourself in it and settle in for a lazy afternoon.
Parke Puterbaugh  |  Jun 10, 2001  | 

The first time I heard Everyday, I thought it was terrible, a train wreck of Led Zeppelin, fusion, and grunge. The material seemed contrived, formless, and prickly. And then I kept listening, adapted to it, and rather grew to like it.

Francis Davis  |  Oct 16, 2001  | 

Clichés are truisms, Jack Kerouac once reasoned, and therefore true. But maybe not always - or at least not completely. One of the many clichés about Miles Davis is that beginning with cool in the late 1940s and ending with fusion 20 years later, he anticipated nearly every significant movement in jazz after be bop.

Robert Ripps  |  Dec 10, 2001  | 

Tune in a classical FM radio station or attend a symphony orchestra concert, and chances are you'll hear very little music composed after 1900.

Ken Richardson  |  Oct 21, 2002  | 

THE ROLLING STONES Remastered Series ABKCO Music: SACD Sound: SACD Series:
We interrupt our program of covering multichannel music to take you back to the days of stereo-and even mono! But this isn't just any old stuff, it's the (one-time) greatest rock & roll band in the world, the Rolling Stones.

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